The Buried Circle. Jenni Mills

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СКАЧАТЬ John. Should’ve been in touch sooner.’

      I can picture him in the kitchen of his cottage at West Overton, his feet up on the scarred pine table, setting September sun refracting through the quartz crystals that dangle at the window, making a dappled pattern of light. It’s late enough in the afternoon for his lovely ladies, the middle-aged country wives who drive over in their 4 × 4s for reflexology and a shag, to have gone home. He’ll be rolling a spliff one-handed. There’ll be a home-baked loaf on the breadboard, and maybe even a rabbit suspended by its feet from the hook on the back of the kitchen door, waiting for him to skin and stew it. John grew up in suburban Sutton Coldfield, but he embraced rural life with a vengeance when he moved to Wiltshire after my mother left him. He’s good at it too, maybe because he was once in the army.

      ‘So, how’s life in the big city? You running the BBC yet?’

      ‘Not exactly. Um, John, I’m ringing because…’

      ‘You OK, our kid?’

      ‘Yeah, fine, just–wanted to ask if you think it’s a good idea to come to Avebury.’

      When I tell people I’ve known John for ever, he’ll give me that look that says, Yeah, really for ever, baby girl, because he’s a shaman and into reincarnation and all those books about how life is a spiritual journey and you’ll meet up with the same group of significant people every time round. John believes the three Rs get you through life: reflexology, reiki, and rebirthing. He and my mother were a lopsided kind of item for about five years, though even an eight-year-old could tell the devotion was one way: all his to her. Mum wasn’t the most faithful of partners. Or the best of mothers, when it comes down to it.

      When John does my feet, kneading and probing and smoothing with his long reflexologist’s fingers, he says he can feel two big hard knots of anger just back from my toes. I walk on my fury.

      ‘Why shouldn’t you come back?’ he says. ‘Love to see you. There’s a band Sunday night at the pub in Devizes, if you don’t have to drive back early.’

      ‘Not just the weekend. I mean for the foreseeable future.’

      ‘Right.’ There’s a pause, John holding the idea up to the light at his end, turning it carefully this way and that, as he always does. ‘I thought you were involved with some big ghost-watching series for ITV.’

      ‘UFOs, actually, and it was for a digital channel. That’s been–cancelled.’

      ‘Bad luck.’

      ‘Yeah.’

      Another pause. I can hear John taking a long, deep drag on his rollie. ‘This wouldn’t have anything to do with a fatal helicopter crash over Alton Barnes way last month, would it? Bunch of Americans and a camera crew, overloaded chopper?’

      The tears have started rolling down my face. ‘Oh, John, I’ve fucked up again, I’ve really fucked up this time…’ Voice all choked and clotted. I’m beginning to shudder.

      ‘Hey, hold on. Way I heard it, the pilot crashed the helicopter, not you. He’ll probably lose his licence.’

      ‘Yes, but–’

      ‘No but. Listen, darling girl, you haven’t fucked up. Not then, not now. Believe me, I’m a world expert in fuck-ups. Blame Wyrd, if you like, web of fate, will of God, karma, whatever else carries us through the night, but it was not your fault!

      ‘You don’t understand. I killed someone. I should have held on to the camera but I didn’t and it killed him, there was this hole in his head, it was awful–I’ll never get another job in television.’ I’ve thought this through. I ponder it every night, sweating when police helicopters fly over the block of flats, while the Australian girls heave and struggle with their lovers on the other side of the thin wall. ‘Who’d want me? I’m bad luck. And, oh, God, John, he’s dead, and I didn’t like him very much but I so wish he wasn’t dead, he was twenty-three, his parents…’ I keep remembering his mother’s stricken face when they came to the office to collect his stuff. Soon as I realized who she was I went and locked myself into the loo. ‘There was this piece about him in Broadcast, saying how talented he was and stuff…’

      ‘Hey hey hey. You been sitting on this for a month, mithering, all by yourself in London?’

      Can’t manage even a yes. John takes gulping silence for confirmation. ‘Listen to me. Get on the train. Don’t even think about driving. Come straight down. I’ll pick you up at Swindon. We can fetch your car some other time. Don’t go to Frannie’s, come to me, for tonight at least. Then tomorrow I’ll drive you back to London, load up your stuff, and…maybe it’s time you came home.’

      There it is. The H word. A shudder goes through me, relief this time, though mixed with something darker. Avebury tugging at my string, reeling me back in.

       Get in the van, Indy

      ‘Do you good to hang out at Fran’s as long as it takes.’ John’s gone into fatherly mode, he being the nearest thing I have to a dad, Lars (or whatever the Icelandic backpacker’s name was–I’ve never known) being blissfully unaware of my existence. ‘She always keeps the bed made up, she’d love to see you–there’s more room there than in that shithole of yours in London.’ The voice coming down the phone line is like the water of a hot bath. I can feel myself relaxing, letting the warmth slip over my tense skin. ‘Find a job, nothing demanding. They’re always looking for people in the caf or the shop.’ Easing it all away. I can almost smell the scented steam. ‘Give yourself time. Frannie could do with some help.’

      An unexpected drip from the cold tap. ‘What do you mean?’ ‘Only that she’s over eighty. Not as spry as she was. And she sold the car a couple of months ago, said she was too old to drive.’ ‘She told me she still walks a couple of miles every day’.

      ‘Oh, yeah, she’s up and down that path from Trusloe to the post office at Big Avebury, rain or shine. But you might see a change.’ Another long draw on the roll-up. Anyway, that’s not the point. You get your arse down here and we’ll talk everything through.’

      I can feel myself getting tearful again. ‘John, I don’t know…’ Because I’m bad luck. I’m widdershins. I’m not safe to be near.

      ‘None of us know, Indy That’s bleedin’ life. Stop thinking so hard, and live it.’

      A dusty golden harvest moon is hanging low on the horizon as I drive my rust-nibbled red Peugeot past the art-deco garage on the road into Avebury, two days later. Alban Elfid, the autumn equinox: strictly speaking, still a few days away, but who cares with a moon like that casting its magic?

      Alban Elfid, said John in London this morning, as we loaded the back of his pickup for him to drive ahead with my stuff. Harvest home. Whatever you like to call it. A time for reflection and healing. I know you don’t believe any of it, Indy, but doesn’t matter, I believe it for you. You couldn’t be coming back at a better time.

      The road bends, passing a high bank and an enormous diamond-shaped stone, and I’m inside the Avebury circle. It gives me a jolt every time: the stones gleaming like big scary teeth in a smile that sweeps towards the church tower rising out of the trees. My route takes me through the old cottages and the circle, and out again towards Avebury Trusloe, with its grid of twentieth-century former council houses. Poor old Frannie–she’d have loved to live in a thatched cottage СКАЧАТЬ