Watching the Tree: A Chinese Daughter Reflects on Happiness, Spiritual Beliefs and Universal Wisdom. Adeline Mah Yen
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СКАЧАТЬ hexagrams can be randomly selected at any given moment. Each represents a specific instant in a continuous cycle of change. They explain and articulate certain inner truths about subjects which, on some occasions, many of us hate to admit or even think about: separation, divorce, death – and the attendant wills and legacies. My grandfather once told me that many elderly men of his father’s generation used to consult the I Ching before they wrote their wills.

      In order to consult the I Ching properly and with a clear mind while avoiding the possibility of influence by the occult or the divine, one should follow a few simple rules:

      Find a quiet, tidy room. Bathe and dress in comfortable clothes. Be alone. Lock the door. Take the phone off the hook.

      Formulate your question to the I Ching carefully. Describe your problem or symptom. Spend time thinking about it. Write it down as succinctly and accurately as possible.

      The number of the hexagram which will ‘answer’ your question can be found by either tossing a coin or dividing yarrow sticks. I recommend the latter – not because I believe in ‘black magic’ but because the ritual of dividing the sticks solemnises the occasion. It also takes longer. Coin-tossing takes about two minutes whereas dividing sticks may take from twenty to sixty minutes. During this time your mind should be concentrating on the question at hand. Some people burn incense to put themselves in the mood. The occasion should not be treated frivolously but with reverence and sincerity. It provides a period of self-examination and meditation, comparable to attending mass or going to confession.

      If you can, use the Wilhelm/Baynes translation of the I Ching (published by Princeton University Press in 1990). Unfortunately, Chinese is a very imprecise language, without gender, tense or numbers. Classic Chinese as written in ancient times is particularly difficult to understand. What you get out of the I Ching depends very much on your personal interpretation of the translator’s explanations and commentaries on the hexagrams you have located in answer to your questions. The whole process is something like looking at Rorschach’s ink-blots. What you eventually see will be a projection of your own latent thoughts.

      Contemplate and reflect on the hexagram you’ve arrived at and its interpretation. Consulting the I Ching is really an occasion for soul-searching and self-analysis. For believers, this is the time for your private conversation with God. For sceptics, this is an opportunity to have the candid dialogue with yourself which you have been avoiding. Use it to clarify your life and unearth your hidden motives. I recommend that you write down the I Ching’s conclusions and prescriptions on the same sheet of paper as your question. Even if no one ever reads it but you, you will find the whole writing process enormously satisfying and cathartic. For those who have been hurt and are in need of spiritual solace, contemplation and reflection are excellent alternatives to anti-depressants, sleeping pills, electric shock treatments or psychiatric counselling. (The process is certainly less costly.) In fact, this may be the world’s oldest method of self-administered bio-feedback, under the guidance of ancient Chinese wisdom.

      The I Ching is not taught at school today and many Chinese have never heard of it. After that Sunday morning in Edinburgh, I myself never used it again, but doing research for this chapter brought back many memories. Did it help me? Definitely. Do I believe that my grandfather came back from the grave to guide me that day? No. However, going through the process of dividing the sticks and searching for the hexagram did make me examine truths I had not wished to acknowledge and provided me with a course of action I needed to follow.

       3 Hidden and Nameless Tao

      

DAO YIN WU MING

      After I graduated from the London Hospital Medical School, I was fortunate enough to be chosen by the renowned neurologist Sir Russell Brain as his house-physician. One of the fringe benefits of working under Sir Russell was that it gave me the opportunity to treat his roster of famous private patients, many of whom suffered from unusual diseases that were difficult to diagnose. Among them was the great English poet Philip Larkin.

      He was then close to forty, a balding man who worried about everything, with anxious intelligent eyes behind thick glasses. He had a private room and many vague symptoms: insomnia, deafness, lack of concentration, fainting spells. I was ordered to perform a plethora of painful diagnostic procedures on him which he endured without complaint. After each ordeal he would quiz me about the significance and rationale of the tests. On many occasions he would order the nurse in charge to page me ‘immediately’. When I rushed back in response to his summons, I would find him listening to the radio or reading in bed, having forgotten he had sent for me.

      We did, however, have some wonderful conversations: about literature, philosophy, poetry and the art of writing. I was in awe of his talent and flattered that he should want to chat with someone like me, a lowly intern with literary aspirations assigned to look after his health. Once he complained of boredom and asked whether I would consider having dinner with him outside the hospital on my day off. I declined and told him it was against hospital rules for house-physicians to socialise with their patients. ‘The real reason is that there is someone special in your life, isn’t there?’ he asked. But I found his question difficult and left without answering.

      We discussed music and I told him that my favourite composer was J. S. Bach. He mentioned a Dutch artist named Escher, whose drawings consisted of recurrent cyclical themes that reminded him of Bach’s fugues and preludes. Then he asked me, ‘What’s the best book you’ve ever read?’

      ‘Shakespeare’s King Lear,’ I answered without hesitation. ‘What’s yours?’

      He started to laugh. ‘It’s almost too ironical. Here you are – a Chinese girl saying that the best book in the world, ever, is Shakespeare’s King Lear. And here I am, an Englishman, telling you that it’s the Tao Te Ching* by Lao Zi

. Every word in that book matters. Nothing is superfluous. It’s a work of absolute genius! Are you familiar with it? No?! I almost feel like learning Chinese just to be able to read it to you in the original. You must get hold of a copy! Most British libraries carry the Arthur Waley translation. Lao Zi delighted in writing in circles and paradoxes. You should read it while listening to Bach and looking at Escher’s art. The works of all three have a common, revolving theme that somehow blends them with each other!’

      Philip Larkin was discharged from hospital without a definite diagnosis. We said goodbye, and he gave me a copy of his poems, The Less Deceived, inscribing it to ‘Dr Yen’ and signing it ‘With kindest regards from Philip Larkin’. A few months later, having completed my term as house-doctor, I moved to Edinburgh (as mentioned earlier) and went to work there. I took the book with me when I moved into the attic of Dennis and Helen Katz, colleagues and close friends of Karl’s. However, Karl continued to write and his sporadic visits were deeply disturbing. At times, I thought I, too, would go mad. At the end of two years I finally made a clean break from Karl and went ‘home’ to my family in Hong Kong, leaving Larkin’s book with the Katzes. On the publication of Falling Leaves three decades later I was doing a reading at the Edinburgh Festival when Dennis and Helen entered. In their hands they held a gift. They were returning Larkin’s book.

      I like to work in public libraries. While writing this chapter, I happened to be in the library on Brompton Road in London’s Earls Court. Looking up from my manuscript one morning while searching for a word, I saw Anthony Thwaite’s Selected Letters СКАЧАТЬ