The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated). Вашингтон Ирвинг
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My grandfather concluded the latter to be the reason; so, being, like a true Irishman, devoted to the sex, and at all times ready for a frolic, he bounced into the room, calling to the musician to strike up “Paddy O’Rafferty,” capered up to the clothespress and seized upon two handles to lead her out: — When, whizz! — the whole revel was at an end. The chairs, tables, tongs, and shovel slunk in an instant as quietly into their places as if nothing had happened; and the musician vanished up the chimney, leaving the bellows behind him in his hurry. My grandfather found himself seated in the middle of the floor, with the clothespress sprawling before him, and the two handles jerked off and in his hands.
“Then after all, this was a mere dream!” said the inquisitive gentleman.
“The divil a bit of a dream!” replied the Irishman: “there never was a truer fact in this world. Faith, I should have liked to see any man tell my grandfather it was a dream.”
Well, gentlemen, as the clothespress was a mighty heavy body, and my grandfather likewise, particularly in rear, you may easily suppose two such heavy bodies coming to the ground would make a bit of a noise. Faith, the old mansion shook as though it had mistaken it for an earthquake. The whole garrison was alarmed. The landlord, who slept just below, hurried up with a candle to inquire the cause, but with all his haste his daughter had hurried to the scene of uproar before him. The landlord was followed by the landlady, who was followed by the bouncing barmaid, who was followed by the simpering chambermaids all holding together, as well as they could, such garments as they had first lain hands on; but all in a terrible hurry to see what the devil was to pay in the chamber of the bold dragoon.
My grandfather related the marvellous scene he had witnessed, and the prostrate clothespress, and the broken handles, bore testimony to the fact. There was no contesting such evidence; particularly with a lad of my grandfather’s complexion, who seemed able to make good every word either with sword or shillelah. So the landlord scratched his head and looked silly, as he was apt to do when puzzled. The landlady scratched — no, she did not scratch her head, — but she knit her brow, and did not seem half pleased with the explanation. But the landlady’s daughter corroborated it by recollecting that the last person who had dwelt in that chamber was a famous juggler who had died of St. Vitus’s dance, and no doubt had infected all the furniture.
This set all things to rights, particularly when the chambermaids declared that they had all witnessed strange carryings on in that room; — and as they declared this “upon their honors,” there could not remain a doubt upon the subject.
“And did your grandfather go to bed again in that room?” said the inquisitive gentleman.
“That’s more than I can tell. Where he passed the rest of the night was a secret he never disclosed. In fact, though he had seen much service, he was but indifferently acquainted with geography, and apt to make blunders in his travels about inns at night, that it would have puzzled him sadly to account for in the morning.”
“Was he ever apt to walk in his sleep?” said the knowing old gentleman.
“Never that I heard of.”
THE ADVENTURE OF THE GERMAN STUDENT
In a stormy night, in the tempestuous times of the French Revolution, a young German was returning to his lodgings, at a late hour, across the old part of Paris. The lightning gleamed, and the loud claps of thunder rattled through the lofty narrow streets — but I should first tell you something about this young German.
Gottfried Wolfgang was a young man of good family. He had studied for some time at Göttingen, but being of a visionary and enthusiastic character, he had wandered into those wild and speculative doctrines which have so often bewildered German students. His secluded life, his intense application, and the singular nature of his studies, had an effect on both mind and body. His health was impaired; his imagination diseased. He had been indulging in fanciful speculations on spiritual essences, until, like Swedenborg, he had an ideal world of his own around him. He took up a notion, I do not know from what cause, that there was an evil influence hanging over him; an evil genius or spirit seeking to ensnare him and ensure his perdition. Such an idea working on his melancholy temperament produced the most gloomy effects. He became haggard and desponding. His friends discovered the mental malady preying upon him, and determined that the best cure was a change of scene; he was sent, therefore, to finish his studies amidst the splendors and gayeties of Paris.
Wolfgang arrived at Paris at the breaking out of the revolution. The popular delirium at first caught his enthusiastic mind, and he was captivated by the political and philosophical theories of the day: but the scenes of blood which followed shocked his sensitive nature, disgusted him with society and the world, and made him more than ever a recluse. He shut himself up in a solitary apartment in the Pays Latin, the quarter of students. There, in a gloomy street not far from the monastic walls of the Sorbonne, he pursued his favorite speculations. Sometimes he spend hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature.
Wolfgang, though solitary and recluse, was of an ardent temperament, but for a time it operated merely upon his imagination. He was too shy and ignorant of the world to make any advances to the fair, but he was a passionate admirer of female beauty, and in his lonely chamber would often lose himself in reveries on forms and faces which he had seen, and his fancy would deck out images of loveliness far surpassing the reality.
While his mind was in this excited and sublimated state, a dream produced an extraordinary effect upon him. It was of a female face of transcendent beauty. So strong was the impression made, that he dreamt of it again and again. It haunted his thoughts by day, his slumbers by night; in fine, he became passionately enamoured of this shadow of a dream. This lasted so long that it became one of those fixed ideas which haunt the minds of melancholy men, and are at times mistaken for madness.
Such was Gottfried Wolfgang, and such his situation at the time I mentioned. He was returning home late on stormy night, through some of the old and gloomy streets of the Marais, the ancient part of Paris. The loud claps of thunder rattled among the high houses of the narrow streets. He came to the Place de Grève, the square where public executions are performed. The lightning quivered about the pinnacles of the ancient Hôtel de Ville, and shed flickering gleams over the open space in front. As Wolfgang was crossing the square, he shrank back with horror at finding himself close by the guillotine. It was the height of the reign of terror, when this dreadful instrument of death stood ever ready, and its scaffold was continually running with the blood of the virtuous and the brave. It had that very day been actively employed in the work of carnage, and there it stood in grim array, amidst a silent and sleeping city, waiting for fresh victims.
Wolfgang’s heart sickened within him, and he was turning shuddering from the horrible engine, when he beheld a shadowy form, cowering as it were at the foot of the steps which led up to the scaffold. A succession of vivid flashes of lightning revealed it more distinctly. It was a female figure, dressed in black. She was seated on one of the lower steps of the scaffold, leaning forward, her face hid in her lap; and her СКАЧАТЬ