Gardens of the Caribbees (Vol. 1&2). Ida May Hill Starr
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Название: Gardens of the Caribbees (Vol. 1&2)

Автор: Ida May Hill Starr

Издательство: Bookwire

Жанр: Книги о Путешествиях

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isbn: 4064066382209

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Waiting for Customers Port-au-Prince, Haïti

      As we approached land, the character of the place was indicated by the boats lying at anchor, and by those which clung, like a forlorn hope, to the rickety old piers along shore. They were the most dilapidated, nondescript lot of craft I have ever seen.

      The “fort” at the harbour entrance was in a state of collapse, and about big enough to shelter a basket of babies. The Haïtien “man-of-war” anchored near the shore was an absurd old iron gunboat with rusty stacks and dishevelled rigging, painted in many colours and temporarily incapacitated because of leaky boilers and broken engines. The rest of the “Haïtien Navy,” i.e., another old rusty gunboat, was lying neglected and half sunken near by. The pier where we landed was so shattered by time and water that I had to pick my way very carefully in order to keep from falling through. On shore, we were at once surrounded by a mob of jabbering Haïtiens, speaking—well, it’s hard to say just what. It started out French and ended in an incomprehensible jargon, intelligible only to the delicate Haïtien ear. As we picked our way along the tumble-down pier, between piles of coral which had been recently removed from the shoal water near shore (in order that small boats could land at the piers), the tatterdemalion Haïtiens escorted us to the city, under a tumble-down archway, into tumble-down Port-au-Prince, to find waiting for us at the other side of this water gate an assortment of vehicles which I find it quite impossible to describe. They had had an earthquake in Port-au-Prince the preceding October, and those carriages looked as if they had passed through the whole shocking ordeal. The horses, not as high as my shoulder, were simply animated bones—“articulated equine skeletons” somebody said—harnessed with ropes and strings and old scraps of leather, to what were once “carriages,” all of antiquated patterns—anything from a cart to a carryall; and to the enormous Americans, who doubled up their precious knees in order to sit inside, they seemed like the veriest rattletraps for dolls. Off they moved, the whole wobblety procession, to the cracking of native whips and howls of the admiring vagabonds. The white dust blew about us, and the sun beat down upon our heads, and we were in the Tropics indeed. I do not know whether it was the result of seasickness, or what it was, but everything in Haïti looked crooked. Sister said that the Mother Goose “Crooked Man” must have come from Haïti, and I agreed with her.

      

The “Coaches” Port-au-Prince, Haïti The “Coaches” Port-au-Prince, Haïti

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      We preferred to walk up into the town—not because we were more merciful than those who had wobbled and rattled and jiggled on before us, but because we thought it would be a little more Haïtien than if we drove. We might have taken the tram, but it was more fun to watch it hitch its precarious way along after its stuffy, rusty, leaky little “dummy” engine, down through the crooked streets, than to jerk along with it. The only sensible thing to do was just to stand there within the ruins of a one-time beautiful city and look about us. It was the worst, the forlornest, the most mind-forsaken place of which you can conceive. Earthquakes had cracked and tumbled down some of the best buildings, fire had destroyed many others, and the remains had been left as they had dropped, under the blistering sun, to crumble away into dust; and thronging in and through the ruins like black ants about their downtrodden dwelling, were swarms of rag-tag human beings whom I call such merely because no species of “missing link” has yet been recognised by our anthropologists.

      It was an official building before which we were standing, and as we were about to move on to a shadier spot, the guards, or the soldiers, or whatever one might call them, approached and presented arms under the crooked arch, and disappeared noiselessly within the inner court. This barefooted squad, some ten strong—negroes of all shades of blackness—were equipped in gorgeous red caps. Yes, they all had caps, and muskets, every one of them; the remaining parts of the uniform, unessential parts, were eked out with linen dusters and old rags which happened to be lying around handy. I don’t see why they should have bothered about having the dusters, but I suppose it was traditional.

      

Main Business Street of the Capital of the Republic of Haiti Port-au-Prince, Haïti Main Business Street of the Capital of the Republic of Haiti Port-au-Prince, Haïti

      Just as we approached the main street under a blazing sun, there came toward us two chariots, with wheels eight or ten feet high, harnessed each to a mixture of tiny, woebegone donkeys and mules, about the size of hairpins, going at full speed with the true negro love of display, for the benefit of the strangers. The charioteers wore shirts and tattered hats, and yelled like wild hyenas at the poor, astonished mules. “Hurrah for Ben Hur!” we shouted, and the triumphant victor rattled ahead in a cloud of dust. Then we went on to the next performance, a Haïtien officer strutting past, bedecked with gold lace and buttons, and great cocked hat, well plumed, and barefooted. There was no use being serious; we couldn’t be. We were in the midst of an opera bouffe, with negroes playing at government, with the happy-go-lucky African savage fully possessed of his racial characteristics, fondly imagining himself a free and responsible man; and it was one, long pitiful laugh for the poor black children who were taking themselves in such dead earnest.

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      It was not to imitate Mr. F. Hopkinson Smith in the least that we said we must find a white umbrella, and yet even had we wished to imitate Mr. Smith, could we have followed in the way of a more delightsome traveller? It was simply because we were conscious that a white umbrella, with a soft green lining, is a necessary adjunct to life in the tropics. It is in harmony with its environment, because it is almost a necessity; and being such, we were not to be dissuaded from our desire. So, with that definite intent to our steps, we started to find the white umbrella.

      Was every one else hunting for one, too, that the crowd was all going in our direction—surely not! No sun could ever blaze strongly enough to penetrate those woolly tops. We go on a little farther, and then we begin to understand from a wave of odours sweeping over us that it’s to market we’re going with all the rest; and so for the time we are led from the purpose of the morning.

      The stench grows more pronounced; we become a part of a black host, with babies, children, men, women, and donkeys crowding into the square, where a long, low-tiled market-building and its surrounding dirty pavement becomes the kitchen for the whole of Port-au-Prince; a place where filthy meats and queer vegetables and strange fruits are sold, and where all manner of curious, outlandish dishes are being concocted. The black women crouching on the ground over little simmering pots and a few hot coals, jabbering away at their crouching neighbours, were more like half-human animals than possible mothers of a republic. And in amongst the women were the babies, rolling around on bits of rags, blissfully happy in their complete nakedness. But there was something about those black, naked babies which seemed to dress them up without any clothes. Does a naked negro baby ever look as bare to you as a naked white baby?

      Stopping a minute, where a louder, noisier mob of women were busy over their morning incantations, my eye chanced to dwell for a second longer than it should have done, on a pudgy little pickaninny, which was lying in its mother’s lap, kicking up its heels, with its fat little arms beating СКАЧАТЬ