Название: Native Americans: 22 Books on History, Mythology, Culture & Linguistic Studies
Автор: James Mooney
Издательство: Bookwire
Жанр: Документальная литература
isbn: 9788027245475
isbn:
The principles controlling nomenclature in its inchoate stages are illustrated among the Siouan peoples. So far as their own tongues were concerned, the stock was nameless, and could not be designated save through integral parts. Even the great Dakota confederacy, one of the most extensive and powerful aboriginal organizations, bore no better designation than a term probably applied originally to associated tribes in a descriptive way and perhaps used as a greeting or countersign, although there was an alternative proper descriptive term.—"Seven Council-fires"—apparently of considerable antiquity, since it seems to have been originally applied before the separation of the Asiniboin.19 In like manner the ¢egiha, ʇɔiwe're, and Hotcañgara groups, and perhaps the Niya, were without denotive designations for themselves, merely styling themselves "Local People," "Men," "Inhabitants," or, still more ambitiously, "People of the Parent Speech," in terms which are variously rendered by different interpreters; they were lords in their own domain, and felt no need for special title. Different Dakota tribes went so far as to claim that their respective habitats marked the middle of the world, so that each insisted on precedence as the leading tribe,20 and it was the boast of the Mandan that they were the original people of the earth.21 In the more carefully studied confederacies the constituent groups generally bore designations apparently used for convenient distinction in the confederation; sometimes they were purely descriptive, as in the case of the Sisseton, Wahpeton, Sans Arcs, Blackfeet, Oto, and several others; again they referred to the federate organization (probably, possibly to relative position of habitat), as in the Yankton, Yanktonai, and Huñkpapa; more frequently they referred to geographic or topographic position, e.g., Teton, Omaha, Pahe'tsi, Kwapa, etc; while some appear to have had a figurative or symbolic connotation, as Brulé, Ogalala, and Ponka. Usually the designations employed by alien peoples were more definite than those used in the group designated, as illustrated by the stock name, Asiniboin, and Iowa. Commonly the alien appellations were terms of reproach; thus Sioux, Biloxi, and Hohe (the Dakota designation for the Asiniboin) are clearly opprobrious, while Paskagula might easily be opprobrious among hunters and warriors, and Iowa and Oto appear to be derogatory or contemptuous expressions. The names applied by the whites were sometimes taken from geographic positions, as in the case of Upper Yanktonai and Cape Fear—the geographic names themselves being frequently of Indian origin. Some of the current names represent translations of the aboriginal terms either into English ("Blackfeet," "Two Kettles," "Crow,") or into French ("Sans Arcs," "Brulé"," "Gros Ventres"); yet most of the names, at least of the prairie tribes, are simply corruptions of the aboriginal terms, though frequently the modification is so complete as to render identification and interpretation difficult—it is not easy to find Waca'ce in "Osage" (so spelled by the French, whose orthography was adopted and mispronounced by English-speaking pioneers), or Pa'qotce in "Iowa."
The meanings of most of the eastern names are lost; yet so far as they are preserved they are of a kind with those of the interior. So, too, are the subtribal names enumerated by Dorsey.
Principal Characters
Phonetic and Graphic Arts
The Siouan stock is defined by linguistic characters. The several tribes and larger and smaller groups speak dialects so closely related as to imply occasional or habitual association, and hence to indicate community in interests and affinity in development; and while the arts (reflecting as they did the varying environment of a wide territorial range) were diversified, the similarity in language was, as is usual, accompanied by similarity in institutions and beliefs. Nearly all of the known dialects are eminently vocalic, and the tongues of the plains, which have been most extensively studied, are notably melodious; thus the leading languages of the group display moderately high phonetic development. In grammatic structure the better-known dialects are not so well developed; the structure is complex, chiefly through the large use of inflection, though agglutination sometimes occurs. In some cases the germ of organization is found in fairly definite juxtaposition or placement. The vocabulary is moderately rich, and of course represents the daily needs of a primitive people, their surroundings, their avocations, and their thoughts, while expressing little of the richer ideation of cultured cosmopolites. On the whole, the speech of the Siouan stock may be said to have been fairly developed, and may, with the Algonquian, Iroquoian, and Shoshonean, be regarded as typical for the portion of North America lying north of Mexico. Fortunately it has been extensively studied by Riggs, Hale, Dorsey, and several others, including distinguished representatives of some of the tribes, and is thus accessible to students. The high phonetic development of the Siouan tongues reflects the needs and records the history of the hunter and warrior tribes, whose phonetic symbols were necessarily so differentiated as to be intelligible in whisper, oratory, and war cry, as well as in ordinary converse, while the complex structure is in harmony with the elaborate social organization and ritual of the Siouan people.
Many of the Siouan Indians were adepts in the sign language; indeed, this mode of conveying intelligence attained perhaps its highest development among some of the tribes of this stock, who, with other plains Indians, developed pantomime and gesture into a surprisingly perfect art of expression adapted to the needs of huntsmen and warriors.
Most of the tribes were fairly proficient in pictography; totemic and other designs were inscribed on bark and wood, painted on skins, wrought into domestic wares, and sometimes carved on rocks. Jonathan Carver gives an example of picture-writing on a tree, in charcoal mixed with bear's grease, designed to convey information from the "Chipe'ways" (Algonquian) to the "Naudowessies,"22 and other instances of intertribal communication by means of pictography are on record. Personal decoration was common, and was largely symbolic; the face and body were painted in distinctive ways when going on the warpath, in organizing the hunt, in mourning the dead, in celebrating the victory, and in performing various ceremonials. Scarification and maiming were practiced by some of the tribes, always in a symbolic way. Among the Mandan and Hidatsa scars were produced in cruel ceremonials originally connected with war and hunting, and served as enduring witnesses of courage and fortitude. Symbolic tattooing was fairly common among the westernmost tribes. Eagle and other feathers were worn as insignia of rank and for other symbolic purposes, while bear claws and the scalps of enemies were worn as symbols of the chase and battle. Some of the tribes recorded current history by means of "winter counts" or calendaric inscriptions, though their arithmetic was meager and crude, and their calendar proper was limited to recognition of the year, lunation, and day—or, as among so many primitive people, the "snow," "dead moon," and "night,"—with no definite system of fitting lunations to the annual seasons. Most of the graphic records were perishable, and have long ago disappeared; but during recent decades several untutored tribesmen have executed vigorous drawings representing hunting scenes and conflicts with white soldiery, which have been preserved or reproduced. These crude essays in graphic art were the germ of writing, and indicate that, at the time of discovery, several Siouan tribes were near the gateway opening into the broader field of scriptorial culture. So far as it extends, the crude graphic symbolism betokens warlike habit and militant organization, which were doubtless measurably inimical to further progress.
It would appear that, in connection with their proficiency in gesture speech and their meager graphic art, the Siouan Indians had become masters in a vaguely understood system of dramaturgy or symbolized conduct. Among them the use of the peace-pipe was general; among several and perhaps all of the tribes the definite use of insignia СКАЧАТЬ