Название: English Caricaturists and Graphic Humourists of the Nineteenth Century
Автор: Graham Everitt
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664624840
isbn:
A person so little fitted for the high position which she occupied was certain to give trouble; and as far back as 1806, her indiscreet conduct had induced the king [George III.] to grant a commission to Lords Spencer, Grenville, Erskine, and Ellenborough, to examine into the truth of certain allegations which had been made against her; and, although their report expressed the most unqualified opinion that the graver charges were utterly destitute of foundation, such report, nevertheless, concluded with some strictures made by the commissioners “on the levity of manners displayed by the princess on certain occasions.”24 In consequence of this official report, the intercourse between the Princess of Wales and her daughter, the Princess Charlotte, was subjected to regulation and restraint; they were allowed at first a single weekly interview, which, for some doubtless sufficient reason, was afterwards reduced to a fortnightly meeting.25
While pitying the mother, we seem scarcely justified in assuming, with our present knowledge of her obstinate nature and disposition, that these restrictions were imposed without some just and sufficient reason. It would seem to have come to the knowledge of the Princess Caroline in 1813, that the interdiction was intended “to be still more rigidly enforced,”26 for on the 14th of January of that year we find that she wrote a letter to the Prince Regent, in which she complained that the separation of mother and daughter was equally injurious to her own character and to the education of her child. Adverting to the restricted intercourse between them, she observed that in the eyes of the world, “this separation of a daughter from her mother would only admit ... of a construction fatal to the mother’s reputation. Your Royal Highness,” she continued, “will pardon me for adding that there is no less inconsistency than injustice in this treatment. He who dares advise your Highness to overlook the evidence of my innocence, and disregard the sentence of complete acquittal which it [i.e. the inquiry of 1806] produced—or is wicked and false enough still to whisper suspicions in your ear, betrays his duty to you, sir, to your daughter, and to your people, if he counsels you to permit a day to pass without a further investigation of my conduct.... Let me implore you to reflect on the situation in which I am placed, without the shadow of a charge against me, without even an accuser after an inquiry that led to my ample vindication, yet treated as if I were still more culpable than the perjuries of my suborned traducers represented me, and held up to the world as a mother who may not enjoy the society of her only child.”
No possible objection can be taken to this letter; indeed, by whomsoever it was penned, taken altogether it was an admirable composition. If, however, we are to credit the statement of Mr. Whitbread, made in the House on the 5th of March, 1813, it was thrice returned to the writer unopened. But the princess, as we shall find, was not a person to be intimidated by any amount of rebuffs. “At length that letter [we quote Mr. Whitbread] was read to him [the Prince Regent], and the cold answer returned was, that ministers had received no commands on the subject.”27 The letter found its way into the public prints, and then, and not till then, if we are to believe Mr. Whitbread, his Royal Highness directed that the whole of the documents, together with her Royal Highness’s communications to himself, should be referred to certain members of the Privy Council, who were to report to him their opinion, “whether under all the circumstances ... it was fit and proper that the intercourse between the Princess of Wales and her daughter ... should continue to be, subject to regulations and restrictions.”28
In their report, which was presented on the 19th of February, the commissioners stated that “they had taken into their most serious consideration, together with the other papers referred to by His Royal Highness, all the documents relative to the inquiry instituted in 1806 ... into the truth of certain representations respecting ... the Princess of Wales; and, that after full examination of all the documents before them, they were of opinion, that under all the circumstances of the case, it was highly fit and proper, with a view to the welfare of ... the Princess Charlotte ... and the most important interests of the State, that the intercourse between ... the Princess of Wales and the ... Princess Charlotte should continue to be subject to regulation and restraint.”
It was only natural, of course, that Caroline should rebel; and she accordingly wrote on the 1st of March a letter to the Speaker, protesting against the mode in which this second inquiry had been conducted. Motions on her behalf were afterwards brought forward successively in the House by Mr. Cockrane Johnson and Mr. Whitbread, both of which, however, fell to the ground. The remarks made by Mr. Whitbread provoked a speech in the House of Lords from Lord Ellenborough (who had been a member of both commissions), which is singularly illustrative of the habits and manners of the time. After an introduction of great solemnity, his lordship said, “that, in the case alluded to, the persons intrusted with the commission [of 1806] were charged with having fabricated an unauthorised document, purporting to relate what was not given in evidence, and to suppress what was given. This accusation,” said his lordship, “is as false as h—— in every particular.” He then proceeded to give an account of the mode in which everything had been taken down from the mouth of the witness, and afterwards read over to and subscribed by her.29 He concluded his peculiarly energetic speech by again denying, in the most positive terms, the truth of the imputation which had been cast upon the commissioners.
The inquiry of 1813 set the pencils of the caricaturists in motion, and among the satires it occasioned, I find a series of eight pictures on one sheet, representing the witnesses, the commissioners, Mr. Whitbread, and other persons connected with that and the previous investigation of 1806. It is called A Key to the Investigation, or Iago Distanced by Odds; and the most amusing of the series is the seventh, which represents the furious Lord Ellenborough, attired in his official robes of Lord Chief Justice of the King’s Bench. The following doggerel clearly identifies it with the speech from which we have already quoted:—
“This is the Chief J—— who, as the Lords tell,
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