Desperate Remedies, The Hand of Ethelberta & A Laodicean: Complete Illustrated Trilogy. Томас Харди

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СКАЧАТЬ comfort, but an uncomfortable, high, narrow-backed, oak framed and seated chair, which was allowed to remain in the room only on the ground of being a companion in artistic quaintness to an old coffer beside it, and was never used except to stand in to reach for a book from the highest row of shelves. But she had sat erect in this chair for more than an hour, for the reason that she was utterly unconscious of what her actions and bodily feelings were. The chair had stood nearest her path on entering the room, and she had gone to it in a dream.

      She sat in the attitude which denotes unflagging, intense, concentrated thought — as if she were cast in bronze. Her feet were together, her body bent a little forward, and quite unsupported by the back of the chair; her hands on her knees, her eyes fixed intently on the corner of a footstool.

      At last she moved and tapped her fingers upon the table at her side. Her pent-up ideas had finally found some channel to advance in. Motions became more and more frequent as she laboured to carry further and further the problem which occupied her brain. She sat back and drew a long breath: she sat sideways and leant her forehead upon her hand. Later still she arose, walked up and down the room — at first abstractedly, with her features as firmly set as ever; but by degrees her brow relaxed, her footsteps became lighter and more leisurely; her head rode gracefully and was no longer bowed. She plumed herself like a swan after exertion.

      ‘Yes,’ she said aloud. ‘To get him here without letting him know that I have any other object than that of getting a useful man — that’s the difficulty — and that I think I can master.’

      She rang for the new maid, a placid woman of forty with a few grey hairs.

      ‘Ask Miss Graye if she can come to me.’

      Cytherea was not far off, and came in.

      ‘Do you know anything about architects and surveyors?’ said Miss Aldclyffe abruptly.

      ‘Know anything?’ replied Cytherea, poising herself on her toe to consider the compass of the question.

      ‘Yes — know anything,’ said Miss Aldclyffe.

      ‘Owen is an architect and surveyor’s draughtsman,’ the maiden said, and thought of somebody else who was likewise.

      ‘Yes! that’s why I asked you. What are the different kinds of work comprised in an architect’s practice? They lay out estates, and superintend the various works done upon them, I should think, among other things?’

      ‘Those are, more properly, a land or building steward’s duties — at least I have always imagined so. Country architects include those things in their practice; city architects don’t.’

      ‘I know that, child. But a steward’s is an indefinite fast and loose profession, it seems to me. Shouldn’t you think that a man who had been brought up as an architect would do for a steward?’

      Cytherea had doubts whether an architect pure would do.

      The chief pleasure connected with asking an opinion lies in not adopting it. Miss Aldclyffe replied decisively —

      ‘Nonsense; of course he would. Your brother Owen makes plans for country buildings — such as cottages, stables, homesteads, and so on?’

      ‘Yes; he does.’

      ‘And superintends the building of them?’

      ‘Yes; he will soon.’

      ‘And he surveys land?’

      ‘O yes.’

      ‘And he knows about hedges and ditches — how wide they ought to be, boundaries, levelling, planting trees to keep away the winds, measuring timber, houses for ninety-nine years, and such things?’

      ‘I have never heard him say that; but I think Mr. Gradfield does those things. Owen, I am afraid, is inexperienced as yet.’

      ‘Yes; your brother is not old enough for such a post yet, of course. And then there are rent-days, the audit and winding up of tradesmen’s accounts. I am afraid, Cytherea, you don’t know much more about the matter than I do myself. . . . I am going out just now,’ she continued. ‘I shall not want you to walk with me today. Run away till dinner-time.’

      Miss Aldclyffe went out of doors, and down the steps to the lawn: then turning to the left, through a shrubbery, she opened a wicket and passed into a neglected and leafy carriage-drive, leading down the hill. This she followed till she reached the point of its greatest depression, which was also the lowest ground in the whole grove.

      The trees here were so interlaced, and hung their branches so near the ground, that a whole summer’s day was scarcely long enough to change the air pervading the spot from its normal state of coolness to even a temporary warmth. The unvarying freshness was helped by the nearness of the ground to the level of the springs, and by the presence of a deep, sluggish stream close by, equally well shaded by bushes and a high wall. Following the road, which now ran along at the margin of the stream, she came to an opening in the wall, on the other side of the water, revealing a large rectangular nook from which the stream proceeded, covered with froth, and accompanied by a dull roar. Two more steps, and she was opposite the nook, in full view of the cascade forming its further boundary. Over the top could be seen the bright outer sky in the form of a crescent, caused by the curve of a bridge across the rapids, and the trees above.

      Beautiful as was the scene she did not look in that direction. The same standing-ground afforded another prospect, straight in the front, less sombre than the water on the right or the trees all around. The avenue and grove which flanked it abruptly terminated a few yards ahead, where the ground began to rise, and on the remote edge of the greensward thus laid open, stood all that remained of the original manor-house, to which the dark margin-line of the trees in the avenue formed an adequate and well-fitting frame. It was the picture thus presented that was now interesting Miss Aldclyffe — not artistically or historically, but practically — as regarded its fitness for adaptation to modern requirements.

      In front, detached from everything else, rose the most ancient portion of the structure — an old arched gateway, flanked by the bases of two small towers, and nearly covered with creepers, which had clambered over the eaves of the sinking roof, and up the gable to the crest of the Aldclyffe family perched on the apex. Behind this, at a distance of ten or twenty yards, came the only portion of the main building that still existed — an Elizabethan fragment, consisting of as much as could be contained under three gables and a cross roof behind. Against the wall could be seen ragged lines indicating the form of other destroyed gables which had once joined it there. The mullioned and transomed windows, containing five or six lights, were mostly bricked up to the extent of two or three, and the remaining portion fitted with cottage window-frames carelessly inserted, to suit the purpose to which the old place was now applied, it being partitioned out into small rooms downstairs to form cottages for two labourers and their families; the upper portion was arranged as a storehouse for divers kinds of roots and fruit.

      The owner of the picturesque spot, after her survey from this point, went up to the walls and walked into the old court, where the paving-stones were pushed sideways and upwards by the thrust of the grasses between them. Two or three little children, with their fingers in their mouths, came out to look at her, and then ran in to tell their mothers in loud tones of secrecy that Miss Aldclyffe was coming. Miss Aldclyffe, however, did not come in. She concluded her survey of the exterior by making a complete circuit of the building; then turned into a nook a short distance off where round and square timber, a saw-pit, planks, grindstones, heaps of СКАЧАТЬ