has been continually described by writers, both German and English, for the last fifty years. Many readers, however, will not have met with these descriptions; and on their account I add a few words in explanation, referring them for the best scientific comment on the case to Sir David Brewster's "Natural Magic." The spectre takes the shape of a human figure, or, if the visitors are more than one, then the spectres multiply; they arrange themselves on the blue ground of the sky, or the dark ground of any clouds that may be in the right quarter, or perhaps they are strongly relieved against a curtain of rock, at a distance of some miles, and always exhibiting gigantic proportions. At first, from the distance and the colossal size, every spectator supposes the appearances to be quite independent of himself. But very soon he is surprised to observe his own motions and gestures mimicked, and wakens to the conviction that the phantom is but a dilated reflection of himself. This Titan amongst the apparitions of earth is exceedingly capricious, vanishing abruptly for reasons best known to himself, and more coy in coming forward than the Lady Echo of Ovid. One reason why he is seen so seldom must be ascribed to the concurrence of conditions under which only the phenomenon can be manifested; the sun must be near to the horizon, (which, of itself, implies a time of day inconvenient to a person starting from a station as distant as Elbingerode;) the spectator must have his back to the sun; and the air must contain some vapor, but partially distributed. Coleridge ascended the Brocken on the Whitsunday of 1799, with a party of English students from Goettingen, but failed to see the phantom; afterwards in England (and under the three same conditions) he saw a much rarer phenomenon, which he described in the following lines:—
"Such thou art as when The woodman winding westward up the glen At wintry dawn, when o'er the sheep-track's maze The viewless snow mist weaves a glistening haze, Sees full before him, gliding without tread, An image with a glory round its head; This shade he worships for its golden hues,And makes (not knowing) that which he pursues."
20
"On Whitsunday."—It is singular, and perhaps owing to the temperature and weather likely to prevail in that early part of summer, that more appearances of the spectre have been witnessed on Whitsunday than on any other day.
21
"The sorcerer's flower," and "The sorcerer's altar."—These are names still clinging to the anemone of the Brocken, and to an altar- shaped fragment of granite near one of the summits; and there is no doubt that they both connect themselves, through links of ancient tradition, with the gloomy realities of paganism, when the whole Hartz and the Brocken formed for a very long time the last asylum to a ferocious but perishing idolatry.
22
"The sorcerer's flower," and "The sorcerer's altar."—These are names still clinging to the anemone of the Brocken, and to an altar- shaped fragment of granite near one of the summits; and there is no doubt that they both connect themselves, through links of ancient tradition, with the gloomy realities of paganism, when the whole Hartz and the Brocken formed for a very long time the last asylum to a ferocious but perishing idolatry.
23
On the Roman coins.
24
"Peculiar."—Viz., as endowed foundations to which those resort who are rich and pay, and those also who, being poor, cannot pay, or cannot pay so much. This most honorable distinction amongst the services of England from ancient times to the interests of education—a service absolutely unapproached by any one nation of Christendom—is amongst the foremost cases of that remarkable class which make England, whilst often the most aristocratic, yet also, for many noble purposes, the most democratic of lands.
25
Five years ago, during the carnival of universal anarchy equally amongst doers and thinkers, a closely-printed pamphlet was published with this title, "A New Revelation, or the Communion of the Incarnate Dead with the Unconscious Living. Important Fact, without trifling Fiction, by HIM." I have not the pleasure of knowing HIM; but certainly I must concede to HIM, that he writes like a man of extreme sobriety upon his extravagant theme. He is angry with Swedenborg, as might be expected, for his chimeras; some of which, however, of late years have signally altered their aspect; but. as to HIM, there is no chance that he should be occupied with chimeras, because (p. 6) "he has met with some who have acknowledged the fact of their having come from the dead"—habes confitentem reum. Few, however, are endowed with so much candor; and in particular, for the honor of literature, it grieves me to find, by p. 10, that the largest number of these shams, and perhaps the most uncandid, are to be looked for amongst "publishers and printers," of whom, it seems, "the great majority" are mere forgeries: a very few speak frankly about the matter, and say they don't care who knows it, which, to my thinking, is impudence, but by far the larger section doggedly deny it, and call a policeman, if you persist in charging them with being shams. Some differences there are between my brother and HIM, but in the great outline of their views they coincide.
26
Charles II., notoriously wrote a book on the possibility of a voyage to the moon, which, in a bishop, would be called a translation to the moon, and perhaps it was his name in combination with his book that suggested the "Adventures of Peter Wilkins." It is unfair, however, to mention him in connection with that single one of his works which announces an extravagant purpose. He was really a scientific man, and already in the time of Cromwell (about 1656) had projected that Royal Society of London which was afterwards realized and presided over by Isaac Barrow and Isaac Newton. He was also a learned man, but still with a veil of romance about him, as may be seen in his most elaborate work— "The Essay towards a Philosophic or Universal Language."
27
"Middy."—I call him so simply to avoid confusion, and by way of anticipation; else he was too young at this time to serve in the navy. Afterwards he did so for many years, and saw every variety of service in every class of ships belonging to our navy. At one time, when yet a boy, he was captured by pirates, and compelled to sail with them; and the end of his adventurous career was, that for many a year he has been lying at the bottom of the Atlantic.
28
"Green_heys_," with slight variation in the spelling, is the name given to that district of which Greenhay formed the original nucleus. Probably it was the solitary situation of the house which (failing any other grounds of denomination) raised it to this privilege.
29
"Factory."—Such was the designation technically at that time. At present, I believe that a building of that class would be called a "mill."
30
This word, however, exists in Jack-a-dandy—a very old English word. But what does that mean?
31
Precisely, however, the same gesture, plebian as it was, by which the English commandant at Heligoland replied to the Danes when civilly inviting him to surrender. Southey it was, on the authority of Lieutenant Southey, his brother, who communicated to me this anecdote.
32
"Bridge of sighs."—Two men of memorable genius, Hood last, and Lord Byron by many years previously, have so appropriated this phrase, and reissued it as English currency, that many readers suppose it to be theirs. But the genealogies of fine expressions should be more carefully preserved. The expression belongs originally to Venice. This jus postliminii becomes of real importance in many cases, but especially in the case of Shakspeare. Could one have believed it possible beforehand? And yet it is a fact that he is made to seem a robber of the lowest order, by mere dint of suffering robbery. Purely through their own jewelly splendor have many hundreds of his phrases forced themselves into usage so general, under the vulgar infirmity of seeking to strengthen weak prose by shreds of poetic quotation, that at length the majority of careless readers come to look upon these phrases as belonging to the language, and traceable to no distinct proprietor any more than proverbs: and thus, on afterwards observing them in Shakspeare, they regard him in the light of one accepting alms (like so many meaner persons) from the common treasury of the universal mind, on which treasury, meantime, he had himself conferred these phrases as original donations of his own. Many expressions in the "Paradise Lost,"
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