Название: On a Chinese Screen & The Land of the Blessed Virgin (A Collection of Travel Sketches & Articles)
Автор: Уильям Сомерсет Моэм
Издательство: Bookwire
Жанр: Книги о Путешествиях
isbn: 9788027202393
isbn:
But I love also the recollection of Seville in the grey days of December, when the falling rain offered a grateful contrast to the unvarying sunshine. Then new sights delighted the eye, new perfumes the nostril. In the decay of that long southern autumn a more sombre opulence was added to the gay colours; a different spirit filled the air, so that I realised suddenly that old romantic Spain of Ferdinand and Isabella. It lay a-dying still, gorgeous in corruption, sober yet flamboyant, rich and poverty-stricken, squalid, magnificent. The white streets, the dripping trees, the clouds gravid with rain, gave to all things an adorable melancholy, a sad, poetic charm. Looking back, I cannot dismiss the suspicion that my passionate emotions were somewhat ridiculous, but at twenty-three one can afford to lack a sense of humour.
But Seville at first is full of disillusion. It has offered abundant material to the idealist who, as might be expected, has drawn of it a picture which is at once common and pretentious. Your idealist can see no beauty in sober fact, but must array it in all the theatrical properties of a vulgar imagination; he must give to things more imposing proportions, he colours gaudily; Nature for him is ever posturing in the full glare of footlights. Really he stands on no higher level than the housemaid who sees in every woman a duchess in black velvet, an Aubrey Plantagenet in plain John Smith. So I, in common with many another traveller, expected to find in the Guadalquivir a river of transparent green, with orange-groves along its banks, where wandered ox-eyed youths and maidens beautiful. Palm-trees, I thought, rose towards heaven, like passionate souls longing for release from earthly bondage; Spanish women, full-breasted and sinuous, danced boleros, fandangos, while the air rang with the joyous sound of castanets, and toreadors in picturesque habiliments twanged the light guitar.
Alas! the Guadalquivir is like yellow mud, and moored to the busy quays lie cargo-boats lading fruit or grain or mineral; there no perfume scents the heavy air. The nights, indeed, are calm and clear, and the stars shine brightly; but the river banks see no amours more romantic than those of stokers from Liverpool or Glasgow, and their lady-loves have neither youth nor beauty.
Yet Seville has many a real charm to counter-balance these lost illusions. He that really knows it, like an ardent lover with his mistress' imperfections, would have no difference; even the Guadalquivir, so matter-of-fact, really so prosaic, has an unimagined attractiveness; the crowded shipping, the hurrying porters, add to that sensation of vivacity which is of Seville the most fascinating characteristic. And Seville is an epitome of Andalusia, with its life and death, with its colour and vivid contrasts, with its boyish gaiety.
It is a city of delightful ease, of freedom and sunshine, of torrid heat. There it does not matter what you do, nor when, nor how you do it. There is none to hinder you, none to watch. Each takes his ease, and is content that his neighbour should do the like. Doubtless people are lazy in Seville, but good heavens! why should one be so terribly strenuous? Go into the Plaza Nueva, and you will see it filled with men of all ages, of all classes, 'taking the sun'; they promenade slowly, untroubled by any mental activity, or sit on benches between the palm-trees, smoking cigarettes; perhaps the more energetic read the bull-fighting news in the paper. They are not ambitious, and they do not greatly care to make their fortunes; so long as they have enough to eat and drink—food is very cheap—and cigarettes to smoke, they are quite happy. The Corporation provides seats, and the sun shines down for nothing—so let them sit in it and warm themselves. I daresay it is as good a way of getting through life as most others.
A southern city never reveals its true charm till the summer, and few English know what Seville is under the burning sun of July. It was built for the great heat, and it is only then that the refreshing coolness of the patio can be appreciated. In the streets the white glare is mitigated by awnings that stretch from house to house, and the half light in the Sierpes, the High Street, has a curious effect; the people in their summer garb walk noiselessly, as though the warmth made sound impossible. Towards evening the sail-cloths are withdrawn, and a breath of cold air sinks down; the population bestirs itself, and along the Sierpes the cafés become suddenly crowded and noisy.
Then, for it was too hot to ride earlier, I would mount my horse and cross the river. The Guadalquivir had lost its winter russet, and under the blue sky gained varied tints of liquid gold, of emerald and of sapphire. I lingered in Triana, the gipsy-quarter, watching the people. Beautiful girls stood at the windows, so that the whole way was lined with them, and their lips were not unwilling to break into charming smiles. One especially I remember who was used to sit on a balcony at a street-corner; her hair was irreproachable in its elaborate arrangement, and the red carnation in it gleamed like fire against the night. Her face was long, fairer-complexioned than is common, with regular and delicate features. She sat at her balcony, with a huge book open on her knee, which she read with studied disregard of the passers-by; but when I looked back sometimes I saw that she had lifted her eyes, lustrous and dark, and they met mine gravely.
And in the country I passed through long fields of golden corn, which reached as far as I could see; I remembered the spring, when it had all been new, soft, fresh, green. And presently I turned round to look at Seville in the distance, bathed in brilliant light, glowing as though its walls were built of yellow flame. The Giralda arose in its wonderful grace like an arrow; so slim, so comely, it reminded one of an Arab youth, with long, thin limbs. With the setting sun, gradually the city turned rosy-red and seemed to lose all substantiality, till it became a many-shaped mist that was dissolved in the tenderness of the sky.
Late in the night I stood at my window looking at the cloudless heaven. From the earth ascended, like incense, the mellow odours of summer-time; the belfry of the neighbouring church stood boldly outlined against the darkness, and the storks that had built their nest upon it were motionless, not stirring even as the bells rang out the hours. The city slept, and it seemed that I alone watched in the silence; the sky still was blue, and the stars shone in their countless millions. I thought of the city that never rested, of London with its unceasing roar, the endless streets, the greyness. And all around me was a quiet serenity, a tranquillity such as the Christian may hope shall reward him in Paradise for the troublous pilgrimage of life. But that is long ago and passed for ever.
XII
The Alcazar
Arriving at Seville the recollection of Cordova took me quickly to the Alcazar; but I was a little disappointed. It has been ill and tawdrily restored, with crude pigments, with gold that is too bright and too clean; but even before that, Charles V. and his successors had made additions out of harmony with Moorish feeling. Of the palace where lived the Mussulman Kings nothing, indeed, remains; but Pedro the Cruel, with whom the edifice now standing is more especially connected, was no less oriental than his predecessors, and he employed Morisco architects to rebuild it. Parts are said to be exact reproductions of the older structure, while many of the beautiful tiles were taken from Moorish houses.
The atmosphere, then, is but half Arabic; the rest belongs to that flaunting, multi-coloured barbarism which is characteristic of Northern Spain before the union of Arragon and Castile. Wandering in the deserted courts, looking through horseshoe windows of exquisite design at the wild garden, Pedro the Cruel and Maria de Padilla are the figures that occupy the mind.
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