The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson

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СКАЧАТЬ style="font-size:15px;">      The first living, breathing, acting, flesh-and-blood personage, whom so-called histories of Egypt present to us, is a certain Sneferu, or Seneferu, whom the Egyptians seem to have regarded as the first monarch of their fourth dynasty. Sneferu—called by Manetho, we know not why, Soris—has left us a representation of himself, and an inscription. On the rocks of Wady Magharah, in the Sinaitic peninsula, may be seen to this day an incised tablet representing the monarch in the act of smiting an enemy, whom he holds by the hair of his head, with a mace. The action is apparently emblematic, for at the side we see the words Ta satu, "Smiter of the nations;" and it is a fair explanation of the tablet, that its intention was to signify that the Pharaoh in question had reduced to subjection the tribes which in his time inhabited the Sinaitic regions. The motive of the attack was not mere lust of conquest, but rather the desire of gain. The Wady Magharah contained mines of copper and of turquoise, which the Egyptians desired to work; and for this purpose it was necessary to hold the country by a set of military posts, in order that the miners might pursue their labours without molestation. Some ruins of the fortifications are still to be seen; and the mines themselves, now exhausted, pierce the sides of the rocks, and bear in many places traces of hieroglyphical inscriptions The remains of temples show that the expatriated colonists were not left without the consolations of religion, while a deep well indicates the care that was taken to supply their temporal needs. Thousands of stone arrow-heads give evidence of the presence of a strong garrison, and make us acquainted with the weapon which they found most effectual against their enemies.

      

TABLET AT SNEFERU AT WADY-MAGHARAH.

      Sneferu calls himself Neter aa, "the Great God," and Neb mat, "the Lord of Justice." He is also "the Golden Horus," or "the Conqueror." Neb mat is not a usual title with Egyptian monarchs; and its assumption by Sneferu would seem to mark, at any rate, his appreciation of the excellence of justice, and his desire to have the reputation of a just ruler. Later ages give him the title of "the beneficent king," so that he would seem to have been a really unselfish and kindly sovereign. His form, however, only just emerges from the mists of the period to be again concealed from our view, and we vainly ask ourselves what exactly were the benefits that he conferred on Egypt, so as to attain his high reputation.

      Still, the monuments of his time are sufficient to tell us something of the Egypt of his day, and of the amount and character of the civilization so early attained by the Egyptian people. Besides his own tablet in the Wady Magharah, there are in the neighbourhood of the pyramids of Ghizeh a number of tombs which belong to the officials of his court and the members of his family. These tombs contain both sculptures and inscriptions, and throw considerable light on the condition of the country.

      In the first place, it is apparent that the style of writing has been invented which is called hieroglyphical, and which has the appearance of a picture writing, though it is almost as absolutely phonetic as any other. Setting apart a certain small number of "determinatives," each sign stands for a sound—the greater part for those elementary sounds which we express by letters. An eagle is a, a leg and foot b, a horned serpent f, a hand t, an owl m, a chicken u, and the like. It is true that there are signs which express a compound sound, a whole word, even a word of two syllables. A bowl or basin represents the sound of neb, a hatchet that of neter, a guitar that of nefer, a crescent that of aah, and so on. Secondly, it is clear that artistic power is considerable. The animal forms used in the hieroglyphics—the bee, the vulture, the uræus, the hawk, the chicken, the eagle—are well drawn. In the human forms there is less merit, but still they are fairly well proportioned and have spirit. No rudeness or want of finish attaches either to the writing or to the drawing of Sneferu's time; the artists do not attempt much, but what they attempt they accomplish.

      Next, we may notice the character of the tombs. Already the tomb was more important than the house; and while every habitation constructed for the living men of the time has utterly perished, scores of the dwellings assigned to the departed still exist, many in an excellent condition. They are stone buildings resembling small houses, each with its door of entrance, but with no windows, and forming internally a small chamber generally decorated with sculptures. The walls slope at an angle of seventy-five or eighty degrees externally, but in the interior are perpendicular. The roof is composed of large flat stones. Strictly speaking, the chambers are not actual tombs, but mortuary chapels. The embalmed body of the deceased, encased in its wooden coffin (Gen. 1. 26), was not deposited in the chamber, but in an excavation under one of the walls, which was carefully closed up after the coffin had been placed inside it. The chamber was used by the relations for sacred rites, sacrificial feasts, and the like, held in honour of the deceased, especially on the anniversary of his death and entrance into Amenti. The early Egyptians indulged, like the Chinese, in a worship of ancestors. The members of a family met from time to time in the sepulchral chamber of their father, or their grandfather, and went through various ceremonies, sang hymns, poured libations, and made offerings, which were regarded as pleasing to the departed, and which secured their protection and help to such of their descendants as took part in the pious practices.

      Sometimes a tomb was more pretentious than those above described. There is an edifice at Meydoum, improperly termed a pyramid, which is thought to be older than Sneferu, and was probably erected by one of the "shadowy kings" who preceded him on the throne. Situated on a natural rocky knoll of some considerable height, it rises in three stages at an angle of 74° 10' to an elevation of a hundred and twenty-five feet. It is built of a compact limestone, which must have been brought from some distance. The first stage has a height a little short of seventy feet; the next exceeds thirty-two feet; the third is a little over twenty-two feet. It is possible that originally there were more stages, and probable that the present highest stage has in part crumbled away; so that we may fairly reckon the original height to have been between a hundred and forty and a hundred and fifty feet The monument is generally regarded as a tomb, from its situation in the Memphian necropolis and its remote resemblance to the pyramids; but as yet it has not been penetrated, and consequently has not been proved to have been sepulchral.

      

PYRAMID OF MEYDOUM.

      A construction, which has even a greater appearance of antiquity than the Meydoum tower, exists at Saccarah. Here the architect carried up a monument to the height of two hundred feet, by constructing it in six or seven sloping stages, having an angle of 73° 30'. The core of his building was composed of rubble, but this was protected on every side by a thick casing of limestone roughly hewn, and apparently quarried on the spot. The sepulchral intention of the construction is unquestionable. It covered a spacious chamber excavated in the rock, whereon the monument was built, which, when first discovered, contained a sarcophagus and was lined with slabs of granite. Carefully concealed passages connected the chamber with the outer world, and allowed of its being entered by those in possession of the "secrets of the prison-house." In this structure we have, no doubt, the tomb of a king more ancient than Sneferu—though for our own part we should hesitate to assign the monument to one king rather than another.

      If we pass from the architecture of the period to its social condition, we remark that grades of society already existed, and were as pronounced as in later times. The kings were already deities, and treated with superstitious regard. The state-officials were a highly privileged class, generally more or less connected with the royal family. The land was partly owned by the king (Gen. xlvii. 6), who employed his own labourers and herdsmen upon it; partly, mainly perhaps, it was in the hands of great landed proprietors—nobles, who lived in country houses upon their estates, maintaining large households, and giving employment to scores of peasants, herdsmen, artizans, huntsmen, and fishermen. The "lower orders" were of very little account. They were at the beck and call of the landed aristocracy in the country districts, of the state-officials in the towns. Above all, the monarch had the right of impressing them into his service whenever he pleased, and employing СКАЧАТЬ