The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated). Вашингтон Ирвинг

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СКАЧАТЬ in a panic at my appearance. I tried to make out a little longer by taking the key in my pocket, but it would not do. I overheard mine hostess one day telling some of her customers on the stairs that the room was occupied by an author, who was always in a tantrum if interrupted; and I immediately perceived, by a slight noise at the door, that they were peeping at me through the key-hole. By the head of Apollo, but this was quite too much! with all my eagerness for fame, and my ambition of the stare of the million, I had no idea of being exhibited by retail, at sixpence a head, and that through a key-hole. So I bade adieu to Canonbury Castle, merry Islington, and the haunts of poor Goldsmith, without having advanced a single line in my labors.

      My next quarters were at a small whitewashed cottage, which stands not far from Hempstead, just on the brow of a hill, looking over Chalk farm, and Camden town, remarkable for the rival houses of Mother Red Cap and Mother Black Cap; and so across Cruckskull common to the distant city.

      The cottage is in no wise remarkable in itself; but I regarded it with reverence, for it had been the asylum of a persecuted author. Hither poor Steele had retreated and lain perdue when persecuted by creditors and bailiffs; those immemorial plagues of authors and free-spirited gentlemen; and here he had written many numbers of the Spectator. It was from hence, too, that he had despatched those little notes to his lady, so full of affection and whimsicality; in which the fond husband, the careless gentleman, and the shifting spendthrift, were so oddly blended. I thought, as I first eyed the window, of his apartment, that I could sit within it and write volumes.

      No such thing! It was haymaking season, and, as ill luck would have it, immediately opposite the cottage was a little alehouse with the sign of the load of hay. Whether it was there in Steele’s time or not I cannot say; but it set all attempt at conception or inspiration at defiance. It was the resort of all the Irish haymakers who mow the broad fields in the neighborhood; and of drovers and teamsters who travel that road. Here would they gather in the endless summer twilight, or by the light of the harvest moon, and sit round a table at the door; and tipple, and laugh, and quarrel, and fight, and sing drowsy songs, and dawdle away the hours until the deep solemn notes of St. Paul’s clock would warn the varlets home.

      In the daytime I was still less able to write. It was broad summer. The haymakers were at work in the fields, and the perfume of the new-mown hay brought with it the recollection of my native fields. So instead of remaining in my room to write, I went wandering about Primrose Hill and Hempstead Heights and Shepherd’s Field, and all those Arcadian scenes so celebrated by London bards. I cannot tell you how many delicious hours I have passed lying on the cocks of new-mown hay, on the pleasant slopes of some of those hills, inhaling the fragrance of the fields, while the summer fly buzzed above me, or the grasshopper leaped into my bosom, and how I have gazed with half-shut eye upon the smoky mass of London, and listened to the distant sound of its population, and pitied the poor sons of earth toiling in its bowels, like Gnomes in “the dark gold mine.”

      People may say what they please about Cockney pastorals; but after all, there is a vast deal of rural beauty about the western vicinity of London; and any one that has looked down upon the valley of Westend, with its soft bosom of green pasturage, lying open to the south, and dotted with cattle; the steeple of Hempstead rising among rich groves on the brow of the hill, and the learned height of Harrow in the distance; will confess that never has he seen a more absolutely rural landscape in the vicinity of a great metropolis.

      Still, however, I found myself not a whit the better off for my frequent change of lodgings; and I began to discover that in literature, as in trade, the old proverb holds good, “a rolling stone gathers no moss.”

      The tranquil beauty of the country played the very vengeance with me. I could not mount my fancy into the termagant vein. I could not conceive, amidst the smiling landscape, a scene of blood and murder; and the smug citizens in breeches and gaiters, put all ideas of heroes and bandits out of my brain. I could think of nothing but dulcet subjects. “The pleasures of spring”—”the pleasures of solitude”—”the pleasures of tranquillity”—”the pleasures of sentiment” — nothing but pleasures; and I had the painful experience of “the pleasures of melancholy” too strongly in my recollection to be beguiled by them.

      Chance at length befriended me. I had frequently in my ramblings loitered about Hempstead Hill; which is a kind of Parnassus of the metropolis. At such times I occasionally took my dinner at Jack Straw’s Castle. It is a country inn so named. The very spot where that notorious rebel and his followers held their council of war. It is a favorite resort of citizens when rurally inclined, as it commands fine fresh air and a good view of the city.

      I sat one day in the public room of this inn, ruminating over a beefsteak and a pint of port, when my imagination kindled up with ancient and heroic images. I had long wanted a theme and a hero; both suddenly broke upon my mind; I determined to write a poem on the history of Jack Straw. I was so full of my subject that I was fearful of being anticipated. I wondered that none of the poets of the day, in their researches after ruffian heroes, had ever thought of Jack Straw. I went to work pell-mell, blotted several sheets of paper with choice floating thoughts, and battles, and descriptions, to be ready at a moment’s warning. In a few days’ time I sketched out the skeleton of my poem, and nothing was wanting but to give it flesh and blood. I used to take my manuscript and stroll about Caen Wood, and read aloud; and would dine at the castle, by way of keeping up the vein of thought.

      I was taking a meal there, one day, at a rather late hour, in the public room. There was no other company but one man, who sat enjoying his pint of port at a window, and noticing the passers-by. He was dressed in a green shooting coat. His countenance was strongly marked. He had a hooked nose, a romantic eye, excepting that it had something of a squint; and altogether, as I thought, a poetical style of head. I was quite taken with the man, for you must know I am a little of a physiognomist: I set him down at once for either a poet or a philosopher.

      As I like to make new acquaintances, considering every man a volume of human nature, I soon fell into conversation with the stranger, who, I was pleased to find, was by no means difficult of access. After I had dined, I joined him at the window, and we became so sociable that I proposed a bottle of wine together; to which he most cheerfully assented.

      I was too full of my poem to keep long quiet on the subject, and began to talk about the origin of the tavern, and the history of Jack Straw. I found my new acquaintance to be perfectly at home on the topic, and to jump exactly with my humor in every respect. I became elevated by the wine and the conversation. In the fullness of an author’s feelings, I told him of my projected poem, and repeated some passages; and he was in raptures. He was evidently of a strong poetical turn.

      “Sir,” said he, filling my glass at the same time, “our poets don’t look at home. I don’t see why we need go out of old England for robbers and rebels to write about. I like your Jack Straw, sir. He’s a home-made hero. I like him, sir. I like him exceedingly. He’s English to the back bone, damme. Give me honest old England, after all; them’s my sentiments, sir!”

      “I honor your sentiments,” cried I zealously. “They are exactly my own. An English ruffian for poetry is as good a ruffian for poetry as any in Italy or Germany, or the Archipelago; but it is hard to make our poets think so.”

      “More shame for them!” replied the man in green. “What a plague would they have?” What have we to do with their Archipelagos of Italy and Germany? Haven’t we heaths and commons and highways on our own little island? Aye, and stout fellows to pad the hoof over them too? Come, sir, my service to you — I agree with you perfectly.”

      “Poets in old times had right notions on this subject,” continued I; “witness the fine old ballads about Robin Hood, Allen A’Dale, and other staunch blades of yore.”

      “Right, sir, right,” interrupted he. “Robin Hood! He was the lad to cry stand! to a man, and never flinch.”

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