Middlemarch. Джордж Элиот

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       CHAPTER 20

      ‘A child forsaken, waking suddenly,

      Whose gaze afeard on all things round doth rove,

      And seeth only that it cannot see

      The meeting eyes of love.’

      Two hours later, Dorothea was seated in an inner room or boudoir of a handsome apartment in the Via Sistina.

      I am sorry to add that she was sobbing bitterly, with such abandonment to this relief of an oppressed heart as a woman habitually controlled by pride on her own account and thoughtfulness for others will sometimes allow herself when she feels securely alone. And Mr Casaubon was certain to remain away for some time at the Vatican.

      Yet Dorothea had no distinctly shapen grievance that she could state even to herself; and in the midst of her confused thought and passion, the mental act that was struggling forth into clearness was a self-accusing cry that her feeling of desolation was the fault of her own spiritual poverty. She had married the man of her choice, and with the advantage over most girls that she had contemplated her marriage chiefly as the beginning of new duties: from the very first she had thought of Mr Casaubon as having a mind so much above her own, that he must often be claimed by studies which she could not entirely share; moreover, after the brief narrow experience of her girlhood she was beholding Rome, the city of visible history, where the past of a whole hemisphere seems moving in funeral procession with strange ancestral images and trophies gathered from afar.

      But this stupendous fragmentariness heightened the dream-like strangeness of her bridal life. Dorothea had now been five weeks in Rome, and in the kindly mornings when autumn and winter seemed to go hand in hand like a happy aged couple, one of whom would presently survive in chiller loneliness, she had driven about at first with Mr Casaubon, but of late chiefly with Tantripp and their experienced courier. She had been led through the best galleries, had been taken to the chief points of view, had been shown the grandest ruins and the most glorious churches, and she had ended by oftenest choosing to drive out to the Campagna where she could feel alone with the earth and sky, away from the oppressive masquerade of ages, in which her own life too seemed to become a masque with enigmatical costumes.

      To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world; all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St Peter’s, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina.

      Not that this inward amazement of Dorothea’s was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to ‘find their feet’ among them, while their elders go about their business. Nor can I suppose that when Mrs Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel’s heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.

      However, Dorothea was crying, and if she had been required to state the cause, she could only have done so in some such general words as I have already used: to have been driven to be more particular would have been like trying to give a history of the lights and shadows; for that new real future which was replacing the imaginary drew its material from the endless minutiae by which her view of Mr Casaubon and her wifely relation, now that she was married to him, was gradually changing with the secret motion of a watch-hand from what it had been in her maiden dream. It was too early yet for her fully to recognise or at least admit the change, still more for her to have readjusted that devotedness which was so necessary a part of her mental life that she was almost sure sooner or later to recover it. Permanent rebellion, the disorder of a life without some loving reverent resolve, was not possible to her; but she was now in an interval when the very force of her nature heightened its confusion. In this way, the early months of marriage often are times of critical tumult—whether that of a shrimp-pool or of deeper waters—which afterwards subsides into cheerful peace.

      But was not Mr Casaubon just as learned as before? Had his forms of expression changed, or his sentiments become less laudable? O waywardness of womanhood! did his chronology fail him, or his ability to state not only a theory but the names of those who held it; or his provision for giving the heads of any subject on demand? And was not Rome the place in all the world to give free play to such accomplishments? Besides, had not Dorothea’s enthusiasm especially dwelt on the prospect of relieving the weight and perhaps the sadness with which great tasks lie on him who has to achieve them?—And that such weight pressed on Mr Casaubon was only plainer than before.

      All these are crushing questions; but whatever else remained the same, the light had changed, and you cannot find the pearly dawn at noonday. The fact is unalterable, that a fellow-mortal with whose nature you are acquainted solely through the brief entrances and exits of СКАЧАТЬ