The Life of George Eliot. George Eliot

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СКАЧАТЬ to Mrs. Houghton, Sunday evening, 1849.

      I have been holding a court of conscience, and I cannot enjoy my Sunday's music without restoring harmony, without entering a protest against that superficial soul of mine which is perpetually contradicting and belying the true inner soul. I am in that mood which, in another age of the world, would have led me to put on sackcloth and pour ashes on my head, when I call to mind the sins of my tongue—my animadversions on the faults of others, as if I thought myself to be something when I am nothing. When shall I attain to the true spirit of love which Paul has taught for all the ages? I want no one to excuse me, dear Fanny; I only want to remove the shadow of my miserable words and deeds from before the divine image of truth and goodness, which I would have all beings worship. I need the Jesuits' discipline of silence, and though my "evil speaking" issues from the intellectual point of view rather than the moral—though there may be gall in the thought while there is honey in the feeling, yet the evil speaking is wrong. We may satirize character and qualities in the abstract without injury to our moral nature, but persons hardly ever. Poor hints and sketches of souls as we are—with some slight, transient vision of the perfect and the true—we had need help each other to gaze at the blessed heavens instead of peering into each other's eyes to find out the motes there.

      Letter to Miss Sara Hennell, Sunday morning, 4th Feb. 1849.

      I have not touched the piano for nearly two months until this morning, when, father being better, I was determined to play a mass before the piano is utterly out of tune again. Write, asking for nothing again, like a true disciple of Jesus. I am still feeling rather shattered in brain and limbs; but do not suppose that I lack inward peace and strength. My body is the defaulter—consciously so. I triumph over all things in the spirit, but the flesh is weak, and disgraces itself by headaches and backaches. I am delighted to find that you mention Macaulay, because that is an indication that Mr. Hennell has been reading him. I thought of Mr. H. all through the book, as the only person I could be quite sure would enjoy it as much as I did myself. I did not know if it would interest you: tell me more explicitly that it does. Think of Babylon being unearthed in spite of the prophecies? Truly we are looking before and after, "au jour d'aujourd'hui," as Monsieur Bricolin says. Send me the criticism of Jacques the morn's morning—only beware there are not too many blasphemies against my divinity.

      Paint soap-bubbles—and never fear but I will find a meaning, though very likely not your meaning. Paint the Crucifixion in a bubble—after Turner—and then the Resurrection: I see them now.

      There has been a vulgar man sitting by while I have been writing, and I have been saying parenthetical bits of civility to him to help out poor father in his conversation, so I have not been quite sure what I have been saying to you. I have woful aches which take up half my nervous strength.

      Letter to Miss Sara Hennell, 9th Feb. 1849.

      My life is a perpetual nightmare, and always haunted by something to be done, which I have never the time, or, rather, the energy, to do. Opportunity is kind, but only to the industrious, and I, alas! am not one of them. I have sat down in desperation this evening, though dear father is very uneasy, and his moans distract me, just to tell you that you have full absolution for your criticism, which I do not reckon of the impertinent order. I wish you thoroughly to understand that the writers who have most profoundly influenced me—who have rolled away the waters from their bed, raised new mountains and spread delicious valleys for me—are not in the least oracles to me. It is just possible that I may not embrace one of their opinions; that I may wish my life to be shaped quite differently from theirs. For instance, it would signify nothing to me if a very wise person were to stun me with proofs that Rousseau's views of life, religion, and government are miserably erroneous—that he was guilty of some of the worst bassesses that have degraded civilized man. I might admit all this: and it would be not the less true that Rousseau's genius has sent that electric thrill through my intellectual and moral frame which has awakened me to new perceptions; which has made man and nature a fresh world of thought and feeling to me; and this not by teaching me any new belief. It is simply that the rushing mighty wind of his inspiration has so quickened my faculties that I have been able to shape more definitely for myself ideas which had previously dwelt as dim Ahnungen in my soul; the fire of his genius has so fused together old thoughts and prejudices that I have been ready to make new combinations.

      It is thus with George Sand. I should never dream of going to her writings as a moral code or text-book. I don't care whether I agree with her about marriage or not—whether I think the design of her plot correct, or that she had no precise design at all, but began to write as the spirit moved her, and trusted to Providence for the catastrophe, which I think the more probable case. It is sufficient for me, as a reason for bowing before her in eternal gratitude to that "great power of God manifested in her," that I cannot read six pages of hers without feeling that it is given to her to delineate human passion and its results, and (I must say, in spite of your judgment) some of the moral instincts and their tendencies, with such truthfulness, such nicety of discrimination, such tragic power, and, withal, such loving, gentle humor, that one might live a century with nothing but one's own dull faculties, and not know so much as those six pages will suggest. The psychological anatomy of Jacques and Fernande in the early days of their marriage seems quite preternaturally true—I mean that her power of describing it is preternatural. Fernande and Jacques are merely the feminine and the masculine nature, and their early married life an every-day tragedy; but I will not dilate on the book or on your criticism, for I am so sleepy that I should write nothing but bêtises. I have at last the most delightful "De imitatione Christi," with quaint woodcuts. One breathes a cool air as of cloisters in the book—it makes one long to be a saint for a few months. Verily its piety has its foundations in the depth of the divine-human soul.

      In March Miss Evans wrote a short notice of the "Nemesis of Faith" for the Coventry Herald, in which she says:

      "We are sure that its author is a bright, particular star, though he sometimes leaves us in doubt whether he be not a fallen 'son of the morning.'"

      The paper was sent to Mr. Froude, and on 23d March Mrs. Bray writes to Miss Hennell: "Last night at dusk M. A. came running in in high glee with a most charming note from Froude, naïvely and prettily requesting her to reveal herself. He says he recognized her hand in the review in the Coventry Herald, and if she thinks him a fallen star she might help him to rise, but he 'believes he has only been dipped in the Styx, and is not much the worse for the bath.' Poor girl, I am so pleased she should have this little episode in her dull life."

      The next letter again refers to Mr. Froude's books.

      Letter to Miss Sara Hennell, Wednesday, April, 1849.

      Tell me not that I am a mere prater—that feeling never talks. I will talk, and caress, and look lovingly, until death makes me as stony as the Gorgon-like heads of all the judicious people I know. What is anything worth until it is uttered? Is not the universe one great utterance? Utterance there must be in word or deed to make life of any worth. Every true pentecost is a gift of utterance. Life is too short and opportunities too meagre for many deeds—besides, the best friendships are precisely those where there is no possibility of material helpfulness—and I would take no deeds as an adequate compensation for the frigid, glassy eye and hard, indifferent tones of one's very solid and sensible and conscientious friend. You will wonder of what this is à propos—only of a little bitterness in my own soul just at this moment, and not of anything between you and me. I have nothing to tell you, for all the "haps" of my life are so indifferent. I spin my existence so entirely out of myself that there is a sad want of proper names in my conversation, and I am becoming a greater bore than ever. It is a consciousness of this that has kept me from writing to you. My letters would be a sort of hermit's diary. I have so liked the thought of your enjoying the "Nemesis of Faith." I quote Keats's sonnet, à propos of that book. It has made me feel—

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