The Count of Monte Cristo. Alexandre Dumas

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      The matter was no longer doubtful. Something was at work on the other side of the wall; the prisoner had discovered the danger, and had substituted a lever for a chisel.

      Encouraged by this discovery, Edmond determined to assist the indefatigable laborer. He began by moving his bed, and looked around for anything with which he could pierce the wall, penetrate the moist cement, and displace a stone.

      He saw nothing, he had no knife or sharp instrument, the window grating was of iron, but he had too often assured himself of its solidity. All his furniture consisted of a bed, a chair, a table, a pail, and a jug. The bed had iron clamps, but they were screwed to the wood, and it would have required a screw-driver to take them off. The table and chair had nothing, the pail had once possessed a handle, but that had been removed.

      Dantes had but one resource, which was to break the jug, and with one of the sharp fragments attack the wall. He let the jug fall on the floor, and it broke in pieces.

      Dantes concealed two or three of the sharpest fragments in his bed, leaving the rest on the floor. The breaking of his jug was too natural an accident to excite suspicion. Edmond had all the night to work in, but in the darkness he could not do much, and he soon felt that he was working against something very hard; he pushed back his bed, and waited for day.

      All night he heard the subterranean workman, who continued to mine his way. Day came, the jailer entered. Dantes told him that the jug had fallen from his hands while he was drinking, and the jailer went grumblingly to fetch another, without giving himself the trouble to remove the fragments of the broken one. He returned speedily, advised the prisoner to be more careful, and departed.

      Dantes heard joyfully the key grate in the lock; he listened until the sound of steps died away, and then, hastily displacing his bed, saw by the faint light that penetrated into his cell, that he had labored uselessly the previous evening in attacking the stone instead of removing the plaster that surrounded it.

      The damp had rendered it friable, and Dantes was able to break it off — in small morsels, it is true, but at the end of half an hour he had scraped off a handful; a mathematician might have calculated that in two years, supposing that the rock was not encountered, a passage twenty feet long and two feet broad, might be formed.

      The prisoner reproached himself with not having thus employed the hours he had passed in vain hopes, prayer, and despondency. During the six years that he had been imprisoned, what might he not have accomplished?

      In three days he had succeeded, with the utmost precaution, in removing the cement, and exposing the stone-work. The wall was built of rough stones, among which, to give strength to the structure, blocks of hewn stone were at intervals imbedded. It was one of these he had uncovered, and which he must remove from its socket.

      Dantes strove to do this with his nails, but they were too weak. The fragments of the jug broke, and after an hour of useless toil, he paused.

      Was he to be thus stopped at the beginning, and was he to wait inactive until his fellow workman had completed his task? Suddenly an idea occurred to him — he smiled, and the perspiration dried on his forehead.

      The jailer always brought Dantes' soup in an iron saucepan; this saucepan contained soup for both prisoners, for Dantes had noticed that it was either quite full, or half empty, according as the turnkey gave it to him or to his companion first.

      The handle of this saucepan was of iron; Dantes would have given ten years of his life in exchange for it.

      The jailer was accustomed to pour the contents of the saucepan into Dantes' plate, and Dantes, after eating his soup with a wooden spoon, washed the plate, which thus served for every day. Now when evening came Dantes put his plate on the ground near the door; the jailer, as he entered, stepped on it and broke it.

      This time he could not blame Dantes. He was wrong to leave it there, but the jailer was wrong not to have looked before him.

      The jailer, therefore, only grumbled. Then he looked about for something to pour the soup into; Dantes' entire dinner service consisted of one plate — there was no alternative.

      "Leave the saucepan," said Dantes; "you can take it away when you bring me my breakfast." This advice was to the jailer's taste, as it spared him the necessity of making another trip. He left the saucepan.

      Dantes was beside himself with joy. He rapidly devoured his food, and after waiting an hour, lest the jailer should change his mind and return, he removed his bed, took the handle of the saucepan, inserted the point between the hewn stone and rough stones of the wall, and employed it as a lever. A slight oscillation showed Dantes that all went well. At the end of an hour the stone was extricated from the wall, leaving a cavity a foot and a half in diameter.

      Dantes carefully collected the plaster, carried it into the corner of his cell, and covered it with earth. Then, wishing to make the best use of his time while he had the means of labor, he continued to work without ceasing. At the dawn of day he replaced the stone, pushed his bed against the wall, and lay down. The breakfast consisted of a piece of bread; the jailer entered and placed the bread on the table.

      "Well, don't you intend to bring me another plate?" said Dantes.

      "No," replied the turnkey; "you destroy everything. First you break your jug, then you make me break your plate; if all the prisoners followed your example, the government would be ruined. I shall leave you the saucepan, and pour your soup into that. So for the future I hope you will not be so destructive."

      Dantes raised his eyes to heaven and clasped his hands beneath the coverlet. He felt more gratitude for the possession of this piece of iron than he had ever felt for anything. He had noticed, however, that the prisoner on the other side had ceased to labor; no matter, this was a greater reason for proceeding — if his neighbor would not come to him, he would go to his neighbor. All day he toiled on untiringly, and by the evening he had succeeded in extracting ten handfuls of plaster and fragments of stone. When the hour for his jailer's visit arrived, Dantes straightened the handle of the saucepan as well as he could, and placed it in its accustomed place. The turnkey poured his ration of soup into it, together with the fish — for thrice a week the prisoners were deprived of meat. This would have been a method of reckoning time, had not Dantes long ceased to do so. Having poured out the soup, the turnkey retired. Dantes wished to ascertain whether his neighbor had really ceased to work. He listened — all was silent, as it had been for the last three days. Dantes sighed; it was evident that his neighbor distrusted him. However, he toiled on all the night without being discouraged; but after two or three hours he encountered an obstacle. The iron made no impression, but met with a smooth surface; Dantes touched it, and found that it was a beam. This beam crossed, or rather blocked up, the hole Dantes had made; it was necessary, therefore, to dig above or under it. The unhappy young man had not thought of this. "O my God, my God!" murmured he, "I have so earnestly prayed to you, that I hoped my prayers had been heard. After having deprived me of my liberty, after having deprived me of death, after having recalled me to existence, my God, have pity on me, and do not let me die in despair!"

      "Who talks of God and despair at the same time?" said a voice that seemed to come from beneath the earth, and, deadened by the distance, sounded hollow and sepulchral in the young man's ears. Edmond's hair stood on end, and he rose to his knees.

      "Ah," said he, "I hear a human voice." Edmond had not heard any one speak save his jailer for four or five years; and a jailer is no man to a prisoner — he is a living door, a barrier of flesh and blood adding strength to restraints of oak and iron.

      "In the name of heaven," cried Dantes, "speak again, though the СКАЧАТЬ