The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated). Вашингтон Ирвинг
Чтение книги онлайн.
Читать онлайн книгу The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated) - Вашингтон Ирвинг страница 117
Poor Goldsmith! what a time must he have had of it, with his quiet Disposition and nervous habits, penned up in this den of noise and vulgarity. How strange that while every sight and sound was sufficient to embitter the heart and fill it with misanthropy, his pen should be dropping the honey of Hybla. Yet it is more than probable that he drew many of his inimitable pictures of low life from the scenes which surrounded him in this abode. The circumstance of Mrs. Tibbs being obliged to wash her husband’s two shirts in a neighbor’s house, who refused to lend her washtub, may have been no sport of fancy, but a fact passing under his own eye. His landlady may have sat for the picture, and Beau Tibbs’ scanty wardrobe have been a facsimile of his own.
It was with some difficulty that we found our way to Dribble’s lodgings. They were up two pair of stairs, in a room that looked upon the court, and when we entered he was seated on the edge of his bed, writing at a broken table. He received us, however, with a free, open, poor devil air, that was irresistible. It is true he did at first appear slightly confused; buttoned up his waistcoat a little higher and tucked in a stray frill of linen. But he recollected himself in an instant; gave a half swagger, half leer, as he stepped forth to receive us; drew a three-legged stool for Mr. Buckthorne; pointed me to a lumbering old damask chair that looked like a dethroned monarch in exile, and bade us welcome to his garret.
We soon got engaged in conversation. Buckthorne and he had much to say about early school scenes; and as nothing opens a man’s heart more than recollections of the kind, we soon drew from him a brief outline of his literary career.
THE POOR DEVIL AUTHOR.
I began life unluckily by being the wag and bright fellow at school; and I had the farther misfortune of becoming the great genius of my native village. My father was a country attorney, and intended that I should succeed him in business; but I had too much genius to study, and he was too fond of my genius to force it into the traces. So I fell into bad company and took to bad habits. Do not mistake me. I mean that I fell into the company of village literati and village blues, and took to writing village poetry.
It was quite the fashion in the village to be literary. We had a little knot of choice spirits who assembled frequently together, formed ourselves into a Literary, Scientific, and Philosophical Society, and fancied ourselves the most learned philos in existence. Every one had a great character assigned him, suggested by some casual habit or affectation. One heavy fellow drank an enormous quantity of tea; rolled in his armchair, talked sententiously, pronounced dogmatically, and was considered a second Dr. Johnson; another, who happened to be a curate, uttered coarse jokes, wrote doggerel rhymes, and was the Swift of our association. Thus we had also our Popes and Goldsmiths and Addisons, and a blue-stocking lady, whose drawing-room we frequented, who corresponded about nothing with all the world, and wrote letters with the stiffness and formality of a printed book, was cried up as another Mrs. Montagu. I was, by common consent, the juvenile prodigy, the poetical youth, the great genius, the pride and hope of the village, through whom it was to become one day as celebrated as Stratford-on-Avon.
My father died and left me his blessing and his business. His blessing brought no money into my pocket; and as to his business it soon deserted me: for I was busy writing poetry, and could not attend to law; and my clients, though they had great respect for my talents, had no faith in a poetical attorney.
I lost my business therefore, spent my money, and finished my poem. It was the Pleasures of Melancholy, and was cried up to the skies by the whole circle. The Pleasures of Imagination, the Pleasures of Hope, and the Pleasures of Memory, though each had placed its author in the first rank of poets, were blank prose in comparison. Our Mrs. Montagu would cry over it from beginning to end. It was pronounced by all the members of the Literary, Scientific, and Philosophical Society the greatest poem of the age, and all anticipated the noise it would make in the great world. There was not a doubt but the London booksellers would be mad after it, and the only fear of my friends was, that I would make a sacrifice by selling it too cheap.
Every time they talked the matter over they increased the price. They reckoned up the great sums given for the poems of certain popular writers, and determined that mine was worth more than all put together, and ought to be paid for accordingly. For my part, I was modest in my expectations, and determined that I would be satisfied with a thousand guineas. So I put my poem in my pocket and set off for London.
My journey was joyous. My heart was light as my purse, and my head full of anticipations of fame and fortune. With what swelling pride did I cast my eyes upon old London from the heights of Highgate. I was like a general looking down upon a place he expects to conquer. The great metropolis lay stretched before me, buried under a home-made cloud of murky smoke, that wrapped it from the brightness of a sunny day, and formed for it a kind of artificial bad weather. At the outskirts of the city, away to the west, the smoke gradually decreased until all was clear and sunny, and the view stretched uninterrupted to the blue line of the Kentish Hills.
My eye turned fondly to where the mighty cupola of St. Paul’s swelled Dimly through this misty chaos, and I pictured to myself the solemn realm of learning that lies about its base. How soon should the Pleasures of Melancholy throw this world of booksellers and printers into a bustle of business and delight! How soon should I hear my name repeated by printers’ devils throughout Pater Noster Row, and Angel Court, and Ave Maria Lane, until Amen corner should echo back the sound!
Arrived in town, I repaired at once to the most fashionable publisher. Every new author patronizes him of course. In fact, it had been determined in the village circle that he should be the fortunate man. I cannot tell you how vaingloriously I walked the streets; my head was in the clouds. I felt the airs of heaven playing about it, and fancied it already encircled by a halo of literary glory.
As I passed by the windows of bookshops, I anticipated the time when my work would be shining among the hotpressed wonders of the day; and my face, scratched on copper, or cut in wood, figuring in fellowship with those of Scott and Byron and Moore.
When I applied at the publisher’s house there was something in the loftiness of my air, and the dinginess of my dress, that struck the clerks with reverence. They doubtless took me for some person of consequence, probably a digger of Greek roots, or a penetrator of pyramids. A proud man in a dirty shirt is always an imposing character in the world of letters; one must feel intellectually secure before he can venture to dress shabbily; none but a great scholar or a great genius dares to be dirty; so I was ushered at once to the sanctum sanctorum of this high priest of Minerva.
The publishing of books is a very different affair now-a-days from what it was in the time of Bernard Lintot. I found the publisher a fashionably-dressed man, in an elegant drawing-room, furnished with sofas and portraits of celebrated authors, and cases of splendidly bound books. He was writing letters at an elegant table. This was transacting business in style. The place seemed suited to the magnificent СКАЧАТЬ