The Arts in the Middle Ages and at the Period of the Renaissance. P. L. Jacob
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СКАЧАТЬ type; and as doubtless the school of Fontainebleau furnished him with most of his models, in the greater part of his figures we trace that graceful elongation of form, that elegant simplicity, which, in the works of Jean Goujon, fall into mannerism (Figs. 43 and 44).

      “Palissy did not limit himself to the production of small and moderate-sized vases for ornamenting sideboards, buffets, tables, and brackets; he raised pottery to the most gigantic proportions in his rustiques figulines, intended as ornaments for gardens, grottoes, fountains, and the halls of stately mansions. The castles of Nesle and of Chaulnes, of Reux and of Ecouen, and the garden of the Tuileries, contained some remarkable specimens. All have perished with the devastation of the buildings in which they stood; a single fragment of a capital, preserved in the Museum of Sèvres, proves the truthfulness of the writers of the sixteenth century regarding the monumental creations of the potter of Saintes.

      “After the death of Palissy, in 1589, the art which he had created insensibly declined, until soon it almost completely disappeared in France.”

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