A Companion to Global Gender History. Группа авторов
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СКАЧАТЬ Leora, Rogers, Rebecca, and Zancarini‐Fournel, Michelle (2014) Clio. Women, Gender, History, Special issue “Making Gender with Things” 40.

      5 Batchelor, Jennie and Kaplan, Cora, eds. (2007) Women and Material Culture, 1660–1830. Berlin: Springer.

      6 Belk, Russell and Wallendorf, Melanie (1997) “Of Mice and Men: Gender, Identity and Collecting,” in Katherine Martinez and Kenneth Ames, eds. The Material Culture of Gender, the Gender of Material Culture. Winterthur, DE: Henry Francis du Pont Winterthur Museum.

      7 Berns, Marla C. (1993) “Art, History, and Gender: Women and Clay in West Africa.” The African Archaeological Review 11, 129–48.

      8 Bolick, Kate (2018) “Who Bought Sylvia Plath’s Stuff?” The New York Times, April 21, 2018, Available at https://www.nytimes.com/2018/04/21/style/sylvia‐plath‐auction‐bonhams‐frieda‐hughes.html.

      9 Buckridge, Steeve O. (2016) African Lace‐Bark in the Caribbean: The Construction of Race, Class, and Gender. London: Bloomsbury Publishing.

      10 Burman, Barbara, and Fennetaux, Ariane (2019) The Pocket: A Hidden History of Women’s Lives, 1660–1900. New Haven: Yale University Press.

      11 Cowan, Ruth Schwartz (1976) “The ‘Industrial Revolution’ in the Home: Household Technology and Social Change in the 20th Century.” Technology and Culture 17 (1), 1–23.

      12 Creager, Angela N.H., Lunbeck, Elizabeth and Schiebinger, Londa (2001) Feminism in Twentieth‐Century Science, Technology, and Medicine. Chicago: University of Chicago Press.

      13 Cunningham, Patricia A. (1984) “Eighteenth Century Nightgowns: The Gentleman’s Robe in Art and Fashion.” Dress 10 (1), 2–11.

      14 Fennetaux, Ariane (2004) “Men in Gowns: Nightgowns and the Formation of Masculine Identity in Eighteenth‐Century Britain.” Immediations: The Research Journal of the Courtauld Institute of Art 1, 76–89.

      15 Fortune, Brandon Brame (2002) “‘Studious Men Are Always Painted in Gowns’: Charles Willson Peale’s Benjamin Rush and the Question of Banyans in Eighteenth‐Century Anglo‐American Portraiture,” Dress 29 (1), 27–40.

      16 Galor, Katharina (2014) “Women at Qumran? Between Texts and Objects,” trans. Ethan Rundell. Clio. Women, Gender, History 40 (2), 19–43.

      17 Gerritsen, Anne and Riello, Giorgio (2014) Writing Material Culture History. London: Bloomsbury.

      18 Goggin, Maureen Daly (2017) Women and Things, 1750–1950: Gendered Material Strategies. London: Routledge.

      19 Greig, Hannah, Hamlett, Jane, and Hannan, Leonie (2015) Gender and Material Culture in Britain Since 1600. London: Macmillan International Higher Education.

      20 Herlihy, David V. (2004) Bicycle: The History. New Haven: Yale University Press.

      21 Kirkham, Pat (1996) The Gendered Object. Manchester: Manchester University Press.

      22 Ko, Dorothy (2001) Every Step a Lotus: Shoes for Bound Feet. Berkeley: University of California Press.

      23 Ko, Dorothy (2007) Cinderella’s Sisters: A Revisionist History of Footbinding. Berkeley: University of California Press.

      24 Lemire, Beverly (2013) “Fashioning Global Trade: Indian Textiles, Gender Meanings and European Consumers, 1500–1800,” in Giorgio Riello and Tirthankar Roy, eds. How India Clothed the World. Amsterdam: Brill, 365–89.

      25 Macy, Sue (2017) Wheels of Change: How Women Rode the Bicycle to Freedom (with a Few Flat Tires Along the Way). Washington, DC: National Geographic.

      26 Marks, Patricia (2015) Bicycles, Bangs, and Bloomers: The New Woman in the Popular Press. Lexongton: University Press of Kentucky.

      27  Martinez, Katharine A. and Ames, Kenneth L. eds. (1997) The Material Culture of Gender, the Gender of Material Culture. Winterthur, DE: Henry Francis du Pont Winterthur Museum.

      28 Oddy, Nicholas (1996) “Bicycles,” in Pat Kirkham, The Gendered Object. Manchester: Manchester University Press, 61–82.

      29 Oldenziel, Ruth (2001) “Man the Maker, Woman the Consumer: The Consumption Junction Revisited.” In Creager, Lunbeck and Schiebinger, Feminism in Twentieth Century Science, Technology, and Medicine, 128–148.

      30 Schildkrout, Enid (1999) “Gender and Sexuality in Mangbetu Art,” in Ruth Phillips and Christopher B. Steiner, eds. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. Berkeley: University of California Press, 197–213.

      31 Turkle, Sherry (2011) Evocative Objects: Things We Think With. Cambridge, MA: MIT Press.

      32 Ulrich, Laurel Thatcher (1997) “Hannah Barnard’s Cupboard: Female Property and Identity in Eighteenth‐Century New England,” in Ronald Hoffman and Mechal Sobel, eds. Through A Glass Darkly: Defining Self in Early America. Chapel Hill, NC: University of North Carolina Press for the Institute of Early American History and Culture, 238–73.

      33 Ulrich, Laurel Thatcher (2009) The Age of Homespun: Objects and Stories in the Creation of an American Myth. New York: Knopf Doubleday.

      NOTES

      1 1 A seminal work in the field of material culture studies is a volume edited by Arjun Appadurai, The Social Life of Things: Commodities in Cultural Perspective (Cambridge University Press, 1988), in which the various essays pushed scholars to expand their notions of how value is ascribed through the methodology of constructing “biographies” of particular goods and objects. The theoretical underpinnings of this work are laid out particularly well in the introductory essay by Appadurai as well as in the essay by Igor Kopytoff, “The Cultural Biography of Things: Commoditization as Process.”

      2 2 Sylvia Plath, “Daddy.” Poetry Foundation. Available at https://www.poetryfoundation.org/poems/48999/daddy‐56d22aafa45b2 .

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