Rainbow's End. Rex Beach

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СКАЧАТЬ Before the young Irish-American had more than a bowing acquaintance with the commonest Spanish verbs he had a calling acquaintance with some of the most exclusive people of Matanzas. He puzzled them, to be sure, for they could not fathom the reason for his ever-bubbling gladness, but they strove to catch its secret, and, striving, they made friends with him. O'Reilly did not puzzle their daughters nearly so much: more than one aristocratic senorita felt sure that she quite understood the tall, blond stranger with the laughing eyes, or could understand him if he gave her half a chance, and so, as had been the case with other O'Reillys in other lands, Johnnie's exile became no exile at all. He had adjusted himself serenely to his surroundings when Rosa Varona returned from school, but with her coming, away went all his complacency. His contentment vanished; he experienced a total change in his opinions, his hopes, and his ambitions.

      He discovered, for example, that Matanzas was by no means the out-of-the-way place he had considered it; on the contrary, after meeting Rosa once by accident, twice by design, and three times by mutual arrangement, it had dawned upon him that this was the chief city of Cuba, if not, perhaps, the hub around which the whole world revolved; certainly it was the most agreeable of all cities, since it contained everything that was necessary for man's happiness. Yet, despite the thrill of his awakening, O'Reilly was not at all pleased with himself, for, as it happened, there was another girl back home, and during his first year of loneliness he had written to her more freely and more frequently than any man on such a salary as his had a right to do.

      O'Reilly laid no claims to literary gifts; nevertheless, it seemed to him, as he looked back upon it, that his pen must have been dipped in magic and in moonlight, for the girl had expressed an eager willingness to share his interesting economic problems, and in fact was waiting for him to give her the legal right. Inasmuch as her father was O'Reilly's "Company" it may be seen that Rosa Varona's home-coming seriously complicated matters, not only from a sentimental, but from a business standpoint.

      It was in a thoughtful mood that he rode up La Cumbre, toward the Quinta de Esteban, late on the afternoon of Don Mario's visit. Instead of going directly to the house as the merchant had done, O'Reilly turned off from the road and, after tethering his horse in a cluster of guava bushes, proceeded on foot. He did not like Dona Isabel, nor did Dona Isabel like him. Moreover, he had a particular reason for avoiding her to-day.

      Just inside the Varona premises he paused an instant to admire the outlook. The quinta commanded an excellent view of the Yumuri, on the one hand, and of the town and harbor on the other; no one ever climbed the hill from the city to gaze over into that hidden valley without feeling a pleasurable surprise at finding it still there. We are accustomed to think of perfect beauty as unsubstantial, evanescent; but the Yumuri never changed, and in that lay its supremest wonder.

      Through what had once been well-tended grounds, O'Reilly made his way to a sort of sunken garden which, in spite of neglect, still remained the most charming nook upon the place; and there he sat down to wait for Rosa. The hollow was effectually screened from view by a growth of plantain, palm, orange, and tamarind trees; over the rocky walls ran a profusion of flowering plants and vines; in the center of the open space was an old well, its masonry curb all but crumbled away.

      When Rosa at last appeared, O'Reilly felt called upon to tell her, somewhat dizzily, that she was beyond doubt the sweetest flower on all the Quinta de Esteban, and since this somewhat hackneyed remark was the boldest speech he had ever made to her, she blushed prettily, flashing him a dimpled smile of mingled pleasure and surprise.

      "Oh, but I assure you I'm in no sweet temper," said she. "Just now I'm tremendously angry."

      "Why?"

      "It's that stepmother—Isabel."

      "So! You've been quarreling again, eh? Well, she's the easiest woman in all Matanzas to quarrel with—perhaps the only one who doesn't see something good in me. I'm afraid to talk to her for fear she'd convince me I'm wholly abominable."

      Rosa laughed, showing her fine, regular teeth—O'Reilly thought he had never seen teeth so even and white. "Yes, she is a difficult person. If she dreamed that I see you as often as I do—Well—" Rosa lifted her eloquent hands and eyes heavenward. "I suppose that's why I enjoy doing it—I so dearly love to spite her."

      "I see!" O'Reilly puckered his brows and nodded. "But why, in that case, haven't you seen me oftener? We might just as well have made the good lady's life totally unbearable."

      "Silly! She knows nothing about it." With a flirtatious sigh Rosa added: "That's what robs the affair of its chief pleasure. Since it does not bother her in the least, I think I will not allow you to come any more."

      After judicious consideration, O'Reilly pretended to agree.

      "There's no fun in wreaking a horrible revenge, when your enemy isn't wise to it," he acknowledged. "Since it's your idea to irritate your stepmother, perhaps it would annoy her more if I made love directly to her."

      Rosa tittered, and then inquired, naively, "Can you make love, senor?"

      "Can I? It's the one ability an O'Reilly inherits. Listen to this now." Reaching forth, he took Rosa's fingers in his. "Wait!" he cried as she resisted. "Pretend that you're Mrs. Varona, your own stepmother, and that this is her dimpled hand I'm holding."

      "Oh-h!" The girl allowed his grasp to remain. "But Isabel's hand isn't dimpled: it's thin and bony. I've felt it on my ears often enough."

      "Don't interrupt," he told her. "Isabel, my little darling—"

      "'Little'! La! La! She's as tall and ugly as a chimney."

      "Hush! I've held my tongue as long as I can, but now it's running away of its own accord, and I must tell you how mad I am about you. The first time I saw you—it was at the ball in the Spanish Club—" Again Rosa drew away sharply, at which O'Reilly laid his other hand over the one in his palm, saying, quickly: "You and your stepdaughter, Rosa. Do you remember that first waltz of ours? Sure, I thought I was in heaven, with you in my arms and your eyes shining into mine, and I told you so."

      "So you make the same pretty speeches to all women, eh?" the girl reproached him.

      "Isabel, sweetheart, I lose my breath when I think of you; my lips pucker up for kisses—"

      "'ISABEL'!" exclaimed a voice, and the lovers started guiltily apart. They turned to find Esteban, Rosa's twin brother, staring at them oddly. "Isabel?" he repeated. "What's this?"

      "You interrupted our theatricals. I was rehearsing an impassioned proposal to your beloved stepmother," O'Reilly explained, with a pretense of annoyance.

      "Yes, Senor O'Reilly believes he can infuriate Isabel by laying siege to her. He's a—foolish person—" Rosa's cheeks were faintly flushed and her color deepened at the amusement in Esteban's eyes. "He makes love wretchedly."

      "What little I overheard wasn't bad," Esteban declared; then he took

       O'Reilly's hand.

      Esteban was a handsome boy, straight, slim, and manly, and his resemblance to Rosa was startling. With a look engaging in its frank directness, he said: "Rosa told me about your meetings here and I came to apologize for our stepmother's discourtesy. I'm sorry we can't invite you into our house, but—you understand? Rosa and I are not like her; we are quite liberal in our views; we are almost Americans, as you see. I dare say that's what makes Isabel hate Americans so bitterly."

      "Wouldn't it please her to know that I'm becoming Cubanized as fast as ever I can?" ventured the СКАЧАТЬ