Her Perfect Life: A gripping debut psychological thriller with a killer twist. Sam Hepburn
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Название: Her Perfect Life: A gripping debut psychological thriller with a killer twist

Автор: Sam Hepburn

Издательство: HarperCollins

Жанр: Кулинария

Серия:

isbn: 9780008209599

isbn:

СКАЧАТЬ of jobs it’s just a question of getting into the mind-set of the target market and feeding them what they want to hear. In this case fat lazy cows who want to lose weight without giving up chips and chocolate.

      She swears softly as she hurries through the school gates and sees Freya sitting on the steps with her chin on her knees, Miss Cahill hovering beside her, mouth pursed, ready to ‘have a little word about time-keeping’. Juliet stalks past her and grabs Freya’s arm. ‘Come on, quick, I’m parked on a double yellow.’

       13

      ‘Hey, what’s happening?’ Gracie drops her keys into her bag and opens her arms to Elsie, who comes hurtling down the stairs in a floppy straw hat and wrinkled grey tights jammed into pink satin ballet slippers. Gracie bends to kiss her. ‘What’s with the outfit?’

      ‘I’m going to be a mushroom in Lynda’s show and you have to make me a costume. The tickets cost three pounds fifty. Daphne can come if she wants. She can write about it in the paper.’ Elsie twirls away and runs back upstairs, passing Heather on her way down with a basket of washing.

      ‘Sounds like it was a success,’ Gracie says.

      ‘Not bad. The place is a bit grotty but she seemed to enjoy it.’

      ‘Did she make any friends?’

      ‘She got talking to a girl called Amber. Her mum teaches round the corner at Dunsmore Primary.’

      ‘I can take her next week. I’ll try and get Amber over for tea. How did it go at the school?’

      ‘She was standing on her own again when I picked her up.’

      ‘Any luck with the other nannies?’

      ‘I’m trying. But they’re dead cliquey.’

      ‘What about the mums?’

      ‘That lot wouldn’t be seen dead talking to the help.’

      ‘God, that place is snotty. Bloody four-by-fours and skiing in Val d’Isère.’

      ‘Tom’s right about the security. They stopped me again as I was going in. You’d think they’d know my face by now.’

      ‘That’s what we’re paying for, I s’pose. Thank goodness she’s meeting some nice normal kids at dance.’

      ‘Tea?’

      ‘If you’re making some.’

      On her way to the kitchen Gracie gives in to one of the unspoken pleasures of Falcon Square and trails her hand over the rubbed wooden sweep of the bannister, picturing the generations of women who have lived in this house, gentle ghosts who would never be more to her than names on a set of deeds, calling up the stairs to their children, throwing back the shutters to let in the light, planting the saplings that have grown into the tall lime trees at the bottom of the garden, their footsteps loosening the toffee-brown boards that creak beneath her feet.

      She pulls her notebook from her bag. ‘Let’s invite her whole class to her party. That should get them on side. We can combine it with a housewarming – kids and families in the afternoon, adults in the evening. Could you have a look at entertainment options – maybe a circus workshop or one of those conjurors who does illusions?’

      She hears Tom’s key in the door. Her eyes pull towards him as he walks into the kitchen, tall, handsome, masculine, capable, tugging at the tie beneath his unbuttoned collar. He’s the kind of man women notice. The kind who, like his twice-divorced father, will improve with age. Is she crazy to fill the house with other women? She snaps off that thought at the root. ‘Forget the tea, let’s have a drink.’

      He glances at the notebook.

      ‘What are you hatching now?’

      She finds a smile. ‘Elsie’s party. We’re going to have a barbeque.’

      He pulls a bottle from the rack and reaches for the opener. ‘When were you thinking?’

      ‘Her birthday’s on a Sunday so what about the Saturday before? That’ll give us four weeks to get organised.’

      ‘I’ll give Stella and Todd a call. They’ll want to know what to give her.’

      ‘How about a new bicycle?’

      ‘Isn’t that what we’re giving her?’

      Gracie etches a doodle in the corner of the page. ‘I was thinking we might buy her a puppy.’

      Tom turns slowly to look at her. ‘You’re kidding.’

      ‘She’s always wanted one.’

      ‘And you’ve always been dead set against it.’

      ‘It’ll help her make friends. Kids love going to houses with pets.’

      ‘Yeah, but a puppy’s a full-on commitment. Let’s get her a rescue dog.’

      Gracie stares at him appalled. ‘Haven’t you heard those horror stories about cuddly rescue dogs suddenly turning on the children?’

      ‘Don’t be ridiculous. They do tests to make sure they’re safe around kids.’

      ‘There’ll always be unknowns, some trigger that sends them crazy.’

      Tom rolls his eyes. ‘So who’s going to house-train this puppy?’

      Heather butts in excitedly. ‘Elsie and I can do it. Shall I have a look at some breeders’ websites?’

      ‘It’s OK,’ Tom says, his eyes still on Gracie. ‘I’lI do it.’

      Gracie feels the linger of his gaze as she scores through another item on her list. ‘Thanks, love, that’d be great.’

      The Lynda Burton School of Dance is housed in a set of knocked-through rooms above a carpet shop, its windows decorated with a crudely painted top hat and a pair of disembodied ballet shoes teetering across the glass. Elsie runs up the narrow wooden steps, squeezing her bag past the line of parents coming down the other way. Some of them stare openly at Gracie, some look away and a balding man in paint-spattered overalls makes the kind of face that usually precedes a shout of ‘Hey, aren’t you thingy off the telly!’ Gracie cuts him short with a quick smile and follows Elsie down a narrow corridor lined with chipped, wood-effect panelling hung with yellowing certificates and faded blow-ups of past productions – grinning rouge-cheeked kids in garish costumes, arms flung wide for the camera. She lowers herself onto one of the wooden benches in the small, dimly lit changing area and sits forward holding her breath. The sour smell of sweaty feet, floor polish and cheap body spray is almost un-breathable. She uses a finger to shoehorn Elsie’s feet into her ballet slippers, tightens the ribbons at the end of her plaits and guides her towards the stream of children tripping into the studio, where music blares from the speakers, the rattling overhead fan pushes the sweaty air around and sinewy, leather-skinned Lynda Burton runs around in a red leotard like a manic chorizo whipping up enthusiasm. ‘Come on, everybody, СКАЧАТЬ