The Artist’s Muse. Kerry Postle
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Название: The Artist’s Muse

Автор: Kerry Postle

Издательство: HarperCollins

Жанр: Историческая литература

Серия:

isbn: 9780008254391

isbn:

СКАЧАТЬ magazines, and has worked as a teacher of Art, French, German, Spanish, and English. She blogs on art and literature.

      She lives in Bristol with her husband. They have three grown-up sons.

      Kerry is currently working on her second novel set in Franco’s Spain.

      Follow her on twitter @kerry_postle

       Acknowledgements

      For their unwavering support, Simon, Joe, Tom and Harry. For her unfailing belief in me, my mother.

      For her time, patience, and curbing of my predilection for ribald double-entendres, Kate.

      For their support and expertise, Hannah Smith and Helena Newton at HQ Digital.

      I’m indebted to the following works: Jane Kallir’s Life and Works of Egon Schiele for dates and biographical details, Arthur Rimbaud’s poem ‘The Infernal Bridegroom’ from Une Saison en Enfer 1873 for the light it sheds on the nature of Wally and Egon’s relationship, Otto Weininger’s Geschlecht und Charakter 1903 for its insight into the misogyny of the time, and Adelheid Popp’s autobiographical Die Jugendgeschichte einer Arbeiterin 1909 for exposing the hardships faced by working class women at the turn of the century. As for Karl Kraus’s formula for a woman’s soul, I stumbled across it in Edward Timms’ Karl Kraus, Apocalyptic Satirist:Culture and Catastrophe in Habsburg Vienna.

      However, I would never have started this novel if I hadn’t visited the Leopold Museum’s stimulating ‘WALLY NEUZIL. Her Life with Egon Schiele’ in 2015. This exhibition posed more questions than it answered. The Artist’s Muse is my response.

       Author’s Note

      Although inspired by a true story the facts narrated and the characters represented in this novel are fictitious.

       For Simon, Joe, Tom and Harry

      ‘woman is soulless and possesses neither ego nor individuality, personality nor freedom, character nor will.’

      Otto Weininger, Sex and Character

      Vienna, 1903

      Modelling. The first time I did it, I didn’t like it. But Hilde told me to look as if I did. Or, failing that, to do as I was bid. I was only a child yet the future of my family – now living in Vienna, due to circumstances that I will reveal to you in due course – would depend on how well I got on in Gustav Klimt’s studio one gloomy Tuesday afternoon in November 1907. And Hilde, already successfully established as one of Klimt’s favourites, knew how much I needed – my family needed – this job.

       Monday 4th February 1907

      We had arrived in Vienna, city of hope, some nine months before that fateful afternoon in the studio, yet I remember it vividly even now. It was a brutally beautiful February day when we made the journey into the big city. As we set off, we must have made a strange sight. Katya was ten, Frieda eight, and Olga only seven, while I – the oldest and biggest of us – was twelve.

      I, and even Katya, looked like giants, our young girls’ bodies bursting out of what we had on, exposing uncovered skin at wrist and ankle to the harsh cold of an Austrian winter’s day, while Frieda and Olga, wearing big-sister cast-offs, swept the floor with their hems. Our shoes, squashed-toe small or hand-me-down loose. But we dared not complain for fear of upsetting our mother whose life had now become a veil of tears, the tangible evidence of which she wore with the pride of the recently bereaved. It was hard to lift it up to see what she’d been like before.

      Yet I for one was pleased to be going on this adventure. I had never been on a train before and the second the doors slammed shut, the whistle blew, and the engine started to hiss and puff its way out of the station, I was hypnotized. As I looked through the frost-framed windows, so the train took me on a mesmerizing trip past ice swords hanging from snow-tipped trees, single magpies frozen on walls, field upon field of virgin-white snow increasingly disturbed by man the closer we got to the city – and then there was bustle.

      We had arrived in another world. We stumbled out of the carriage, our belongings slapping down on the stone platform like dead dogs behind us, our eyes taken this way and that by the coming, going, dashing, crashing, and hurtling in every direction of the bodies now swarming around us. Overwhelmed and in the way, we shuffled, dodged, and collided our way out of the station, the mist of the new gradually lifting to reveal, to my delight, a world of possibilities.

      Velvet bows and fur trims whispered to me of riches. Well-soled, perfect boots tapped out the rhythms of success. Education and employment would be ours in this twinkling land of plenty.

      I failed to notice my mother’s face, grief-grey, her brow furrowed by the yoke of responsibility, as she led us out into the cold Vienna air.

      Like ducklings, we followed her, single file, climbing onto a busy tram, which drove us round the Ringstrasse. Grand and wide, it encompasses Vienna’s heart, and it shone that day, like a band of gold encrusted with monumental jewels shimmering against a heavy sky. Transfixed, I dropped my head against the window, the plump whiteness of my cheek squashed flat against its glass like a suction cup while my mind conjured up a waltzing world of sparkling interiors and sweeping staircases as dazzling façades danced before my eyes.

      And I let myself dream of an opulent world, full of luxury, laughter, and ease, of all the magic I would find within this golden ring, encircling as it did this capital of empire. For a little girl like me, with her imagination full of grand balls and princes (who weren’t going to die in the night), the Ringstrasse was an ideal place to be.

      The tram juddered. It veered to the right, crossed over connecting lines. But my cheek, momentarily squelched out of position, soon settled back into place while I now marvelled, dribble trickling down my chin, at the mannequins in ballgowns in the glittering window displays of a shopping street. Back in my innocent dream world once more I wondered which dress I would wear to the ball in the house with the sweeping staircase.

      Yet in a second, with the blast of a klaxon and the scream of a horse, the spell was broken. Followed closely by the impact.

      Your world, the way you see it, can change in an instant.

      With the dull thud of metal and wood on flesh I was violently shaken out of my reverie. Something terrible had happened. Within seconds, hordes of people, shouting out excitedly in unrecognizable languages, appeared out of nowhere. It was as if they had pulled themselves up through the cracks in the cobblestones, their sewer-drenched poverty tainting the golden streets of the city of my dreams. Replacing fur-trimmed coats with filth-edged jackets; taffeta ballgowns with worn, ripped clothes.

      What did they want? Why were they shouting? The travellers on the tram stood up to find out, blocking my way, though sounds of ugliness pushed their way through. It was only when the tram pulled away that I saw the encircling crowd: baying hounds around their weak and injured quarry. I heard a voice say, ‘’E’ll not get as far СКАЧАТЬ