'Firebrand' Trevison. Charles Alden Seltzer

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      The rider seemed to be in no hurry to mount his horse. The girl was certain that twice as he patted the animal’s neck he stole glances at her, and a stain appeared in her cheeks, for she remembered the car window.

      And then she heard a voice greet the rider. A man came out of the door of one of the saloons, glanced at the rider and raised his voice, joyously:

      “Well, if it ain’t ol’ ‘Brand’! Where in hell you been keepin’ yourself? I ain’t seen you for a week!”

      Friendship was speaking here, and the girl’s heart leaped in sympathy. She watched with a smile as the other man reached the rider’s side and wrung his hand warmly. Such effusiveness would have been thought hypocritical in the East; humanness was always frowned upon. But what pleased the girl most was this evidence that the rider was well liked. Additional evidence on this point collected quickly. It came from several doors, in the shapes of other men who had heard the first man’s shout, and presently the rider was surrounded by many friends.

      The girl was deeply interested. She forgot Braman, Corrigan—forgot that she was standing in the doorway of the bank. She was seeing humanity stripped of conventionalities; these people were not governed by the intimidating regard for public opinion that so effectively stifled warm impulses among the persons she knew.

      She heard another man call to him, and she found herself saying: “ ‘Brand’! What an odd name!” But it seemed to fit him; he was of a type that one sees rarely—clean, big, athletic, virile, magnetic. His personality dominated the group; upon him interest centered heavily. Nor did his popularity appear to destroy his poise or make him self-conscious. The girl watched closely for signs of that. Had he shown the slightest trace of self-worship she would have lost interest in him. He appeared to be a trifle embarrassed, and that made him doubly attractive to her. He bantered gayly with the men, and several times his replies to some quip convulsed the others.

      And then while she dreamily watched him, she heard several voices insist that he “show Nigger off.” He demurred, and when they again insisted, he spoke lowly to them, and she felt their concentrated gaze upon her. She knew that he had declined to “show Nigger off” because of her presence. “Nigger,” she guessed, was his horse. She secretly hoped he would overcome his prejudice, for she loved the big black, and was certain that any performance he participated in would be well worth seeing. So, in order to influence the rider she turned her back, pretending not to be interested. But when she heard exclamations of satisfaction from the group of men she wheeled again, to see that the rider had mounted and was sitting in the saddle, grinning at a man who had produced a harmonica and was rubbing it on a sleeve of his shirt, preparatory to placing it to his lips.

      The rider had gone too far now to back out, and Rosalind watched him in frank curiosity. And in the next instant, when the strains of the harmonica smote the still morning air, Nigger began to prance.

      What followed reminded the girl of a scene in the ring of a circus. The horse, proud, dignified, began to pace slowly to the time of the accompanying music, executing difficult steps that must have tried the patience of both animal and trainer during the teaching period; the rider, lithe, alert, proud also, smiling his pleasure.

      Rosalind stood there long, watching. It was a clever exhibition, and she found herself wondering about the rider. Had he always lived in the West?

      The animal performed a dozen feats of the circus arena, and the girl was so deeply interested in him that she did not observe Corrigan when he emerged from the bank, stepped down into the street and stood watching the rider. She noticed him though, when the black, forced to her side of the street through the necessity of executing a turn, passed close to the easterner. And then, with something of a shock, she saw Corrigan smiling derisively. At the sound of applause from the group on the opposite side of the street, Corrigan’s derision became a sneer. Miss Benham felt resentment; a slight color stained her cheeks. For she could not understand why Corrigan should show displeasure over this clean and clever amusement. She was looking full at Corrigan when he turned and caught her gaze. The light in his eyes was positively venomous.

      “It is a rather dramatic bid for your interest, isn’t it, Miss Benham?” he said.

      His voice came during a lull that followed the applause. It reached Rosalind, full and resonant. It carried to the rider of the black horse, and glancing sidelong at him, Rosalind saw his face whiten under the deep tan upon it. It carried, too, to the other side of the street, and the girl saw faces grow suddenly tense; noted the stiffening of bodies. The flat, ominous silence that followed was unreal and oppressive. Out of it came the rider’s voice as he urged the black to a point within three or four paces of Corrigan and sat in the saddle, looking at him. And now for the first time Rosalind had a clear, full view of the rider’s face and a quiver of trepidation ran over her. For the lean jaws were corded, the mouth was firm and set—she knew his teeth were clenched; it was the face of a man who would not be trifled with. His chin was shoved forward slightly; somehow it helped to express the cold humor that shone in his narrowed, steady eyes. His voice, when he spoke to Corrigan, had a metallic quality that rang ominously in the silence that had continued:

      “Back up your play or take it back,” he said slowly.

      Corrigan had not changed his position. He stared fixedly at the rider; his only sign of emotion over the latter’s words was a quickening of the eyes. He idly tapped with his fingers on the sleeve of his khaki shirt, where the arm passed under them to fold over the other. His voice easily matched the rider’s in its quality of quietness:

      “My conversation was private. You are interfering without cause.”

      Watching the rider, filled with a sudden, breathless premonition of impending tragedy, Rosalind saw his eyes glitter with the imminence of physical action. Distressed, stirred by an impulse to avert what threatened, she took a step forward, speaking rapidly to Corrigan:

      “Mr. Corrigan, this is positively silly! You know you were hardly discreet!”

      Corrigan smiled coldly, and the girl knew that it was not a question of right or wrong between the two men, but a conflict of spirit. She did not know that hatred had been born here; that instinctively each knew the other for a foe, and that this present clash was to be merely one battle of the war that would be waged between them if both survived.

      Not for an instant did Corrigan’s eyes wander from those of the rider. He saw from them that he might expect no further words. None came. The rider’s right hand fell to the butt of the pistol that swung low on his right hip. Simultaneously, Corrigan’s hand dropped to his hip pocket.

      Rosalind saw the black horse lunge forward as though propelled by a sudden spring. A dust cloud rose from his hoofs, and Corrigan was lost in it. When the dust swirled away, Corrigan was disclosed to the girl’s view, doubled queerly on the ground, face down. The black horse had struck him with its shoulder—he seemed to be badly hurt.

      For a moment the girl stood, swaying, looking around appealingly, startled wonder, dismay and horror in her eyes. It had happened so quickly that she was stunned. She had but one conscious emotion—thankfulness that neither man had used his pistol.

      No one moved. The girl thought some of them might have come to Corrigan’s assistance. She did not know that the ethics forbade interference, that a fight was between the fighters until one acknowledged defeat.

      Corrigan’s face was in the dust; he had not moved. The black horse stood, quietly now, several feet distant, and presently the rider dismounted, walked to Corrigan and turned him over. He worked the fallen man’s arms and legs, and moved his neck, then knelt and listened at his chest. СКАЧАТЬ