Tales of the Gypsy Dressmaker. Thelma Madine

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      Dedication

      I’d like to dedicate this book to the

       travelling community.

      You let me into your world and in turn

       helped me to understand a little bit of your culture. You opened my eyes to the prejudices you face daily. You helped put me where I am today.

       Contents

       Cover

      Title Page

      Dedication

      Prologue: The Pineapple and the Palm Tree

      Introduction

      1 The Tale of How It All Began

      2 The Tale of the First Communion Dresses

      3 The Tale of My First Big Fat Gypsy Wedding Dress

      4 The Tale of a Love Gone Bad

      5 The Tale of a Nightmare Come True

      6 The Tale of Life Within Prison Walls

      7 The Tale of the Motherless Child

      8 The Tale of a Not So Happy Ever After

      9 The Tale of the Unpaid Bill

      10 The Tale of the Girl Who Dreamed of Being a ‘Swan Pumpkin’

      11 The Tale of the Size 26 Bridesmaid

      12 The Tale of the Bartering Brother

      13 The Tale of the Dancing Kids

      14 The Tale of the Groom Who Was Nicked at the Altar

      15 The Tale of What Happened Next

      Acknowledgements

      Picture Section

      Picture Credits

      Copyright

      About the Publisher

      Prologue

      The Pineapple and the Palm Tree

      ‘I want you to make me a wedding dress like no one’s ever seen before.’

      ‘OK,’ I said, looking at the slim, blonde gypsy girl standing in front of me. ‘Have you got any ideas of the kind of dress you’d like?’

      She’d made an appointment to come into my shop, Nico, in the centre of Liverpool, so I was expecting her. I was also expecting her request – all my traveller girls want to stand out, determined that their dress will be the biggest and the best, or both.

      ‘I want to be a palm tree,’ she said.

      ‘And I’m going to be a pineapple,’ piped up the girl who was with her and who I realised straight away was her younger sister, and one of the most enthusiastic bridesmaids I’d ever met. They were both pretty kids and I knew just by looking at them that they were from Rathkeale, the very wealthy gypsy community in Ireland. In Rathkeale the night-before outfits are just as important as the wedding dress. And these two were going all out.

      ‘A palm tree for the bride and a pineapple for the bridesmaid,’ I said, looking from one to the other. They were looking at me as though they had just asked me to make a wedding gown like Kate Middleton’s, their faces were dead straight, like any anxious bride and bridesmaid, determined that they had to look just right on the Big Day. ‘Yeah,’ I said, ‘we can do that, no problem.’

      ‘Will anyone else have a dress like that?’ asked the young girl. ‘She’s really worried that there will be another bride who wants the same thing as her,’ she said, touching her sister’s arm, before turning to look at me again.

      ‘Oh, I think she’ll be safe with that one,’ I said, smiling at them.

      I looked down at my sketchbook and started drawing.

      Introduction

      Now, the first thing everyone asks when they meet me is: are you a gypsy? So now’s my chance to put the record straight: no, I am not a gypsy. What I am is a woman from Liverpool who makes and designs wedding dresses. It just so happens that the people who have made my dresses some of the most recognised in the world are gypsies. And that’s why I’m now known, from Aberdeen to Auckland, as the Gypsy Dressmaker.

      Nothing could have prepared me for the dramas that I have experienced since I started working with gypsies about fifteen years ago – and, believe me, what you’ve seen on TV is only the half of it.

      And that’s one of the reasons that I was so keen to write this book – fans of Big Fat Gypsy Weddings are constantly asking me to tell them more about me and my gypsy stories. Because, beyond the cameras, since I was welcomed into the traveller community many years ago, I have been lucky enough to get a rare insight into what really goes on in their world and to share in their secrets and dreams, their highs and lows and, of course, their laughter. And, honestly, there has been a hell of a lot of that over the years.

      The other thing that people are forever asking is: how did you end up working with gypsies in the first place? Well, I suppose it was a coincidence, but you could say that it was a twist of fate. You know, in the way that my mum used to say things like, ‘Everything happens for a reason,’ or ‘What’s for you won’t go by you.’

      It was in 1996, when I had my dressmaker’s stall in Paddy’s Market in Liverpool, that my first traveller customer approached me. I didn’t even know she was a gypsy. I did realise, though, that there was something different about her because she looked very, very young. Too young, in fact, to ask me a strange question like ‘Can you make Gone With the Wind dresses?’

      I mean, it’s not your run-of-the-mill request, is it? And it’s not the kind of thing that I imagine most dressmakers are normally asked for. The funny thing is, what that gypsy girl couldn’t have known that day, when she looked at all the ivory and white christening and Communion robes I had hanging up, was that that great 1930s film about Scarlett O’Hara and the American Civil War was one of the main reasons I wanted to be a seamstress in the first place. Since I was a little girl I had watched that movie a thousand times. And yet, up until then, I had never thought to actually make Gone With the Wind dresses.

      So the idea that the girl had in her mind for how she wanted to dress her kids, and the kinds of dresses that I wanted to make, came together at Paddy’s that day and started what would eventually become a phenomenon.

      I could never claim to know everything about gypsies and I’m not a spokesperson for travellers. It’s СКАЧАТЬ