Memoirs of the Empress Josephine Bonaparte. Madame de Rémusat
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Название: Memoirs of the Empress Josephine Bonaparte

Автор: Madame de Rémusat

Издательство: Bookwire

Жанр: Документальная литература

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isbn: 4064066382711

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СКАЧАТЬ only a woman, I confine myself to verbal utterances about you know whom. What a man! what a man! It terrifies me to retrace it all. It was my misfortune to be very young when I was placed near him; I did not reflect on what passed before me; but now that we are both older, I and the generation to which I belong, my memories move me more than did events at that time. If you come … I think you will find that I have not lost much time this summer. I have already written nearly five hundred pages, and I was going to write much more; the task lengthens as I work at it. Afterward much time and patience will be required to put all this material in order. Perhaps I shall never have either one or the other; if so, that will be your business when I shall be no longer here.”

      “Your father,” she writes again, “says that he does not know of any one to whom I could show what I am writing. He declares that no one excels me in ‘the talent for being true’ as he expresses it. So, therefore, I write for nobody in particular. Some day you will find my manuscripts among my effects, and you can do what you like with them.”

      On the 8th of October, 1818, she writes: “There is a thought that sometimes troubles me. I say to myself, ‘Suppose some day my son publishes this, what will be said of me?’ Then the fear seizes me that I shall be held to have been malicious, or at least ill-natured, and I rack my brain for something to praise. But this man (Bonaparte) was such a ruthless destroyer of all worth and we were brought so low that I am straitened by the demands of truth, and I grow quite disheartened.”

      These fragments of her letters indicate the spirit in which the Memoirs of Mme. de Rémusat were written; and it was not that of a literary pastime, nor a pleasure of the imagination. Her motive was neither ambition to be an author, nor the desire to put forward an apology. The love of truth, the political spectacle before her eyes, and the influence of a son who became day by day more strongly confirmed in those Liberal opinions which were destined to be the delight and the honor of his life—these things gave her courage to persevere in her task for more than two years. She understood that noble policy which places the rights of man above the rights of the State. Nor was this all. As often happens to persons deeply engaged in intellectual work, her task became plain and easy, and she led a more active life than at any previous time. In spite of failing health, she constantly traveled from Lille to Paris; she acted the part of Elmire in “Tartuffe” at M. Molé’s house at Champlâtreux; she commenced a work on the Women of the Seventeenth Century, which she afterward expanded into her “Essai sur l’Education des Femmes;” she supplied Dupuytren with material for a panegyric on Corvisart, and she even published a tale in the “Lycée Français.”

      In the midst of the happiness which she derived from her quiet life and her busy mind, from her husband’s official and her son’s literary success, her health failed. First came a weakness of the eyes, which, without actually threatening her sight, occasioned her both pain and inconvenience; then followed a general delicacy of the system, in which the stomach was chiefly affected. After alternate changes for the better and the worse, her son brought her to Paris on the 28th of November, 1821, in a suffering condition, which was alarming to those who loved her, but did not appear to the doctors to indicate immediate danger. Broussais, however, took a desponding view of her case, and my father was then first struck by the power of induction to which the discoveries and the errors of that eminent man are alike due. Notwithstanding her illness, she occupied herself on her return to Lille with literary and historical work, and received company, including a great number of political personages. She was still able to feel interested in the fall of the Duke Decazes, and she foresaw that the coming into power of M. de Villèle—that is to say, of the ultras or reactionaries, as they are now called—would render it impossible for her husband to retain the Prefecture of Lille; and, in fact, he was superseded on the 9th of January, 1822. Before this occurred, Mme. de Rémusat was no more. She expired suddenly in the night, December 16, 1821, aged forty-one years.

      She bequeathed to her son a lifelong sorrow, and to her friends the memory of a remarkable and charming woman. Not one of those friends is now living; M. Pasquier, M. Molé, M. Guizot, and M. Leclerc have recently passed away. I render her memory the truest homage in my power by the publication of these unfinished Memoirs, which, with the exception of a few chapters, she was unable to read over or correct. The work was to have been divided into five parts, corresponding with five distinct epochs. She completed only three, which treat of the interval between 1802 and 1808; that is to say, from her first appearance at Court to the breaking out of the war in Spain. The unwritten portions would have described the period that elapsed between that war and the divorce (1808–1809), and the five following years, ending with the fall of the Emperor. I am well aware that a work of the nature of this one is calculated to bring down upon both its author and its editor much blame, many insinuations, and a great deal of political animosity. Its apparent contradictions will be held up to observation, rather than the interesting analogy of the opinions of three generations which it sets forth, and the difference in the times. It will be a theme for wonder that any man could be a chamberlain and any woman a lady-in-waiting, and yet that both could be so far from servile, so liberal, so little shocked by the 18th Brumaire, so patriotic, so much fascinated by that man of genius, Bonaparte, and so severe upon his faults, so clear-sighted respecting the majority of the members of the Imperial family, so indulgent or so blind with regard to others who have left an equally fatal impress on our national history. It will, however, be difficult to avoid doing justice to the sincerity, the honesty, and the intelligence of the author, or to read the book without deriving from it an increased aversion to absolute power, a keener perception of its sophistry, and the hollowness of the apparent prosperity with which it dazzles public opinion. These impressions I have especially derived from it, and I desire to retain them. It would have been sufficient preface to this book had I written only those words which my father uttered, sixty years ago, when, on reading Mme. de Staël, he asked his mother to tell him the story of the cruel years of the First Empire: “All honor to the sincere!”

      PAUL DE RÉMUSAT.

[1]The Vingtième was a tax imposed under the ancien régime, on land and house property, and which amounted to a twentieth of the revenue.

      INTRODUCTION

       Table of Contents

       Table of Contents

      

OW that I am about to commence these Memoirs, I think it well to precede them by some observations on the character of the Emperor, and the various members of the family respectively. These observations will help me in the difficult task I am about to undertake, by aiding me to recall the impressions of the last twelve years. I shall begin with Bonaparte himself. I am far from saying that he always appeared to me in the light in which I see him now; my opinions have progressed, even as he did; but I am so far from being influenced by personal feelings, that I do not think it is possible for me to deviate from the exact truth.

      Napoleon Bonaparte is of low stature, and rather ill-proportioned; his bust is too long, and so shortens the rest of his figure. He has thin chestnut hair, his eyes are grayish blue, and his skin, which was yellow while he was slight, became in later years a dead white without any color. His forehead, the setting of his eye, the line of his nose—all that is beautiful, and reminds one of an antique medallion. His mouth, which is thin-lipped, becomes agreeable when he laughs; the teeth are regular. His chin is short, and his jaw heavy and square. He has well-formed hands and feet; I mention them particularly, because he thought a good deal of them.

      He has an habitual slight stoop. His eyes are dull, giving in his СКАЧАТЬ