Life and Lillian Gish. Paine Albert Bigelow
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Название: Life and Lillian Gish

Автор: Paine Albert Bigelow

Издательство: Public Domain

Жанр: Зарубежная классика

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СКАЧАТЬ well of the idea. She rather liked Shawnee, once she got used to it, especially the riding. Soon she got to know an Indian girl, who rode with her and had plenty of ponies. A wonderful girl—she rode as if she were a part of the horse. There were Indians, of course, everywhere—“civilized Indians,” whatever we may mean by that; also, cowboys and other romantic features. Then she found she could get a place in a doctor’s office—work after school and on holidays—answering the telephone and marking down appointments. For this she was to receive two dollars and a half a week—all clear.

      The school part was the hardest. She had made a mistake in the beginning: When she was asked about her grade, some imp prompted her to promote herself. She was accepted at her own valuation, but keeping up to it nearly killed her. She could do it all but the mathematics. Advanced arithmetic was just a jungle of terrors, algebra an uncharted sea from which daily she must be rescued as she was going down for the third time. What with one thing and another, her punishment seemed almost more than she could bear....

      Her face took on an added wistfulness; she became more than ever like a spirit. Gladys Fariss, her schoolmate, watching her come down the evening hillside, the sunset in her hair, could think only of Saint Cecilia....

      Lillian, her memory blurred by her mental struggle, had no clear picture of Shawnee in later years. Fortunately, Gladys has preserved it for us.

      Lillian Gish! How often have I dreamed of her—heard her musical voice from out the purple distances. What a joy to recall her in my classes of Shawnee High.

      We were in the English class together. She especially enjoyed literature.... I sat and watched the door each day for Lillian’s coming from her previous class. Classmates, the teacher, the class work, have long since passed into oblivion, but photographed in my memory is the picture, framed by the doorway.

      She had recently recovered from typhoid fever. Her hair was a golden halo, alive with newness, about her oval face. It was worn caught loosely back and with a black ribbon bow. At the Junior-Senior dance we sophomores were invited guests … Lillian dressed in filmy white was dancing … classically, romantically, as with enchanted feet, an ivory statuette, in a world of chiffon and moonlight.

      She sang in the choir of the Episcopal Church. She was spiritual and philosophic, a dreamer, quiet and far-seeing. She was a listener, never outspoken. She was somewhat retiring, yet not abashed. She talked very little of her life. I never remember her mentioning the stage.

      She loved the out-of-doors—the sunshine, which seemed to be a part of her.... Upon returning a borrowed book, I shall never forget her graciousness of manner and kindliness of words....

      In the English class one day, we exchanged themes for a remembrance. This theme of hers has always been my most prized possession. It is a graphic and beautiful description of her mother, and incidentally somewhat of herself.

“The Face Most Familiar to Me

      During the thirty-five winters that have passed over her dear head, she has learned to know life’s vicissitudes. Instead of hardening her, they have made her a patient, sympathetic, God-fearing woman, who seems to make the burdens of life easier for those around her. She is settled and reserved in manner, and she is to be distinguished by her low, soft voice which seems to go with her dignity of motherhood. She is of medium height and size. Her hair is of a golden brown, streaked with gray, and her large, steel-gray eyes seem to see into the depths of everything. Her nose and chin are slightly pointed and her lips are closed in a way that suggests a smile. Her short, quick, decisive step shows the magnanimity of her nature. It is my most sincere wish that I may grow to be a counterpart of her.

      Lillian Gish.”

      March 27, 1911

      I entered a picture-show one afternoon, some years later, and while watching the film “The Mothering Heart,” Lillian appeared on the screen. I instantly recognized her. Waiting for the return of the first reel, with the listing of the cast, I was not mistaken—her name was there.

      Instilled into Lillian’s soul were some of the finest of human qualities: loyalty, moral courage, patience. Hers was beauty of spirit, beauty of thought, beauty of perfection, Christ-like beauty of innocence, of sinlessness; she was unspoiled, unselfish, meek.

      She was never too busy to help, never too sad to smile, never too weighed down with care to glimpse a higher vision. When I think of her, it is like stepping through darkness into the light, for I have never known a more patient, gentle and lovable character, nor a more highly intellectual girl. Someone has said of her: “Hers is the charm of a vanishing strain of music, the haunting lyric that will neither satisfy, nor let you be—the fragrance of the flowers that perfume dreams.”

      In word portraiture, it would be hard to find a more exquisite picture than this school-girl memory of Lillian at fourteen.

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      Published by Alfred A. Knopf, Inc.

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