Название: The Greatest Plays of William Somerset Maugham
Автор: Уильям Сомерсет Моэм
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027218301
isbn:
Jenny.
[Dazed and cowed.] What are you going to do?
Basil.
I'm going away.
Jenny.
Where?
Basil.
God knows.
[There is a knock at the door.
Basil.
Come in.
[The Butler enters with a note, which he gives to Basil.
Butler.
Mrs. Murray told me to give you this note, Sir.
Basil.
[Taking it.] Thank you.
[He opens and reads it as the Servant goes out of the room, then looks up at Jenny, who is anxiously watching him.
[Reading.] "You may tell your wife that I've made up my mind to marry Mr. Brackley. I will never see you again."
Jenny.
What does she mean?
Basil.
[Bitterly.] Isn't it clear? Some one has asked her to marry him, and she means to accept.
Jenny.
But you said she loved you.
[He shrugs his shoulders without answering. Jenny goes up to him imploringly.
Jenny.
Oh, Basil, if it's true, give me another chance. She doesn't love you as I love you. I've been selfish and quarrelsome and exacting, but I've always loved you. Oh, don't leave me, Basil. Let me try once more if I can't make you care for me.
Basil.
[Looking down, hoarsely.] I'm very sorry. It's too late.
Jenny.
[Despairingly.] Oh, God, what shall I do? And even though she's going to marry somebody else, you care for her better than any one else in the world?
Basil.
[In a whisper.] Yes.
Jenny.
And even if she does marry that other man she'll love you still. There's no room for me between you. I can go away like a discharged servant.... Oh, God! oh, God! what have I done to deserve it?
Basil.
[Touched by her utter misery.] I'm very sorry to make you so unhappy.
Jenny.
Oh, don't pity me. D'you think I want your pity now?
Basil.
You had better come away, Jenny.
Jenny.
No. You've told me you don't want me any more. I shall go my own way.
Basil.
[Looks at her for a moment, hesitating; then shrugs his shoulders.] Then good-bye.
[He goes out, and Jenny, looking after him, passes her hand wearily over her forehead.
Jenny.
[With a sigh.] He's so glad to go.... [She gives a little sob.] They've got no room for me.
[She takes up from the floor the photograph on which she stamped, and looks at it; then sinks down, burying her face in her hands, and bursts into a passion of tears.
END OF THE THIRD ACT.
THE FOURTH ACT
The Next Morning.
[The scene is the same as in the Second Act, the drawing-room at Basil's house in Putney. Basil is sitting at the table, with his head in his hands. He looks tired and worn; his face is very white, and there are great black lines under his eyes. His hair is dishevelled. On the table lies a revolver.
[A knock at the door.
Basil.
[Without looking up.] Come in.
[Fanny enters.]
Fanny.
[Subdued and pale.] I came to see if you wanted anything, sir.
Basil.
[Looking up at her slowly, his voice is dull and hoarse.] No.
Fanny.
Shall I open the windows, Sir? It's a beautiful morning.
Basil.
No, I'm cold. Make up the fire.
Fanny.
Wouldn't you like a cup of tea? You ought to 'ave something after not going to bed all night.
Basil.
I don't want anything.... Don't worry, there's a good woman.
[Fanny puts coals on the fire, while BASIL listlessly watches her.
Basil.
How long is it since you sent the telegrams?
Fanny.
I took them the moment the office was opened.
Basil.
What's the time?
Fanny.
Well, sir, it must be 'alf-past nine by now.
Basil.
Good Heavens, how slowly the hours go. I thought the night would never end.... Oh, God, what shall I do?
Fanny.
I'll make you a strong cup of tea. If you don't 'ave something to pull you together—I don't know what'll 'appen to you.
Basil.
Yes, СКАЧАТЬ