The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson

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GREAT PYRAMID OF SACCARAH (Present appearance).

      

SECTION OF THE SAME, SHOWING ORIGINAL CONSTRUCTION.

      There prevailed, however, a great simplicity of manners. The dress of the upper classes was wonderfully plain and unpretending, presenting little variety and scarcely any ornament. The grandee wore, indeed, an elaborate wig, it being imperative on all men to shave the head for the sake of cleanliness. But otherwise, his costume was of the simplest and the scantiest. Ordinarily, when he was employed in the common duties of life, a short tunic, probably of white linen, reaching from the waist to a little above the knee, was his sole garment. His arms, chest, legs, even his feet, were naked; for sandals, not to speak of stockings or shoes, were unknown. The only decoration which he wore was a chain or riband round the neck, to which was suspended an ornament like a locket—probably an amulet. In his right hand he carried a long staff or wand, either for the purpose of belabouring his inferiors, or else to use it as a walking-stick. On special occasions he made, however, a more elaborate toilet. Doffing his linen tunic, he clothed himself in a single, somewhat scanty, robe, which reached from the neck to the ankles; and having exchanged his chain and locket for a broad collar, and adorned his wrists with bracelets, he was ready to pay visits or to receive company. He had no carriage, so far as appears, not even a palanquin; no horse to ride, nor even a mule or a donkey. The great men of the East rode, in later times, on "white asses" (Judges v. 10); the Egyptian of Sneferu's age had to trudge to court, or to make calls upon his friends, by the sole aid of those means of locomotion which nature had given him.

      Women, who in most civilized countries claim to themselves far more elaboration in dress and variety of ornament than men, were content, in the Egypt of which we are here speaking, with a costume, and a personal decoration, scarcely less simple than that of their husbands. The Egyptian materfamilias of the time wore her hair long, and gathered into three masses, one behind the head, and the other two in front of either shoulder. Like her spouse, she had but a single garment—a short gown or petticoat reaching from just below the breasts to half way down the calf of the leg, and supported by two broad straps passed over the two shoulders. She exposed her arms and bosom to sight, and her feet were bare, like her husband's. Her only ornaments were bracelets.

      

GROUP OF STATUARY, CONSISTING OF A HUSBAND AND WIFE.

      There was no seclusion of women at any time among the ancient Egyptians. The figure of the wife on the early monuments constantly accompanies that of her husband. She is his associate in all his occupations. Her subordination is indicated by her representation being on an unduly smaller scale, and by her ordinary position, which is behind the figure of her "lord and master." In statuary, however, she appears seated with him on the same seat or chair. There is no appearance of her having been either a drudge or a plaything. She was regarded as man's true "helpmate," shared his thoughts, ruled his family, and during their early years had the charge of his children. Polygamy was unknown in Egypt during the primitive period; even the kings had then but one wife. Sneferu's wife was a certain Mertitefs, who bore him a son, Nefer-mat, and after his death became the wife of his successor. Women were entombed with as much care, and almost with as much pomp, as men. Their right to ascend the throne is said to have been asserted by one of the kings who preceded Sneferu; and from time to time women actually exercised in Egypt the royal authority.

      IV.

       The Pyramid Builders.

       Table of Contents

      It is difficult for a European, or an American, who has not visited Egypt, to realize the conception of a Great Pyramid. The pyramidal form has gone entirely out of use as an architectural type of monumental perfection; nay, even as an architectural embellishment. It maintained an honourable position in architecture from its first discovery to the time of the Maccabee kings (1 Mac. xiii. 28); but, never having been adopted by either the Greeks or the Romans, it passed into desuetude in the Old World with the conquest of the East by the West. In the New World it was found existent by the early discoverers, and then held a high place in the regards of the native race which had reached the furthest towards civilization; but Spanish bigotry looked with horror on everything that stood connected with an idolatrous religion, and the pyramids of Mexico were first wantonly injured, and then allowed to fall into such a state of decay, that their original form is by some questioned. A visit to the plains of Teotihuacan will not convey to the mind which is a blank on the subject the true conception of a great pyramid. It requires a pilgrimage to Ghizeh or Saccarah, or a lively and well-instructed imagination, to enable a man to call up before his mind's eye the true form and appearance and impressiveness of such a structure.

      Lord Houghton endeavoured to give expression to the feelings of one who sees for the first time these wondrous, these incomprehensible creations in the following lines:

      After the fantasies of many a night,

       After the deep desires of many a day,

       Rejoicing as an ancient Eremite

       Upon the desert's edge at last I lay:

       Before me rose, in wonderful array,

       Those works where man has rivalled Nature most,

       Those Pyramids, that fear no more decay

       Than waves inflict upon the rockiest coast,

       Or winds on mountain-steeps, and like endurance boast.

      Fragments the deluge of old Time has left

       Behind in its subsidence—long long walls

       Of cities of their very names bereft,—

       Lone columns, remnants of majestic halls,

       Rich traceried chambers, where the night-dew falls,—

       All have I seen with feelings due, I trow,

       Yet not with such as these memorials

       Of the great unremembered, that can show

       The mass and shape they wore four thousand years ago.

      The Egyptian idea of a pyramid was that of a structure on a square base, with four inclining sides, each one of which should be an equilateral triangle, all meeting in a point at the top. The structure might be solid, and in that case might be either of hewn stone throughout, or consist of a mass of rubble merely held together by an external casing of stone; or it might contain chambers and passages, in which case the employment of rubble was scarcely possible. It has been demonstrated by actual excavation, that all the great pyramids of Egypt were of the latter character that they were built for the express purpose of containing chambers and passages, and of preserving those chambers and passages intact. They required, therefore, to be, and in most cases are, of a good construction throughout.

      There are from sixty to seventy pyramids in Egypt, chiefly in the neighbourhood of Memphis. Some of them are nearly perfect, some more or less in ruins, but most of them still preserving their ancient shape, when seen from СКАЧАТЬ