Название: Life and Lillian Gish
Автор: Paine Albert Bigelow
Издательство: Public Domain
Жанр: Зарубежная классика
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She did not hold them to schoolbooks. She read them story books, or allowed an actor named Strickland—“Uncle High” in the play, because he was so tall—to read to them—from “Black Beauty,” which was their favorite, and Grimm’s and Andersen’s Fairy Tales. In a seat on the train, when all were awake at once, or during a wait in a station—oh, anywhere—Uncle High was faithful, and those little girls never ceased to remember it.
Uncle High was really very tall—“six feet six, and skinny as a blue-racer” according to one of the notices. In the play there was a house-warming, at which he was one of the guests. When Uncle High entered, Lillian, the “golden-haired grandchild,” was moved to examine him. They stood just at the footlights, and very deliberately she looked him up and down until the snickering audience was still. Then very gravely: “Grandpa, what is he standing on?” a line, according to Uncle High, that was “always a scream.”
“Uncle High” further remembers that “no matter what time of night Lillian and Dorothy had to get out of a warm, comfortable bed to catch a train, or how many times they had to be awakened to change cars, no one ever heard a whimper or complaint from either, and I cannot recall one instance where they ever found any fault with anything, and I never heard their mother speak a cross word to either of them. Lillian was just like a little mother to Dorothy, and looked after her all the time. Her whole life seemed to be to watch that nothing happened to her little sister. And Lillian only eight years old.” She was, in fact, considerably less.
Mrs. Gish’s skillful handicraft included drawing. She had received no art instruction but her pen sketches were exquisite. She thought them poor, and destroyed them. There remains only a water-color interior—subtle in tone, atmospheric—of a quality that commands immediate attention.
It seems curious that she should also have had a taste for mechanics. Delicate mechanics. She enjoyed taking a clock apart and putting it together again. A clock that did not go was her delight. Once that winter, when they were all together, a clock in their room had gone out of commission. Mary Gish examined it, then set to work. In a brief time she had it on the operating table, the pieces here and there. Dorothy’s deep interest may have had something to do with the fact that when she came to assemble them, two insignificant bits seemed to be missing. Never mind, the clock would go without them. It would go, but with a gay indifference to time, and every little while made queer noises in its inside. Lillian and Dorothy, in bed in that room, laughed themselves to sleep, listening to its complaints.
They found amusement where they could—the situation was so often barren enough. Once, remembering, Lillian said:
“Sometimes the theatre was very poor, and the dressing-rooms nearly always bad (even to this day they could be better). Some were worse than others. At a theatre in Chicago, a theatre of the second or third class, a good way out, the dressing-rooms were in a kind of cellar. There was water on the floor—we had to walk on boards. I remember the big, black water-bugs. Mother had to shake out our dresses, before we put them on.
“The Gerry Society was very strict in Chicago. We hardly dared to show ourselves outside the theatre and hotel. Four or five years later, when I was perhaps twelve, and we were there again, Mother put me into long skirts and high heels, so that I could look sixteen, and reduce the risk. I felt very proud to be grown-up in that sudden way.”
But the winter travel was hardest. One town they were to play could be reached only from a junction, six miles distant. That night a terrible blizzard came up, and the company, quite a large one, had to be driven cross-country in big farm sleighs, bedded with straw. It was terribly cold, their feet became ice. And when they arrived, the train was five hours late! The place was just a telegraph office; the little girls were allowed to stretch out on the desks, which were sloping;—members of the company took turns, holding them from rolling off.
The problem of food was a serious one, especially in the smaller towns of the Middle West. Dorothy was robust, and seemed to thrive on anything; Lillian needed better fare.
“Dorothy and I lived, when we could, on ice-cream and cake. Mother would give us fifteen cents, and we would spend ten cents for ice-cream, half vanilla and half chocolate. With the other five we bought lady-fingers. We mixed the cream, stirred the two kinds together, and made ‘mashed potatoes’; then we spread it on the lady-fingers.”
It does not seem very substantial, nor an over-plentiful allowance. They were being very economical, trying to get a little money ahead. At one wonderful restaurant—in some Western town—they were able to get a meal for ten cents! Just one place like that: soup, meat, potatoes, and a piece of pie! Perhaps it was not very good, but it seemed good, to them.
And two places in the South—good negro cooking:
“At Richmond and Norfolk, we went to boarding-houses, where we had chicken and ham at one meal, and sweet potatoes, and gingerbread! Nothing could be better than that. We were always happy when we were going to those places; and there was a park in one of those towns where there were squirrels. We bought peanuts, and they would hurry up to be fed.
“There was another place—it was in New Haven—that Dorothy and I looked forward to. In the hall next the dressing-rooms, was a small sliding door, or window, and beyond it an ice-cream salon. We could knock on the magic door and it would open, and a chocolate ice-cream soda be handed through. You can’t imagine how wonderful that seemed to us … like something out of Fairyland. Then there was a place in Philadelphia—an automat—the only one we had ever seen. It was the delight of our hearts. We were willing to walk miles, to get to it.”
Philadelphia was remembered for another reason. A considerable number of newsboys attended a matinée of “Her First False Step,” and hissed the villain and cheered the brave hero and the two little heroines in good, orthodox fashion. At the end of the play, the delegation hurried out and assembled at the back. When Lillian and Dorothy, in velveteen hats and coats and patent leather shoes, stepped from the stage door, they were waited upon by a meek and almost speechless committee of two and presented with two rare bottles of perfume, the best “five-and-ten” that money could buy. The stars bowed and spoke their thanks. After which, there was something resembling a cheer, and an almost uncanny disappearance of their admirers.
A very serious thing happened: At Scranton, Dorothy awoke one morning with what proved to be scarlet fever. It was not a severe case, but the company, knowing the certainty of quarantine, fled at once, bag and baggage, taking Lillian with them. The hotel faced the station platform, a high one, almost on a level with the windows of Mrs. Gish’s room. Lillian, waiting for the train that would take her away from them, could see her mother and Dorothy at the window, waving a tearful good-bye. It seemed as if her heart must break.
How long they were separated is not remembered—possibly not more than a fortnight. Dorothy’s part was abandoned. Later, she was given the part that had been played by Lillian. And this is curious: Lillian herself had never been at all afraid when she was thrust into the lions’ cage, but now that Dorothy had the part, it made her almost frantic when she heard the lions roaring, and knew that her little sister was being put in there.
The season appears to have closed in Boston, and for whatever reason—possibly Dorothy was not yet over-strong—Mrs. Gish went by day-coach to New York, putting Dorothy and Lillian into an upper berth, in the sleeper. They had with them a small dog—a Boston bull puppy, which the stage-hands had given them—and all night СКАЧАТЬ