Название: The Tragic Comedians: A Study in a Well-known Story. Complete
Автор: George Meredith
Издательство: Public Domain
Жанр: Драматургия
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‘Amorous and martial, brainless and monotonous.’
‘Excellent!’ his eyes flashed delightedly. ‘O comrade of comrades! that year lost to me will count heavily as I learn to value those I have gained. Yes, brainless! There, in music, we beat them, as politically France beats us. No life without brain! The brainless in Art and in Statecraft are nothing but a little more obstructive than the dead. It is less easy to cut a way through them. But it must be done, or the Philistine will be as the locust in his increase, and devour the green blades of the earth. You have been trained to shudder at the demagogue?’
‘I do not shudder,’ said Clotilde.
‘A diamond from the lapidary!—Your sentences have many facets. Well, you are conversing with a demagogue, an avowed one: a demagogue and a Jew. You take it as a matter of course: you should exhibit some sparkling incredulity. The Christian is like the politician in supposing the original obverse of him everlastingly the same, after the pattern of the monster he was originally taught to hate. But the Jew has been a little christianized, and we have a little bejewed the Christian. So with demagogues: as we see the conservative crumbling, we grow conservatived. Try to think individually upon what you have to learn collectively—that is your task. You are of the few who will be equal to it. We are not men of blood, believe me. I am not. For example, I detest and I decline the duel. I have done it, and proved myself a man of metal notwithstanding. To say nothing of the inhumanity, the senselessness of duelling revolts me. ‘Tis a folly, so your nobles practise it, and your royal wiseacre sanctions. No blood for me: and yet I tell you that whatever opposes me, I will sweep away. How? With the brain. If we descend to poor brute strength or brutal craft, it is from failing in the brain: we quit the leadership of our forces, and the descent is the beast’s confession. Do I say how? Perhaps by your aid.—You do not start and cry: “Mine!” That is well. I have not much esteem for non-professional actresses. They are numerous and not entertaining.—You leave it to me to talk.’
‘Could I do better?’
‘You listen sweetly.’
‘It is because I like to hear.’
‘You have the pearly little ear of a shell on the sand.’
‘With the great sea sounding near it!’
Alvan drew closer to her.
‘I look into your eyes and perceive that one may listen to you and speak to you. Heart to heart, then! Yes, a sea to lull you, a sea to win you—temperately, let us hope; by storm, if need be. My prize is found! The good friend who did the part of Iris for us came bounding to me: “I have discovered the wife for you, Alvan.” I had previously heard of her from another as having touched the islet of Capri. “But,” said Kollin, “she is a gold-crested serpent—slippery!” Is she? That only tells me of a little more to be mastered. I feel my future now. Hitherto it has been a land without sunlight. Do you know how the look of sunlight on a land calms one? It signifies to the eye possession and repose, the end gained—not the end to labour, just heaven! but peace to the heart’s craving, which is the renewal of strength for work, the fresh dip in the waters of life. Conjure up your vision of Italy. Remember the meaning of Italian light and colour: the clearness, the luminous fulness, the thoughtful shadows. Mountain and wooded headland are solid, deep to the eye, spirit-speaking to the mind. They throb. You carve shapes of Gods out of that sky, the sea, those peaks. They live with you. How they satiate the vacant soul by influx, and draw forth the troubled from its prickly nest!—Well, and you are my sunlighted land. And you will have to be fought for. And I see not the less repose in the prospect! Part of you may be shifty-sand. The sands are famous for their golden shining—as you shine. Well, then, we must make the quicksands concrete. I have a perfect faith in you, and in the winning of you. Clearly you will have to be fought for. I should imagine it a tough battle to come. But as I doubt neither you nor myself, I see beyond it.—We use phrases in common, and aphorisms, it appears. Why? but that our minds act in unison. What if I were to make a comparison of you with Paris?—the city of Paris, Lutetia.’
‘Could you make it good?’ said Clotilde.
He laughed and postponed it for a series of skimming discussions, like swallow-flights from the nest beneath the eaves to the surface of the stream, perpetually reverting to her, and provoking spirited replies, leading her to fly with him in expectation of a crowning compliment that must be singular and was evidently gathering confirmation in his mind from the touchings and probings of her character on these flights.
She was like a lady danced off her sense of fixity, to whom the appearance of her whirling figure in the mirror is both wonderful and reassuring; and she liked to be discussed, to be compared to anything, for the sake of being the subject, so as to be sure it was she that listened to a man who was a stranger, claiming her for his own; sure it was she that by not breaking from him implied consent, she that went speeding in this magical rapid round which slung her more and more out of her actual into her imagined self, compelled her to proceed, denied her the right to faint and call upon the world for aid, and catch at it, though it was close by and at a signal would stop the terrible circling. The world was close by and had begun to stare. She half apprehended that fact, but she was in the presence of the irresistible. In the presence of the irresistible the conventional is a crazy structure swept away with very little creaking of its timbers on the flood. When we feel its power we are immediately primitive creatures, flying anywhere in space, indifferent to nakedness. And after trimming ourselves for it, the sage asks your permission to add, it will be the thing we are most certain some day to feel. Had not she trimmed herself?—so much that she had won fame for an originality mistaken by her for the independent mind, and perilously, for courage. She had trimmed herself and Alvan too—herself to meet it, and Alvan to be it. Her famous originality was a trumpet blown abroad proclaiming her the prize of the man who sounded as loudly his esteem for the quality—in a fair young woman of good breeding. Each had evoked the other. Their common anticipations differed in this, that he had expected comeliness, she the reverse—an Esau of the cities; and seeing superb manly beauty in the place of the thick-featured sodden satyr of her miscreating fancy, the irresistible was revealed to her on its divinest whirlwind.
They both desired beauty; they had each stipulated for beauty before captivity could be acknowledged; and he beholding her very attractive comeliness, walked into the net, deeming the same a light thing to wear, and rather a finishing grace to his armoury; but she, a trained disciple of the conventional in social behaviour (as to the serious points and the extremer trifles), fluttered exceedingly; she knew not what she was doing, where her hand was, how she looked at him, how she drank in his looks on her. Her woman’s eyes had no guard they had scarcely speculation. She saw nothing in its passing, but everything backward, under haphazard flashes. The sight of her hand disengaged told her it had been detained; a glance at the company reminded her that those were men and women who had been other than phantoms; recollections of the words she listened to, assented to, replied to, displayed the gulfs she had crossed. And nevertheless her brain was as quick as his to press forward to pluck the themes which would demonstrate her mental vividness and at least indicate her force of character. The splendour of the man quite extinguished, or over-brightened, her sense of personal charm; she set fire to her brain to shine intellectually, treating the tale of her fair face as a childish tale that might have a grain of truth in it, some truth, a very little, and that little nearly worthless, merely womanly, a poor charm of her sex. The intellectual endowment was rarer: still rarer the moral audacity. O, to match this man’s embracing discursiveness! his ardour, his complacent energy, the full strong СКАЧАТЬ