'Firebrand' Trevison. Charles Alden Seltzer

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      “You would place money-making before love?” Rosalind bantered.

      “Money adds the proper flavor to love,” laughed Corrigan. The laugh was laden with subtle significance and he looked straight at the girl, a deep fire slumbering in his eyes. “Yes,” he said slowly, “money-making is a great passion. I have it. But I can hate, and love. And when I do either, it will be strongly. And then—”

      Agatha cleared her throat impatiently. Corrigan colored slightly, and Miss Benham smothered something, artfully directing the conversation into less personal channels:

      “You are going to build manufactories, organize banks, build municipal power-houses, speculate in real estate, and such things, I suppose?”

      “And build a dam. We already have a bank here, Miss Benham.”

      “Will father be interested in those things?”

      “Silently. You understand, that being president of the railroad, your father must keep in the background. The actual promoting of these enterprises will be done by me.”

      Miss Benham looked dreamily out of the window. Then she turned to Corrigan and gazed at him meditatively, though the expression in her eyes was so obviously impersonal that it chilled any amorous emotion that Corrigan might have felt.

      “I suppose you are right,” she said. “It must be thrilling to feel a conscious power over the destiny of a community, to direct its progress, to manage it, and—er—figuratively to grab industries by their—” She looked slyly at Agatha “—lower extremities and shake the dollars out of them. Yes,” she added, with a wistful glance through the window; “that must be more exciting than being merely in love.”

      Agatha again followed Rosalind’s gaze and saw the black horse standing in front of a store. She frowned, and observed stiffly:

      “It seems to me that the people in these small places—such as Manti—are not capable of managing the large enterprises that Mr. Corrigan speaks of.” She looked at Rosalind, and the girl knew that she was deprecating the rider of the black horse. Rosalind smiled sweetly.

      “Oh, I am sure there must be some intelligent persons among them!”

      “As a rule,” stated Corrigan, dogmatically, “the first citizens of any town are an uncouth and worthless set.”

      “The Four Hundred would take exception to that!” laughed Rosalind.

      Corrigan laughed with her. “You know what I mean, of course. Take Manti, for instance. Or any new western town. The lowest elements of society are represented; most of the people are very ignorant and criminal.”

      The girl looked sharply at Corrigan, though he was not aware of the glance. Was there a secret understanding between Corrigan and Agatha? Had Corrigan also some knowledge of the rider’s pilgrimages past the car window? Both had maligned the rider. But the girl had seen intelligence on the face of the rider, and something in the set of his head had told her that he was not a criminal. And despite his picturesque rigging, and the atmosphere of the great waste places that seemed to envelop him, he had made a deeper impression on her than had Corrigan, darkly handsome, well-groomed, a polished product of polite convention and breeding, whom her father wanted her to marry.

      “Well,” she said, looking at the black horse; “I intend to observe Manti’s citizens more closely before attempting to express an opinion.”

      Half an hour later, in response to Corrigan’s invitation, Rosalind was walking down Manti’s one street, Corrigan beside her. Corrigan had donned khaki clothing, a broad, felt hat, boots, neckerchief. But in spite of the change of garments there was a poise, an atmosphere about him, that hinted strongly of the graces of civilization. Rosalind felt a flash of pride in him. He was big, masterful, fascinating.

      Manti seemed to be fraudulent, farcical, upon closer inspection. For one thing, its crudeness was more glaring, and its unpainted board fronts looked flimsy, transient. Compared to the substantial buildings of the East, Manti’s structures were hovels. Here was the primitive town in the first flush of its creation. Miss Benham did not laugh, for a mental picture rose before her—a bit of wild New England coast, a lowering sky, a group of Old-world pilgrims shivering around a blazing fire in the open, a ship in the offing. That also was a band of first citizens; that picture and the one made by Manti typified the spirit of America.

      There were perhaps twenty buildings. Corrigan took her into several of them. But, she noted, he did not take her into the store in front of which was the black horse. She was introduced to several of the proprietors. Twice she overheard parts of the conversation carried on between Corrigan and the proprietors. In each case the conversation was the same:

      “Do you own this property?”

      “The building.”

      “Who owns the land?”

      “A company in New York.”

      Corrigan introduced himself as the manager of the company, and spoke of erecting an office. The two men spoke about their “leases.” The latter seemed to have been limited to two months.

      “See me before your lease expires,” she heard Corrigan tell the men.

      “Does the railroad own the town site?” asked Rosalind as they emerged from the last store.

      “Yes. And leases are going to be more valuable presently.”

      “You don’t mean that you are going to extort money from them—after they have gone to the expense of erecting buildings?”

      His smile was pleasant. “They will be treated with the utmost consideration, Miss Benham.”

      He ushered her into the bank. Like the other buildings, the bank was of frame construction. Its only resemblance to a bank was in the huge safe that stood in the rear of the room, and a heavy wire netting behind which ran a counter. Some chairs and a desk were behind the counter, and at the desk sat a man of probably forty, who got up at the entrance of his visitors and approached them, grinning and holding out a hand to Corrigan.

      “So you’re here at last, Jeff,” he said. “I saw the car on the switch this morning. The show will open pretty soon now, eh?” He looked inquiringly at Rosalind, and Corrigan presented her. She heard the man’s name, “Mr. Crofton Braman,” softly spoken by her escort, and she acknowledged the introduction formally and walked to the door, where she stood looking out into the street.

      Braman repelled her—she did not know why. A certain crafty gleam of his eyes, perhaps, strangely blended with a bold intentness as he had looked at her; a too effusive manner; a smoothly ingratiating smile—these evidences of character somehow made her link him with schemes and plots.

      She did not reflect long over Braman. Across the street she saw the rider of the black horse standing beside the animal at a hitching rail in front of the store that Corrigan had passed without entering. Viewed from this distance, the rider’s face was more distinct, and she saw that he was good-looking—quite as good-looking as Corrigan, though of a different type. Standing, he did not seem to be so tall as Corrigan, nor was he quite so bulky. But he was lithe and powerful, and in his movements, as he unhitched the black horse, threw the reins over its head and patted СКАЧАТЬ