The Complete Short Stories of Lucy Maud Montgomery. Lucy Maud Montgomery

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      Each In His Own Tongue

      Table of Contents

      The honey-tinted autumn sunshine was falling thickly over the crimson and amber maples around old Abel Blair’s door. There was only one outer door in old Abel’s house, and it almost always stood wide open. A little black dog, with one ear missing and a lame forepaw, almost always slept on the worn red sandstone slab which served old Abel for a doorstep; and on the still more worn sill above it a large gray cat almost always slept. Just inside the door, on a bandy-legged chair of elder days, old Abel almost always sat.

      He was sitting there this afternoon — a little old man, sadly twisted with rheumatism; his head was abnormally large, thatched with long, wiry black hair; his face was heavily lined and swarthily sunburned; his eyes were deep-set and black, with occasional peculiar golden flashes in them. A strange looking man was old Abel Blair; and as strange was he as he looked. Lower Carmody people would have told you.

      Old Abel was almost always sober in these, his later years. He was sober to-day. He liked to bask in that ripe sunlight as well as his dog and cat did; and in such baskings he almost always looked out of his doorway at the far, fine blue sky over the tops of the crowding maples. But to-day he was not looking at the sky, instead, he was staring at the black, dusty rafters of his kitchen, where hung dried meats and strings of onions and bunches of herbs and fishing tackle and guns and skins.

      But old Abel saw not these things; his face was the face of a man who beholds visions, compact of heavenly pleasure and hellish pain, for old Abel was seeing what he might have been — and what he was; as he always saw when Felix Moore played to him on the violin. And the awful joy of dreaming that he was young again, with unspoiled life before him, was so great and compelling that it counterbalanced the agony in the realization of a dishonoured old age, following years in which he had squandered the wealth of his soul in ways where Wisdom lifted not her voice.

      Felix Moore was standing opposite to him, before an untidy stove, where the noon fire had died down into pallid, scattered ashes. Under his chin he held old Abel’s brown, battered fiddle; his eyes, too, were fixed on the ceiling; and he, too, saw things not lawful to be uttered in any language save that of music; and of all music, only that given forth by the anguished, enraptured spirit of the violin. And yet this Felix was little more than twelve years old, and his face was still the face of a child who knows nothing of either sorrow or sin or failure or remorse. Only in his large, gray-black eyes was there something not of the child — something that spoke of an inheritance from many hearts, now ashes, which had aforetime grieved and joyed, and struggled and failed, and succeeded and grovelled. The inarticulate cries of their longings had passed into this child’s soul, and transmuted themselves into the expression of his music.

      Felix was a beautiful child. Carmody people, who stayed at home, thought so; and old Abel Blair, who had roamed afar in many lands, thought so; and even the Rev. Stephen Leonard, who taught, and tried to believe, that favour is deceitful and beauty is vain, thought so.

      He was a slight lad, with sloping shoulders, a slim brown neck, and a head set on it with stag-like grace and uplift. His hair, cut straight across his brow and falling over his ears, after some caprice of Janet Andrews, the minister’s housekeeper, was a glossy blue-black. The skin of his face and hands was like ivory; his eyes were large and beautifully tinted — gray, with dilating pupils; his features had the outlines of a cameo. Carmody mothers considered him delicate, and had long foretold that the minister would never bring him up; but old Abel pulled his grizzled moustache when he heard such forebodings and smiled.

      “Felix Moore will live,” he said positively. “You can’t kill that kind until their work is done. He’s got a work to do — if the minister’ll let him do it. And if the minister don’t let him do it, then I wouldn’t be in that minister’s shoes when he comes to the judgment — no, I’d rather be in my own. It’s an awful thing to cross the purposes of the Almighty, either in your own life or anybody else’s. Sometimes I think it’s what’s meant by the unpardonable sin — ay, that I do!”

      Carmody people never asked what old Abel meant. They had long ago given up such vain questioning. When a man had lived as old Abel had lived for the greater part of his life, was it any wonder he said crazy things? And as for hinting that Mr. Leonard, a man who was really almost too good to live, was guilty of any sin, much less an unpardonable one — well, there now! what use was it to be taking any account of old Abel’s queer speeches? Though, to be sure, there was no great harm in a fiddle, and maybe Mr. Leonard was a mite too strict that way with the child. But then, could you wonder at it? There was his father, you see.

      Felix finally lowered the violin, and came back to old Abel’s kitchen with a long sigh. Old Abel smiled drearily at him — the smile of a man who has been in the hands of the tormentors.

      “It’s awful the way you play — it’s awful,” he said with a shudder. “I never heard anything like it — and you that never had any teaching since you were nine years old, and not much practice, except what you could get here now and then on my old, battered fiddle. And to think you make it up yourself as you go along! I suppose your grandfather would never hear to your studying music — would he now?”

      Felix shook his head.

      “I know he wouldn’t, Abel. He wants me to be a minister. Ministers are good things to be, but I’m afraid I can’t be a minister.”

      “Not a pulpit minister. There’s different kinds of ministers, and each must talk to men in his own tongue if he’s going to do ‘em any real good,” said old Abel meditatively. “YOUR tongue is music. Strange that your grandfather can’t see that for himself, and him such a broadminded man! He’s the only minister I ever had much use for. He’s God’s own if ever a man was. And he loves you — yes, sir, he loves you like the apple of his eye.”

      “And I love him,” said Felix warmly. “I love him so much that I’ll even try to be a minister for his sake, though I don’t want to be.”

      “What do you want to be?”

      “A great violinist,” answered the child, his ivory-hued face suddenly warming into living rose. “I want to play to thousands — and see their eyes look as yours do when I play. Sometimes your eyes frighten me, but oh, it’s a splendid fright! If I had father’s violin I could do better. I remember that he once said it had a soul that was doing purgatory for its sins when it had lived on earth. I don’t know what he meant, but it did seem to me that HIS violin was alive. He taught me to play on it as soon as I was big enough to hold it.”

      “Did you love your father?” asked old Abel, with a keen look.

      Again Felix crimsoned; but he looked straightly and steadily into his old friend’s face.

      “No,” he said, “I didn’t; but,” he added, gravely and deliberately, “I don’t think you should have asked me such a question.”

      It was old Abel’s turn to blush. Carmody people would not have believed he could blush; and perhaps no living being could have called that deepening hue into his weather-beaten cheek save only this grayeyed child of the rebuking face.

      “No, I guess I shouldn’t,” he said. “But I’m always making mistakes. I’ve never made anything else. That’s why I’m nothing more than ‘Old Abel’ to the Carmody people. Nobody СКАЧАТЬ