THE LIFE OF SAMUEL JOHNSON - All 6 Volumes in One Edition. James Boswell

Чтение книги онлайн.

СКАЧАТЬ mind could not be satisfied without more diversity of employment, and the pleasure of animated relaxation[558]. He therefore not only exerted his talents in occasional composition very different from Lexicography, but formed a club in Ivy-lane, Paternoster-row, with a view to enjoy literary discussion, and amuse his evening hours. The members associated with him in this little society were his beloved friend Dr. Richard Bathurst[559], Mr. Hawkesworth[560], afterwards well known by his writings, Mr. John Hawkins, an attorney[561], and a few others of different professions[562].

      [Page 192: The Vision of Theodore. A.D. 1749.]

      In the Gentleman’s Magazine for May of this year he wrote a ‘Life of Roscommon,’[*] with Notes, which he afterwards much improved, indented the notes into text, and inserted it amongst his Lives of the English Poets.

      Mr. Dodsley this year brought out his Preceptor, one of the most valuable books for the improvement of young minds that has appeared in any language; and to this meritorious work Johnson furnished ‘The Preface,’[*] containing a general sketch of the book, with a short and perspicuous recommendation of each article; as also, ‘The Vision of Theodore the Hermit, found in his Cell,’[*] a most beautiful allegory of human life, under the figure of ascending the mountain of Existence. The Bishop of Dromore heard Dr. Johnson say, that he thought this was the best thing he ever wrote[563].

      1749: ÆTAT. 40.—In January, 1749, he published The Vanity of Human Wishes, being the Tenth Satire of Juvenal imitated[564]. He, I believe, composed it the preceding year[565]. Mrs. Johnson, for the sake of country air, had lodgings at Hampstead, to which he resorted occasionally, and there the greatest part, if not the whole, of this Imitation was written[566]. The fervid rapidity with which it was produced, is scarcely credible. I have heard him say, that he composed seventy lines of it in one day, without putting one of them upon paper till they were finished[567].

      [Page 193: The payment of poets.]

      I remember when I once regretted to him that he had not given us more of Juvenal’s Satires, he said he probably should give more, for he had them all in his head; by which I understood that he had the originals and correspondent allusions floating in his mind, which he could, when he pleased, embody and render permanent without much labour. Some of them, however, he observed were too gross for imitation.

      The profits of a single poem, however excellent, appear to have been very small in the last reign, compared with what a publication of the same size has since been known to yield. I have mentioned, upon Johnson’s own authority, that for his London he had only ten guineas; and now, after his fame was established, he got for his Vanity of Human Wishes but five guineas more, as is proved by an authentick document in my possession[568].

      It will be observed, that he reserves to himself the right of printing one edition of this satire, which was his practice upon occasion of the sale of all his writings; it being his fixed intention to publish at some period, for his own profit, a complete collection of his works[569].

      His Vanity of Human Wishes has less of common life, but more of a philosophick dignity than his London. More readers, therefore, will be delighted with the pointed spirit of London, than with the profound reflection of The Vanity of Human Wishes[570]. Garrick, for instance, observed in his sprightly manner, with more vivacity than regard to just discrimination, as is usual with wits, ‘When Johnson lived much with the Herveys, and saw a good deal of what was passing in life, he wrote his London, which is lively and easy. When he became more retired, he gave us his Vanity of Human Wishes, which is as hard as Greek. Had he gone on to imitate another satire, it would have been as hard as Hebrew[571].’

      [Page 194: Lydiat’s life. A.D. 1749.]

      But The Vanity of Human Wishes is, in the opinion of the best judges, as high an effort of ethick poetry as any language can shew. The instances of variety of disappointment are chosen so judiciously and painted so strongly, that, the moment they are read, they bring conviction to every thinking mind. That of the scholar must have depressed the too sanguine expectations of many an ambitious student[572]. That of the warrior, Charles of Sweden, is, I think, as highly finished a picture as can possibly be conceived.

      [Page 195: The conclusion of Johnson’s poem. Ætat 40.]

      Were all the other excellencies of this poem annihilated, it must ever have our grateful reverence from its noble conclusion; in which we are consoled with the assurance that happiness may be attained, if we ‘apply our hearts[573]’ to piety:

      ‘Where then shall hope and fear their objects find?

       Shall dull suspense corrupt the stagnant mind?

       Must helpless man, in ignorance sedate,

       Roll darkling down the torrent of his fate?

       Shall no dislike alarm, no wishes rise,

       No cries attempt the mercy of the skies?

       Enthusiast[574], cease; petitions yet remain,

       Which Heav’n may hear, nor deem Religion vain.

       Still raise for good the supplicating voice,

       But leave to Heaven the measure and the choice.

       Safe in His hand, whose eye discerns afar

       The secret ambush of a specious pray’r;

       Implore His aid, in His decisions rest,

       Secure whate’er He gives He gives the best.

       Yet when the sense of sacred presence fires,

       And strong devotion to the skies aspires,

       Pour forth thy fervours for a healthful mind,

       Obedient passions, and a will resign’d;

       For love, which scarce collective man can fill,

       For patience, sovereign o’er transmuted ill;

       For faith, which panting for a happier seat,

       Counts death kind Nature’s signal for retreat.

       These goods for man the laws of Heaven ordain,

       These goods He grants, who grants the power to gain;

       With these celestial wisdom calms the mind,

       And makes the happiness she does not find.’

      [Page 196: IRENE on the stage. A.D. 1749.]

      Garrick being now vested with theatrical power by being manager of Drury-lane theatre, he kindly and generously made use of it to bring out Johnson’s tragedy, which had been long kept back for want of encouragement. But in this benevolent purpose he met with no small difficulty from the temper of Johnson, which could not brook that a drama which he had formed with much study, and had been obliged to keep more than the nine years of Horace[575], should be revised and altered at the pleasure of an actor[576]. Yet Garrick knew well, that without some alterations it would not be fit for the stage. A violent dispute having ensued between them, Garrick applied to the Reverend Dr. Taylor to interpose. Johnson was at first very obstinate. ‘Sir, (said he) the fellow wants me to make Mahomet run mad, that he may have an opportunity of tossing his hands and kicking his heels[577].’ He was, however, at last, with difficulty, prevailed on to comply with Garrick’s wishes, СКАЧАТЬ