The Map of Time and The Turn of the Screw. Felix J. Palma

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      The following night he arrived at the Britannia determined to behave like a self-assured man instead of the fumbling, timid dandy of his previous encounter. He had to overcome his nerves and prove he could adapt to his surroundings if he was to display his true charms to the girl, the repertoire of smiles and flattery with which he habitually captivated the ladies of his own class.

      He found Marie Kelly sitting at a corner table, brooding over a pint of beer. Her demeanour unnerved him, but as he was not the sort to think up a new strategy as he went along, he decided to stick with his original plan. He ordered a beer at the bar, sat down at the girl’s table, as naturally as he could, and told her he knew of a guaranteed way to wipe the worry from her face. Marie Kelly shot him a black look, confirming what he feared: he had made a tactless blunder. Andrew thought she was going to tell him to clear off with a simple wave of her hand, as if he were an irritating fly, but she restrained herself and gazed at him quizzically for a few seconds.

      She must have decided he was as good a person as any to unburden herself to because she took a swig from her tankard, wiped her mouth on her sleeve, and told him that her friend Annie, the woman they had bumped into in Hanbury Street the night before, had been found that morning, murdered, in the same yard they had been in. The poor woman had been partially decapitated, sliced open, her intestines pulled out and her womb removed.

      Andrew stammered that he was sorry, as shocked by the killer’s attention to detail as he was to have collided with him moments before the crime. Evidently that particular client had not been satisfied with the usual service. But Marie Kelly had other concerns. According to her, Annie was the third prostitute in less than a month to be murdered in Whitechapel. Polly Nichols had been found dead with her throat slit in Bucks Road, opposite Essex Pier, on 31 August, and on the seventh of that month, Martha Tabram had been found brutally stabbed with a penknife on the stairs of a rooming house. Marie Kelly laid the blame on the gang from Old Nichol Street, blackmailers who demanded a share of the whores’ earnings.

      ‘Those bastards will stop at nothing to get us working for them,’ she said, between gritted teeth.

      This state of affairs disturbed Andrew, but it should have come as no surprise: after all, they were in Whitechapel – the putrid dung-heap upon which London had turned its back, home to more than a thousand prostitutes living alongside German, Jewish and French immigrants. Stabbings were a daily occurrence. Wiping away the tears that had finally flowed from her eyes, Marie Kelly sat, head bowed, as though in prayer, until, to Andrew’s surprise, she roused herself from her stupor, grasped his hand and smiled lustfully at him. Whatever else happened, life went on. Was that what she had meant by her gesture? After all, she, Marie Kelly, had not been murdered. She had to go on living, dragging her skirts through those foul-smelling streets in search of money to pay for a bed.

      Andrew gazed with pity at her hand lying in his, the dirty nails poking through the frayed mitten. He, too, felt the need to concentrate for a moment in order to change masks, like an actor who needs time in his dressing room to concentrate on becoming a different character. After all, life went on for him, too. Time did not stop because a whore had been murdered. He stroked her hand tenderly, ready to resume his plan. As though wiping condensation from a window pane, he freed his young lover’s smile from its veil of sadness and, looking her in the eye for the first time, said: ‘I have enough money to buy you for the whole night, but I don’t want any fakery in a cold backyard.’

      This startled Marie Kelly, and she tensed, but Andrew’s smile soon put her at ease. ‘I rent a room at Miller’s Court, but I don’t know as it’ll be good enough for the likes of you,’ she remarked flirtatiously.

      ‘I’m sure you’ll make me like it,’ Andrew ventured, delighted at the bantering tone their conversation had taken – this was a register at which he excelled.

      ‘But first I’ll have to turn out my good-for-nothing husband,’ she replied. ‘He doesn’t like me bringing work home.’

      This remark came as yet another shock to Andrew on an extraordinary night over which he clearly had no control. He tried not to let his disappointment show.

      ‘Still, I’m sure your money will make up his mind for him,’ Marie concluded.

      ***

      So it was that Andrew found paradise in the dismal little room where he was now sitting. That night, everything had changed between them. When at last she lay naked, Andrew made love to her so respectfully, caressing her with such tenderness, that Marie Kelly could feel the hard shell she had carefully built around her begin to crack. To her surprise, Andrew’s kisses, marking her body like a pleasurable itch, made her own caresses less mechanical, and she quickly discovered she was no longer a whore lying on the bed, but the woman crying out for affection that she had always been. Andrew also sensed his love-making was freeing the real Marie Kelly, as though he were rescuing her from one of the water tanks in which stage magicians immersed their beautiful assistants, bound hand and foot, or as though his sense of direction had saved him from getting lost in the maze, like her other lovers, allowing him to reach a secret corner where the girl’s true nature survived intact.

      They burned with a single flame, and when it waned, and Marie Kelly began to talk about springtime in Paris, where she had worked as an artist’s model, and about her childhood in Wales and on Ratcliffe Highway in London, Andrew understood that the strange sensation in his chest must be the pangs of love: he was experiencing all the emotions of which the poets spoke.

      He was touched by the tone her voice took on when she described the Parisian squares with their riot of gladioli and petunias, and how on her return to London she had insisted everybody say her name in French, the only way she had found of preserving intact the distant fragrance that softened life’s sharp edges. He was equally moved by the hint of sadness in her voice as she described how they had hanged pirates from the Ratcliffe Highway Bridge until they drowned in the rising waters of the Thames. This was the real Marie Kelly, this bitter-sweet fruit, nature’s flawed perfection, one of God’s contradictions.

      When she asked what work he did that could apparently allow him to buy her for the rest of his life, he decided to risk telling her the truth. If their love were to exist it must be nurtured in truth or not at all, and the truth (of how her portrait had sent him on his foolish quest to find her in a neighbourhood so different from his own) seemed as beautiful and miraculous to him as those stories about impossible love you read of in books. When their bodies came together again, he realised that, far from being an act of madness, falling in love with her was possibly the most reasonable thing he had ever done. And when he left the room, with the memory of her skin on his lips, he tried not to look at her husband, Joe, who was leaning against the wall, shivering with cold.

      It was nearly daylight when Harold delivered him home. Too excited to go to bed, if only to relish the moments he had spent with Marie Kelly, Andrew went to the stables and saddled a horse. It was a long time since he had woken at dawn to go riding in Hyde Park. This was his favourite time of day, when the grass was still dewy and everything appeared untouched. How could he waste such an opportunity? Within minutes, he was galloping through the trees opposite the Harrington mansion, laughing to himself and occasionally letting out a cry of joy, like a soldier celebrating victory, because that was how he felt, remembering the loving look she had given him before they had said goodbye until the following night. It was as though she could see in his eyes that, unwittingly, he had been searching for her for years and perhaps I should take this opportunity to apologise for my earlier scepticism and confess that there is nothing that cannot be expressed in a look. A look, it seems, is a bottomless well of possibilities.

      And so Andrew rode on, seized by a wild impulse, overwhelmed by a burning, pulsating sensation that might reasonably be described as happiness. Prey to the effects of such a violent infatuation, СКАЧАТЬ