Rainbow's End. Rex Beach
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Название: Rainbow's End

Автор: Rex Beach

Издательство: Bookwire

Жанр: Языкознание

Серия:

isbn: 4057664590848

isbn:

СКАЧАТЬ Not subdued yet, eh? You need another flogging."

      "Curse you and all that is yours," roared the maddened slave. "May you know the misery you have put upon me. May you rot for a million years in hell." The whip was rising and falling now, for Esteban had lost what little self-control the liquor had left to him. "May your children's bodies grow filthy with disease; may they starve; may they—"

      Sebastian was yelling, though his voice was hoarse with pain. The lash drew blood with every blow. Meanwhile, he wrenched and tugged at his bonds with the fury of a maniac.

      "Pablo! Your machete, quick!" panted the slave-owner. "God's blood!

       I'll make an end of this black fiend, once for all."

      Esteban Varona's guests had looked on at the scene with the same mild interest they would display at the whipping of a balky horse: and, now that the animal threatened to become dangerous, it was in their view quite the proper thing to put it out of the way. Don Pablo Peza stepped toward his mare to draw the machete from its scabbard. But he did not hand it to his friend. He heard a shout, and turned in time to see a wonderful and a terrible thing.

      Sebastian had braced his naked feet against the wall; he had bowed his back and bent his massive shoulders—a back and a pair of shoulders that looked as bony and muscular as those of an ox—and he was heaving with every ounce of strength in his enormous body. As Pablo stared he saw the heavy grating come away from its anchorage in the solid masonry, as a shrub is uprooted from soft ground. The rods bent and twisted; there was a clank and rattle and clash of metal upon the flags; and then—Sebastian turned upon his tormentor, a free man, save only for the wide iron bracelets and their connecting chain. He was quite insane. His face was frightful to behold; it was apelike in its animal rage, and he towered above his master like some fabled creature out of the African jungle of his forefathers.

      Sebastian's fists alone would have been formidable weapons, but they were armored and weighted with the old-fashioned, hand-wrought irons which Pancho Cueto had locked upon them. Wrapping the chain in his fingers, the slave leaped at Esteban and struck, once. The sound of the blow was sickening, for the whole bony structure of Esteban Varona's head gave way.

      There was a horrified cry from the other white men. Don Pablo Peza ran forward, shouting. He swung his machete, but Sebastian met him before the blow could descend, and they went down together upon the hard stones. Again Sebastian smote, with his massive hands wrapped in the chain and his wrists encased in steel, and this time it was as if Don Pablo's head had been caught between a hammer and an anvil. The negro's strength, exceptional at all times, was multiplied tenfold; he had run amuck. When he arose the machete was in his grasp and Don Pablo's brains were on his knuckles.

      It all happened in far less time than it takes to tell. The onlookers had not yet recovered from their first consternation; in fact they were still fumbling and tugging at whatever weapons they carried when Sebastian came toward them, brandishing the blade on high. Pedro Miron, the advocate, was the third to fall. He tried to scramble out of the negro's path, but, being an old man, his limbs were too stiff to serve him and he went down shrieking.

      By now the horses had caught the scent of hot blood and were plunging furiously, the clatter of their hoofs mingling with the blasphemies of the riders, while Sebastian's bestial roaring made the commotion even more hideous.

      Esteban's guests fought as much for their lives as for vengeance upon the slayer, for Sebastian was like a gorilla; he seemed intent upon killing them all. He vented his fury upon whatever came within his reach; he struck at men and animals alike, and the shrieks of wounded horses added to the din.

      It was a frightful combat. It seemed incredible that one man could work such dreadful havoc in so short a time. Varona and two of his friends were dead; two more were badly wounded, and a Peruvian stallion lay kicking on the flagging when Col. Mendoza y Linares finally managed to get a bullet home in the black man's brain.

      Those who came running to learn the cause of the hubbub turned away sick and pallid, for the paved yard was a shambles. Pancho Cueto called upon the slaves to help him, but they slunk back to their quarters, dumb with terror and dismay.

      All that night people from the town below came and went and the quinta resounded to sobs and lamentations, but of all the relatives of the dead and wounded, Dona Isabel took her bereavement hardest. Strange to say, she could not be comforted. She wept, she screamed, she tore her hair, tasting the full nauseousness of the cup her own avarice had prepared. Now, when it was too late, she realized that she had overreached herself, having caused the death of the only two who knew the secret of the treasure. She remembered, also, Sebastian's statement that even the deeds of patent for the land were hidden with the rest, where ten thousand men in ten thousand years could never find them.

      Impressed by her manifestations of grief, Esteban's friends reasoned that the widow must have loved her husband dearly. They told one another they had wronged her.

       Table of Contents

      "THE O'REILLY"

      Age and easy living had caused Don Mario de Castano, the sugar merchant, to take on weight. He had, in truth, become so fat that he waddled like a penguin when he walked; and when he rode, the springs of his French victoria gave up in despair. They glued themselves together, face to face, and Don Mario felt every rut and every rock in the road. Nor was the merchant any less heavy in mind than in body, for he was both very rich and very serious, and nothing is more ponderous than a rich, fat man who takes his riches and his fatness seriously. In disposition Don Mario was practical and unromantic; he boasted that he had never had an illusion, never an interest outside of his business. And yet, on the day this story opens, this prosaic personage, in spite of his bulging waistband and his taut neckband, in spite of his short breath and his prickly heat, was in a very whirl of pleasurable excitement. Don Mario, in fact, suffered the greatest of all illusions: he was in love, and he believed himself beloved. The object of his adoration was little Rosa Varona, the daughter of his one-time friend Esteban. At thought of her the planter glowed with ardor—at any rate he took it to be ardor, although it might have been the fever from that summer rash which so afflicted him—and his heart fluttered in a way dangerous to one of his apoplectic tendencies. To be sure, he had met Rosa only twice since her return from her Yankee school, but twice had been enough; with prompt decision he had resolved to do her the honor of making her his wife.

      Now, with a person of Don Mario's importance, to decide for himself is to decide for others, and inasmuch as he knew that Dona Isabel, Rosa's stepmother, was notoriously mercenary and had not done at all well since her husband's death, it did not occur to him to doubt that his suit would prosper. It was, in fact, to make terms with her that he rode forth in the heat of this particular afternoon.

      Notwithstanding the rivulets of perspiration that were coursing down every fold of his flesh, and regardless of the fact that the body of his victoria was tipped at a drunken angle, as if struggling to escape the burdens of his great weight, Don Mario felt a jauntiness of body and of spirit almost like that of youth. He saw himself as a splendid prince riding toward the humble home of some obscure maiden whom he had graciously chosen to be his mate.

      His arrival threw Dona Isabel into a flutter; the woman could scarcely contain her curiosity when she came to meet him, for he was not the sort of man to inconvenience himself by mere social visits. Their first formal greetings over, Don Mario surveyed the bare living-room and remarked, lugubriously:

      "I see many changes СКАЧАТЬ