JACK LONDON: All 22 Novels in One Illustrated Edition. Джек Лондон

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СКАЧАТЬ was Omar?” Wolf Larsen asked, and I did no more work that day, nor the next, nor the next.

      In his random reading he had never chanced upon the Rubaiyat, and it was to him like a great find of treasure. Much I remembered, possibly two-thirds of the quatrains, and I managed to piece out the remainder without difficulty. We talked for hours over single stanzas, and I found him reading into them a wail of regret and a rebellion which, for the life of me, I could not discover myself. Possibly I recited with a certain joyous lilt which was my own, for—his memory was good, and at a second rendering, very often the first, he made a quatrain his own—he recited the same lines and invested them with an unrest and passionate revolt that was well-nigh convincing.

      I was interested as to which quatrain he would like best, and was not surprised when he hit upon the one born of an instant’s irritability, and quite at variance with the Persian’s complacent philosophy and genial code of life:

      “What, without asking, hither hurried Whence? And, without asking, Whither hurried hence! Oh, many a Cup of this forbidden Wine Must drown the memory of that insolence!”

      “Great!” Wolf Larsen cried. “Great! That’s the keynote. Insolence! He could not have used a better word.”

      In vain I objected and denied. He deluged me, overwhelmed me with argument.

      “It’s not the nature of life to be otherwise. Life, when it knows that it must cease living, will always rebel. It cannot help itself. The Preacher found life and the works of life all a vanity and vexation, an evil thing; but death, the ceasing to be able to be vain and vexed, he found an eviler thing. Through chapter after chapter he is worried by the one event that cometh to all alike. So Omar, so I, so you, even you, for you rebelled against dying when Cooky sharpened a knife for you. You were afraid to die; the life that was in you, that composes you, that is greater than you, did not want to die. You have talked of the instinct of immortality. I talk of the instinct of life, which is to live, and which, when death looms near and large, masters the instinct, so called, of immortality. It mastered it in you (you cannot deny it), because a crazy Cockney cook sharpened a knife.

      “You are afraid of him now. You are afraid of me. You cannot deny it. If I should catch you by the throat, thus,”—his hand was about my throat and my breath was shut off,—“and began to press the life out of you thus, and thus, your instinct of immortality will go glimmering, and your instinct of life, which is longing for life, will flutter up, and you will struggle to save yourself. Eh? I see the fear of death in your eyes. You beat the air with your arms. You exert all your puny strength to struggle to live. Your hand is clutching my arm, lightly it feels as a butterfly resting there. Your chest is heaving, your tongue protruding, your skin turning dark, your eyes swimming. ‘To live! To live! To live!’ you are crying; and you are crying to live here and now, not hereafter. You doubt your immortality, eh? Ha! ha! You are not sure of it. You won’t chance it. This life only you are certain is real. Ah, it is growing dark and darker. It is the darkness of death, the ceasing to be, the ceasing to feel, the ceasing to move, that is gathering about you, descending upon you, rising around you. Your eyes are becoming set. They are glazing. My voice sounds faint and far. You cannot see my face. And still you struggle in my grip. You kick with your legs. Your body draws itself up in knots like a snake’s. Your chest heaves and strains. To live! To live! To live—”

      I heard no more. Consciousness was blotted out by the darkness he had so graphically described, and when I came to myself I was lying on the floor and he was smoking a cigar and regarding me thoughtfully with that old familiar light of curiosity in his eyes.

      “Well, have I convinced you?” he demanded. “Here take a drink of this. I want to ask you some questions.”

      I rolled my head negatively on the floor. “Your arguments are too- -er—forcible,” I managed to articulate, at cost of great pain to my aching throat.

      “You’ll be all right in half-an-hour,” he assured me. “And I promise I won’t use any more physical demonstrations. Get up now. You can sit on a chair.”

      And, toy that I was of this monster, the discussion of Omar and the Preacher was resumed. And half the night we sat up over it.

      Chapter XII

       Table of Contents

      The last twenty-four hours have witnessed a carnival of brutality. From cabin to forecastle it seems to have broken out like a contagion. I scarcely know where to begin. Wolf Larsen was really the cause of it. The relations among the men, strained and made tense by feuds, quarrels and grudges, were in a state of unstable equilibrium, and evil passions flared up in flame like prairie-grass.

      Thomas Mugridge is a sneak, a spy, an informer. He has been attempting to curry favour and reinstate himself in the good graces of the captain by carrying tales of the men forward. He it was, I know, that carried some of Johnson’s hasty talk to Wolf Larsen. Johnson, it seems, bought a suit of oilskins from the slop-chest and found them to be of greatly inferior quality. Nor was he slow in advertising the fact. The slop-chest is a sort of miniature dry-goods store which is carried by all sealing schooners and which is stocked with articles peculiar to the needs of the sailors. Whatever a sailor purchases is taken from his subsequent earnings on the sealing grounds; for, as it is with the hunters so it is with the boat-pullers and steerers—in the place of wages they receive a “lay,” a rate of so much per skin for every skin captured in their particular boat.

      But of Johnson’s grumbling at the slop-chest I knew nothing, so that what I witnessed came with a shock of sudden surprise. I had just finished sweeping the cabin, and had been inveigled by Wolf Larsen into a discussion of Hamlet, his favourite Shakespearian character, when Johansen descended the companion stairs followed by Johnson. The latter’s cap came off after the custom of the sea, and he stood respectfully in the centre of the cabin, swaying heavily and uneasily to the roll of the schooner and facing the captain.

      “Shut the doors and draw the slide,” Wolf Larsen said to me.

      As I obeyed I noticed an anxious light come into Johnson’s eyes, but I did not dream of its cause. I did not dream of what was to occur until it did occur, but he knew from the very first what was coming and awaited it bravely. And in his action I found complete refutation of all Wolf Larsen’s materialism. The sailor Johnson was swayed by idea, by principle, and truth, and sincerity. He was right, he knew he was right, and he was unafraid. He would die for the right if needs be, he would be true to himself, sincere with his soul. And in this was portrayed the victory of the spirit over the flesh, the indomitability and moral grandeur of the soul that knows no restriction and rises above time and space and matter with a surety and invincibleness born of nothing else than eternity and immortality.

      But to return. I noticed the anxious light in Johnson’s eyes, but mistook it for the native shyness and embarrassment of the man. The mate, Johansen, stood away several feet to the side of him, and fully three yards in front of him sat Wolf Larsen on one of the pivotal cabin chairs. An appreciable pause fell after I had closed the doors and drawn the slide, a pause that must have lasted fully a minute. It was broken by Wolf Larsen.

      “Yonson,” he began.

      “My name is Johnson, sir,” the sailor boldly corrected.

      “Well, Johnson, then, damn you! Can you guess why I have sent for you?”

      “Yes, and no, sir,” was the slow reply. “My work is done well. The mate knows that, and you know it, sir. So there cannot be any complaint.”

      “And СКАЧАТЬ