The Mandibles: A Family, 2029–2047. Lionel Shriver
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Название: The Mandibles: A Family, 2029–2047

Автор: Lionel Shriver

Издательство: HarperCollins

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isbn: 9780007560769

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СКАЧАТЬ mortgage, he said, ‘Ownership might prove auspicious. The tenant you may regret.’”

      With those where-were-you-then junctures—for people like his great-aunt Nollie, the Kennedy assassination; for his mother’s generation, 9/11—it was all too easy to pretend-remember, to look back and impose the solid facts of what you learned afterward on the tremulous, watery past. So Willing resolved that later he would remember this night, truly remember-remember—right down to the sandy-textured pork patties, a long video powwow between his mother and her sister after dinner, and the dryout (by then, the protocol was routine). He would keep humbly in place the fact that he did not, at this time, understand the notion of a reserve currency. Nor did he comprehend what a bond auction was, although there’d doubtless been whole decades if not centuries during which both concepts were roundly regarded as boring and beside the point by just about everybody. Still, in the future he would make sure to give himself this much credit: during the 7 p.m. newscast, even if he didn’t get it—this “US Treasury bond auction” with its “spike in interest rates”—he did pick up on the tone.

      Since the Stonage, he’d had an ear for it. Everyone else thought that the worst was behind them; order had been gloriously and permanently restored. But for Willing, during his own seminal where-were-you-then occasion at the grand old age of eight, The Day Nothing Went On had been a revelation, and revelations did not un-reveal themselves; they did not fit back into the cupboard. As a consequence of this irreversible epiphany, he had learned to upend expectations. There was nothing astonishing about things not working, about things falling apart. Failure and decay were the world’s natural state. What was astonishing was anything that worked as intended, for any duration whatsoever. Thus he’d spent his latter childhood in a state of grateful amazement—at the television aglow with supersaturated color (it turned on! again!), at his mother returned from work on a bus that ran on time or at all, at clean water flowing from the tap, even if he was rarely allowed to touch it.

      As for the tone, he identified it while his mother was still chattering over cabbage in the kitchen. Neither his mother nor Esteban detected the timbre. Only Willing paid attention. Willing and Milo, that is; eyes alert, posture wary, ears lifted, the spaniel discerned a curious pitch as well. For the newscasters spoke with a strain of nervous excitement that was distinctive. People who delivered the news loved it when something happened. You could hardly blame them, since saying what happened was their job, and they liked having something to do. When events were bad, as they almost always were since good news was mostly about sameness, they’d get embarrassed by how happy they were. The worst of the anchors covered the happiness with big overdone fake sadness that didn’t fool anyone and that Willing wished they would ditch.

      At least tonight nobody had died, and whatever inscrutable occurrences were being reported had to do with numbers and clunky expressions that he bet most of the rest of the audience didn’t understand either. So at least the newsreaders and their guests didn’t pull their cheeks down and drop their voices into an artificially sorrowful minor key. To the contrary, everyone on the newscast seemed pleased, thrilled even. Yet the edgy gaiety was etched with a keen awareness that to the best of their abilities they should mask an exhilaration they would come to regret. The tone came down to: this is fun now, and it won’t be later.

       chapter two

       Karmic Clumping

      Avery Stackhouse was well aware that her sister was impatient with fleXface, since Florence liked to clean the kitchen while she talked. But in that event, the dishes always seemed to command the better part of her attention, and the distraction would squander a rare solitude: Lowell was teaching an evening class; Savannah was out with one of the boyfriends shuttling through her senior year so quickly that her mother had given up learning their names; Goog was prepping with his team for the big interschool debate on the proposition “Shortages and price spikes are caused by destructive national ‘food security’ policies, not by real agricultural shortfalls”—Goog had opted for the affirmative; Bing was practicing with his quartet.

      Curling into a sumptuous armchair, she gave the living room a satisfied glance. In her young adulthood, fashionable décor had featured hard surfaces, sharp angles, and refraction, while color schemes were dominated by unforgiving whites. Deliciously, now softness, light absorption, and curves were de rigueur; even their walls were covered in dusty synthetic suede. This room was all umbers and toast, the furniture pre-worn leather and low-nap fur, so that lazing here with a glass of wine was like snuggling against a stuffed bear. The tacky blare of chrome had been replaced with the mute of pewter. Mercifully, affluent homes in DC no longer sported those dreadful sectionals, but had restored the dignified couch.

      The Stackhouses had also banished the busy clunk of books that cluttered all three stories of her parents’ jumbled brick house in Carroll Gardens. Nothing betrayed you as a fuddy-duddy like parallels of shabby spines junking up the walls. Once you’d read a book, why retain it in three dimensions, save as a form of boasting? Now that you could balance the Library of Congress on your fingertip, dragging countless cartons of these spent objects from home to home was like moving with your eggshells.

      She unfolded and stiffened the fleXcreen to perch it on the hide-covered coffee table. The device was so thin that, before the distinctive bright colors of its second generation, some folks had thrown theirs away, mistaking the wads in their pockets for tissues. Since the diaphanous material would assume a screen size anywhere from a two-inch square to a fifteen-by-twenty rectangle, and you could fold a lower section onto a surface to become a keyboard, the fleX had replaced the smart watch, smartspeX, smart phone, tablet, laptop, and desktop at a stroke. Best of all, the fleXcreen didn’t break—a plus its manufacturers were beginning to rue.

      “Listen, are you settled?” Avery plunged in. “Because I’m dying to talk to you about this farm Jarred’s bought.”

      “Yeah, Dad said something about it,” said Florence. “But how can Jarred swing buying a farm?”

      High resolution brought out incipient bags under her sister’s eyes that wouldn’t have been noticeable in person. Avery wasn’t inclined to feel superior; flaws in her sister’s visage were harbingers of her own in two years’ time. Besides, a host of blotches, sprouting black hairs, and ghastly discolorations glared on her face as well. The device’s forensic images so exceeded the benevolently blurred apprehension of the human face in ordinary life that video resembled a medical scan, which wouldn’t tell you whether your sister was happy or sad but whether she had skin cancer. At least she and Florence had agreed to never go 3-D again, which was even worse: you looked not only malignant, but fat.

      “Because Jarred never tapped the college fund for nearly as much as you and I did,” Avery explained, “he convinced Grand Man that getting a down payment instead would be fair.” A formidable man of formidable vanities, Grandfather Mandible had always seemed to savor the shorthand Grand Man—even more so once her children embellished it to Great Grand Man.

      “Leave it to Jarred to cash in on dropping out of college,” Florence said. “Twice. Still, I’m baffled. Jarred’s never even expressed interest in gardening.”

      “He’d never expressed interest in seawater before he went on that desalination jag. He’d never fried an egg before he took that Moroccan cooking course. Jarred’s whole life is a ‘What doesn’t belong in this picture?’ puzzle where nothing belongs in the picture. An agrarian idyll doesn’t fit, so it does fit. It’s logical in its illogic.”

      “Is this how you bend over backwards getting your clients to СКАЧАТЬ