The Map of Time and The Turn of the Screw. Felix J. Palma

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      Andrew liked listening to Charles ramble in this relaxed way, pretending not to take himself seriously. He admired his cousin’s contradictory spirit, which reminded him of a house divided into endless chambers all separate from one another, so that what went on in one had no repercussions in the others. This explained why his cousin was able to glimpse, amid his luxurious surroundings, the most suppurating wounds and forget them a moment later, while he found it impossible to copulate successfully after a visit to a slaughterhouse or a hospital for the severely injured. It was as if Andrew had been designed like a seashell: everything disappeared and resonated inside him. That was the basic difference between them: Charles reasoned and he felt.

      ‘The truth is, these sordid crimes are turning Whitechapel into a place where you wouldn’t want to spend the night,’ Charles declared sententiously, abandoning his nonchalance to lean across the table and stare meaningfully at his cousin. ‘Especially with a tart’

      Andrew gaped at him. ‘You know about it?’

      His cousin smiled. ‘Servants talk, Andrew. You ought to know by now our most intimate secrets circulate like underground streams beneath the luxurious ground we walk on,’ he said, stamping his feet symbolically on the carpet.

      Andrew sighed. His cousin had not left the newspaper there by accident. In fact, he had probably not even been asleep. Charles enjoyed this kind of game. It was easy to imagine him hiding behind one of the many screens that partitioned the vast dining room, waiting patiently for his stunned cousin to fall into the trap he had laid.

      ‘I don’t want my father to find out, Charles,’ begged Andrew.

      ‘Don’t worry, cousin. I’m aware of the scandal it would cause in the family. But tell me, are you in love with the girl or is this just a passing fancy?’

      Andrew remained silent. What could he say?

      You needn’t reply’ his cousin said, in a resigned voice. ‘I’m afraid I wouldn’t understand either way. I only hope you know what you’re doing.’

      Andrew, of course, did not know what he was doing, but could not stop doing it. Each night, like a moth drawn to the flame, he returned to the miserable room in Miller’s Court, hurling himself into the relentless blaze of Marie Kelly’s passion. They made love all night, driven by frantic desire, as though they had been poisoned during dinner and did not know how long they had left to live, or as though the world around them were being decimated by the plague. Soon Andrew understood that if he left enough coins on her bedside table, their passion could continue gently smouldering beyond the dawn. His money preserved their fantasy, and even banished Joe, Marie Kelly’s husband, whom Andrew tried not to think of when, disguised in his modest clothes, he strolled with her through the maze of muddy streets.

      Those were peaceful, pleasant walks, full of encounters with the girl’s friends and acquaintances, the long-suffering foot-soldiers of a war without trenches; a bunch of poor souls who rose from their beds each morning to face a hostile world, driven on by the sheer animal instinct for survival. Fascinated, Andrew found himself admiring them, as he would a species of exotic flower alien to his world. He became convinced that life in Whitechapel was more real, simpler, easier to understand than it was in the luxuriously carpeted mansions where he spent his days.

      Occasionally, he had to pull his cap down over his eyes in order not to be recognised by the bands of wealthy young men who laid siege to the neighbourhood some nights. They arrived in luxurious carriages and mobbed the streets, like rude, arrogant conquistadors, in search of some miserable brothel where they could satisfy their basest instincts for, according to a rumour Andrew had frequently heard in West End smoking clubs, the only limits on what could be done with the wretched Whitechapel tarts were money and imagination. Watching these boisterous incursions, Andrew was assailed by a sudden protective instinct, which could only mean he had unconsciously begun to see Whitechapel as a place he should perhaps watch over. However, there was little he could do, confronted with those barbarous invasions, besides feeling sad and helpless, and trying to forget about them in the arms of his beloved. She appeared more beautiful to him by the day, as though beneath his caresses she had recovered the innate sparkle of which life had robbed her.

      But, as everyone knows, no paradise is complete without a serpent, and the sweeter the moments spent with his beloved, the more bitter the taste in Andrew’s mouth when he recalled that what he had of Marie Kelly was all he could ever have. Because, although it was never enough and each day he yearned for more, the love that could not exist outside Whitechapel, for all its undeniable intensity, remained arbitrary and illusory. And while outside a crazed mob tried to lynch the Jewish cobbler nicknamed Leather Apron, Andrew quenched his anger and fear in Marie Kelly’s body.

      He wondered whether his beloved’s fervour sprang from her own realisation that they had embarked upon a reckless love affair, and that all they could do was greedily clasp the unexpected rose of happiness as they tried to ignore the painful thorns. Or was it her way of telling him she was prepared to rescue their apparently doomed love even if it meant altering the very course of the universe? And if that was the case, did he possess the same strength? Did he have the necessary conviction to embark upon what he already considered a lost battle?

      However hard he tried, Andrew could not imagine Marie Kelly moving in his world of refined young ladies, whose sole purpose in life was to display their fecundity by filling their houses with children, and to entertain their spouses’ friends with their pianistic accomplishment. Would Marie Kelly succeed in fulfilling this role while trying to stay afloat amid the waves of social rejection that would doubtless seek to drown her, or would she perish like an exotic bloom removed from its hothouse?

      The newspapers’ continued coverage of the whores’ murders scarcely managed to distract Andrew from the torment of his secret fears. One morning, while breakfasting, he came across a reproduction of a letter the murderer had audaciously sent to the Central News Agency, assuring the police they would not catch him easily and promising he would carry on killing, testing his fine blade on the Whitechapel tarts. Appropriately enough, the letter was written in red ink and signed ‘Jack the Ripper’, a name that, however you looked at it, Andrew thought, was far more disturbing and imaginative than the rather dull ‘Whitechapel Murderer’ by which he had been known until then.

      The new name was taken up by all the newspapers, and inevitably conjured up the villain of the penny dreadfuls, Jack Lightfoot, and his treatment of women. It was rapidly adopted by everyone, as Andrew soon discovered from hearing it uttered everywhere he went. The words were always spoken with sinister excitement, as though for the sad souls of Whitechapel there was something thrilling and even fashionable about a ruthless murderer stalking the neighbourhood with a razor-sharp knife. Furthermore, as a result of this disturbing missive, Scotland Yard was deluged with similar correspondence (in which the alleged killer mocked the police, boasted childishly about his crimes and promised more murders). Andrew had the impression that England was teeming with people desperate to bring excitement into their lives by pretending they were murderers, normal men whose souls were sullied by sadistic impulses and unhealthy desires that fortunately they would never act upon.

      Besides hampering the police investigation, the letters also transformed the vulgar individual he had bumped into in Hanbury Street into a monstrous creature apparently destined to personify man’s most primitive fears. Perhaps this uncontrolled proliferation of would-be perpetrators of his macabre crimes prompted the real killer to surpass himself. On the night of 30 September, at the timber merchants’ in Dutfield Yard, he murdered Elizabeth Stride – the whore who had originally put Andrew on Marie’s trail – and a few hours later, in Mtre Square, Catherine Eddowes, whom he had time to rip open from pubis to sternum, remove her left kidney and even cut off her nose.

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