The Mysteries of Paris, Volume 4 of 6. Эжен Сю

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СКАЧАТЬ and galleys, they are my hospitals. In incurable cases there is the executioner. As to the cure of my orphan," adds society, "I will reflect upon it. Let the germ of hereditary corruption ripen; let it increase; let it extend its ravages far and wide. When our man shall be rotten to the heart, when crime oozes out of him at every pore, when a robbery or desperate murder shall have placed him at the same bar of infamy at which his father stood, then we will cure this inheritor of crime, – as we cured his progenitor. At the galleys or on the scaffold the son will find his father's seat still warm."

      Society thus reasons; and it is astonished, and indignant, and frightened, to see how robberies and murders are handed down so fatally from generation to generation.

      The dark picture which is now to follow – The Freshwater Pirates – is intended to display what the inheritance of evil in a family may be when society does not come legally or officially to preserve the unfortunate victims of the law from the terrible consequences of the sentence executed against the father.4

      The ancestor of the Martial family who first established himself on this islet, on payment of a moderate rent, was a ravageur (a river-scavenger). The ravageurs, as well as the débardeurs and déchireurs of boats, remain nearly the whole of the day plunged in water up to the waist in the exercise of their trade. The débardeurs bring ashore the floating wood. The déchireurs break up the rafts which have brought the wood. Equally aquatic as these other two occupations, the business of a ravageur is different. Going into the water as far as possible, the ravageur, or mud-lark, draws up, by aid of a long drag, the river sand from beneath the mud; then, collecting it in large wooden bowls, he washes it like a person washing for gold dust, and extracts from it metallic particles of all kinds, – iron, copper, lead, tin, pewter, brass, – the results of the relics of all sorts of utensils. The ravageurs, indeed, often find in the sand fragments of gold and silver jewelry, brought into the Seine either by the sewers which are washed by the stream, or by the masses of snow or ice collected in the streets, and which are cast into the river. We do not know by what tradition or custom these persons, usually honest and industrious, are called by a name so formidable. Martial, the father, the first inhabitant of this islet, being a ravageur (and a sad exception to his comrades), the inhabitants of the river's banks called it the Ile du Ravageur.

      The dwelling of these freshwater pirates was placed at the southern end of the island. In daytime there was visible, on a sign-board over the door:

"AU RENDEZVOUS DES RAVAGEURSGOOD WINE, GOOD EELS, AND FRIED FISHBOATS LET BY THE DAY OR HOUR."

      We thus see that the head of this depraved family added to his visible or hidden pursuits those of a public-house keeper, fisherman, and letter of boats. The felon's widow continued to keep the house, and reprobates, vagrants, escaped convicts, wandering wild-beast showmen, and scamps of every description came there to pass Sundays and other days not marked with a red letter in the calendar, in parties of pleasure. Martial (La Louve's lover), the eldest son of the family, the least guilty of all the family, was a river poacher, and now and then, as a real champion, and for money paid, took the part of the weak against the strong. One of his brothers, Nicholas, the intended accomplice of Barbillon in the murder of the jewel-matcher, was in appearance a ravageur, but really a freshwater pirate in the Seine and its banks. François, the youngest son of the executed felon, rowed visitors who wished to go on the river in a boat. We have alluded to Ambroise Martial, condemned to the galleys for burglary at night with attempt to murder. The eldest daughter, nicknamed Calabash (Calebasse), helped her mother in the kitchen, and waited on the company. Her sister, Amandine, nine years of age, was also employed in the house according to her years and strength.

      At the period in question it was a dull night out of doors; heavy, gray, opaque clouds, driven by the wind, showed here and there in the midst of their openings a few patches of dark blue spotted with stars. The outline of the islet, bordered by high and ragged poplars, was strongly and darkly defined in the clear haze of the sky and in the white transparency of the river. The house, with its irregular gables, was completely buried in the shade; two windows in the ground floor only were lighted, and these windows showed a deep red light, which was reflected like long trails of fire in the little ripples which washed the landing-place close to the house. The chains of the boats which were moored there made a continual clashing, that mingled unpleasantly with the gusts of the wind in the branches of the poplars, and the hoarse murmurs of the main stream.

      A portion of the family was assembled in the kitchen of the house. This was a large low-roofed apartment. Facing the door were two windows, under which a long stove extended. To the left hand there was a high chimney; on the right a staircase leading to the upper story. At the side of this staircase was the entrance to a large room, containing several tables for the use of the guests at the cabaret. The light of a lamp, joined to the flame of the fire, was strongly reflected by a number of saucepans and other copper utensils suspended against the wall, or ranged on shelves with a quantity of earthenware; and a large table stood in the middle of the kitchen. The felon's widow, with three of her children, was seated in the corner near the fireplace.

      This woman, tall and meagre, seemed about five and forty years of age. She was dressed in black, with a mourning handkerchief tied about her head, concealing her hair, and surrounding her flat, livid, and wrinkled brows; her nose was long and straight; her cheek-bones prominent; her cheeks furrowed; her complexion bilious and sallow; the corners of her mouth, always curved downwards, rendered still harsher the expression of her countenance, as chilling, sinister, and immovable as a marble mask. Her gray eyebrows surmounted her dull blue eyes.

      The felon's widow was employed with needlework, as well as her two daughters. The eldest girl was tall and forbidding like her mother, with her features, calm, harsh, and repulsive, her thin nose, her ill-formed mouth, and her pale look. Her yellow complexion, which resembled a ripe quince, had procured for her the name of Calabash (Calebasse). She was not in mourning, but wore a brown gown, whilst a cap of black tulle did not conceal two bands of scanty hair of dull and dingy light brown.

      François, the youngest of the Martial sons, was sitting on a low stool repairing an aldrel, a thin-meshed net forbidden to be used on the Seine. In spite of the tan of his features, this boy seemed in perfect health; a forest of red hair covered his head; his face was round, his lips thick, his forehead projecting, his eyes quick and piercing. He was not like his mother or his elder sister, but had a subdued and sly look, as from time to time, through the thick mass of hair that fell over his eyes, he threw a stealthy and fearful glance at his mother, or exchanged a look of intelligence and affection with his little sister, Amandine.

      The latter was seated beside her brother, and was occupied, not in marking, but in unmarking, some linen stolen on the previous evening. She was nine years old, and was as like her brother as her sister was like her mother. Her features, without being more regular, were less coarse than those of François. Although covered with freckles, her complexion was remarkably clear, her lips thick and red, her hair also red, but silky, and her eyes, though small, were of a clear bright blue. When Amandine's look met that of her brother, she turned a glance towards the door, and then François replied by sigh; after which, calling his sister's attention by a slight gesture, he counted with the end of his needle ten loops of the net. This was meant to imply, in the symbolical language of children, that their brother Martial would not return until ten o'clock that evening.

      Seeing these two women so silent and ill-looking, and the two poor little mute, frightened, uneasy children, we might suppose they were two executioners and two victims. Calabash, perceiving that Amandine had ceased from her occupation for a moment, said, in a harsh tone:

      "Come, haven't you done taking the mark out of that shirt?"

      The little girl bowed her head without making any reply, and, by the aid of her fingers and scissors, hastily finished taking out the red cotton threads which marked the letters in the linen.

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