Paul Kelver. Джером К. Джером

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СКАЧАТЬ they were, in spite of the fact that my mother, when I repeated them to her, would laugh, saying she was sure she had no recollection of anything of the kind, adding severely that it was a pity he and I could not find something better to gossip about. Yet her next question would be:

      “And what else did he say, if you please?” explaining impatiently when my answer was not of the kind expected: “No, no, I mean about me.”

      The tea things cleared away, he would bring out his great microscope. To me it was a peep-hole into a fairy world where dwelt strange dragons, mighty monsters, so that I came to regard him as a sort of harmless magician. It was his pet study, and looking back, I cannot help associating his enthusiasm for all things microscopical with the fact that he was an exceptionally little man himself, but one of the biggest hearted that ever breathed.

      On leaving I would formally hand him my half-crown, “with mamma's compliments,” and he would formally accept it. But on putting my hand into my jacket pocket when outside the gate I would invariably find it there. The first time I took it back to him, but unblushingly he repudiated all knowledge.

      “Must be another half-crown,” he suggested; “such things do happen. One puts change into a pocket and overlooks it. Slippery things, half-crowns.”

      Returning home on this particular day of days, I paused upon the bridge, and watched for awhile the lazy barges manoeuvring their way between the piers. It was one of those hushed summer evenings when the air even of grim cities is full of whispering voices; and as, turning away from the river, I passed through the white toll-gate, I had a sense of leaving myself behind me on the bridge. So vivid was the impression, that I looked back, half expecting to see myself still leaning over the iron parapet, looking down into the sunlit water.

      It sounds foolish, but I leave it standing, wondering if to others a like experience has ever come. The little chap never came back to me. He passed away from me as a man's body may possibly pass away from him, leaving him only remembrance and regret. For a time I tried to play his games, to dream his dreams, but the substance was wanting. I was only a thin ghost, making believe.

      It troubled me for quite a spell of time, even to the point of tears, this feeling that my childhood lay behind me, this sudden realisation that I was travelling swiftly the strange road called growing up. I did not want to grow up; could nothing be done to stop it? Rather would I be always as I had been, playing, dreaming. The dark way frightened me. Must I go forward?

      Then gradually, but very slowly, with the long months and years, came to me the consciousness of a new being, new pulsations, sensories, throbbings, rooted in but differing widely from the old; and little Paul, the Paul of whom I have hitherto spoken, faded from my life.

      So likewise must I let him fade with sorrow from this book. But before I part with him entirely, let me recall what else I can remember of him. Thus we shall be quit of him, and he will interfere with us no more.

      Chief among the pictures that I see is that of my aunt Fan, crouching over the kitchen fire; her skirt and crinoline rolled up round her waist, leaving as sacrifice to custom only her petticoat. Up and down her body sways in rhythmic motion, her hands stroking affectionately her own knees; the while I, with paper knife for sword, or horse of broomstick, stand opposite her, flourishing and declaiming. Sometimes I am a knight and she a wicked ogre. She is slain, growling and swearing, and at once becomes the beautiful princess that I secure and bear away with me upon the prancing broomstick. So long as the princess is merely holding sweet converse with me from her high-barred window, the scene is realistic, at least, to sufficiency; but the bearing away has to be make-believe; for my aunt cannot be persuaded to leave her chair before the fire, and the everlasting rubbing of her knees.

      At other times, with the assistance of the meat chopper, I am an Indian brave, and then she is Laughing Water or Singing Sunshine, and we go out scalping together; or in less bloodthirsty moods I am the Fairy Prince and she the Sleeping Beauty. But in such parts she is not at her best. Better, when seated in the centre of the up-turned table, I am Captain Cook, and she the Cannibal Chief.

      “I shall skin him and hang him in the larder till Sunday week,” says my aunt, smacking her lips, “then he'll be just in right condition; not too tough and not too high.” She was always strong in detail, was my aunt Fan.

      I do not wish to deprive my aunt of any credit due to her, but the more I exercise my memory for evidence, the more I am convinced that her compliance on these occasions was not conceived entirely in the spirit of self-sacrifice. Often would she suggest the game and even the theme; in such case, casting herself invariably for what, in old theatrical parlance, would have been termed the heavy lead, the dragons and the wicked uncles, the fussy necromancers and the uninvited fairies. As authoress of a new cookery book for use in giant-land, my aunt, I am sure, would have been successful. Most recipes that one reads are so monotonously meagre: “Boil him,” “Put her on the spit and roast her for supper,” “Cook 'em in a pie—with plenty of gravy;” but my aunt into the domestic economy of Ogredom introduced variety and daintiness.

      “I think, my dear,” my aunt would direct, “we'll have him stuffed with chestnuts and served on toast. And don't forget the giblets. They make such excellent sauce.”

      With regard to the diet of imprisoned maidens she would advise:

      “Not too much fish—it spoils the flesh for roasting.”

      The things that she would turn people into—king's sons, rightful princesses, such sort of people—people who after a time, one would think, must have quite forgotten what they started as. To let her have her way was a lesson to me in natural history both present and pre-historic. The most beautiful damsel that ever lived she would without a moment's hesitation turn into a Glyptodon or a Hippocrepian. Afterwards, when I could guess at the spelling, I would look these creatures up in the illustrated dictionary, and feel that under no circumstances could I have loved the lady ever again. Warriors and kings she would delight in transforming into plaice or prawns, and haughty queens into Brussels sprouts.

      With gusto would she plan a complicated slaughter, paying heed to every detail: the sharpening of the knives, the having ready of mops and pails of water for purposes of after cleaning up. As a writer she would have followed the realistic school.

      Her death, with which we invariably wound up the afternoon, was another conscientious effort. Indeed, her groans and writhings would sometimes frighten me. I always welcomed the last gurgle. That finished, but not a moment before, my aunt would let down her skirt—in this way suggesting the fall of the curtain upon our play—and set to work to get the tea.

      Another frequently recurring picture that I see is of myself in glazed-peaked cap explaining many things the while we walk through dingy streets to yet a smaller figure curly haired and open eyed. Still every now and then she runs ahead to turn and look admiringly into my face as on the day she first became captive to the praise and fame of me.

      I was glad of her company for more reasons than she knew of. For one, she protected me against my baser self. With her beside me I should not have dared to flee from sudden foes. Indeed, together we courted adventure; for once you get used to it this standing hazard of attack adds a charm to outdoor exercise that older folk in districts better policed enjoy not. So possibly my dog feels when together we take the air. To me it is a simple walk, maybe a little tiresome, suggested rather by contemplation of my waistband than by desire for walking for mere walking's sake; to him an expedition full of danger and surprises: “The gentleman asleep with one eye open on The Chequer's doorstep! will he greet me with a friendly sniff or try to bite my head off? This cross-eyed, lop-eared loafer, lurching against the lamp-post! shall we pass with a careless wag and a 'how-do,' or become locked in a life and death struggle? Impossible to say. This coming СКАЧАТЬ