Daniel Deronda. Джордж Элиот
Чтение книги онлайн.

Читать онлайн книгу Daniel Deronda - Джордж Элиот страница 2

Название: Daniel Deronda

Автор: Джордж Элиот

Издательство: Bookwire

Жанр: Языкознание

Серия:

isbn: 4057664173362

isbn:

СКАЧАТЬ rel="nofollow" href="#ulink_4ff0834b-f3d5-5929-a268-3483ead14848">CHAPTER XLII.

       CHAPTER XLIII.

       CHAPTER XLIV.

       CHAPTER XLV.

       CHAPTER XLVI.

       CHAPTER XLVII.

       CHAPTER XLVIII.

       CHAPTER XLIX.

       BOOK VII.—THE MOTHER AND THE SON

       CHAPTER L.

       CHAPTER LI.

       CHAPTER LII.

       CHAPTER LIII.

       CHAPTER LIV.

       CHAPTER LV.

       CHAPTER LVI.

       CHAPTER LVII.

       BOOK VIII.—FRUIT AND SEED.

       CHAPTER LVIII.

       CHAPTER LIX.

       CHAPTER LX.

       CHAPTER LXI.

       CHAPTER LXII.

       CHAPTER LXIII.

       CHAPTER LXIV.

       CHAPTER LXV.

       CHAPTER LXVI.

       CHAPTER LXVII.

       CHAPTER LXVIII.

       CHAPTER LXIX.

       CHAPTER LXX.

       Table of Contents

       Table of Contents

       Table of Contents

      Men can do nothing without the make-believe of a beginning. Even

       science, the strict measurer, is obliged to start with a make-believe

       unit, and must fix on a point in the stars’ unceasing journey when his

       sidereal clock shall pretend that time is at Nought. His less accurate

       grandmother Poetry has always been understood to start in the middle;

       but on reflection it appears that her proceeding is not very different

       from his; since Science, too, reckons backward as well as forward,

       divides his unit into billions, and with his clock-finger at Nought

       really sets off in medias res. No retrospect will take us to the true beginning; and whether our prologue be in heaven or on earth, it is but a fraction of that all-presupposing fact with which our story sets out.

      Was she beautiful or not beautiful? and what was the secret of form or expression which gave the dynamic quality to her glance? Was the good or the evil genius dominant in those beams? Probably the evil; else why was the effect that of unrest rather than of undisturbed charm? Why was the wish to look again felt as coercion and not as a longing in which the whole being consents?

      She who raised these questions in Daniel Deronda’s mind was occupied in gambling: not in the open air under a southern sky, tossing coppers on a ruined wall, with rags about her limbs; but in one of those splendid resorts which the enlightenment of ages has prepared for the same species of pleasure at a heavy cost of gilt mouldings, dark-toned color and chubby nudities, all correspondingly heavy—forming a suitable condenser for human breath belonging, in great part, to the highest fashion, and not easily procurable to be breathed in elsewhere in the like proportion, at least by persons of little fashion.

      It was near four o’clock on a September day, so that the atmosphere was well-brewed to a visible haze. There was deep stillness, broken only by a light rattle, a light chink, a small sweeping sound, and an occasional monotone in French, such as might be expected to issue from an ingeniously constructed automaton. Round two long tables were gathered two serried crowds of human beings, all save one having their faces and attention bent on the tables. The one exception was a melancholy little boy, with his knees and calves simply in their natural СКАЧАТЬ