The Essence of Christianity. Feuerbach Ludwig

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СКАЧАТЬ but only veiled – not removed. It is true that Protestantism had no need of the heavenly bride, because it received with open arms the earthly bride. But for that very reason it ought to have been consequent and courageous enough to give up not only the Mother, but the Son and the Father. Only he who has no earthly parents needs heavenly ones. The triune God is the God of Catholicism; he has a profound, heartfelt, necessary, truly religious significance, only in antithesis to the negation of all substantial bonds, in antithesis to the life of the anchorite, the monk, and the nun.51 The triune God has a substantial meaning only where there is an abstraction from the substance of real life. The more empty life is, the fuller, the more concrete is God. The impoverishing of the real world and the enriching of God is one act. Only the poor man has a rich God. God springs out of the feeling of a want; what man is in need of, whether this be a definite and therefore conscious, or an unconscious need, – that is God. Thus the disconsolate feeling of a void, of loneliness, needed a God in whom there is society, a union of beings fervently loving each other.

      Here we have the true explanation of the fact that the Trinity has in modern times lost first its practical, and ultimately its theoretical significance.

      CHAPTER VII.

      THE MYSTERY OF THE LOGOS AND DIVINE IMAGE

      The essential significance of the Trinity is, however, concentrated in the idea of the second Person. The warm interest of Christians in the Trinity has been, in the main, only an interest in the Son of God.52 The fierce contention concerning the Homousios and Homoiousios was not an empty one, although it turned upon a letter. The point in question was the co-equality and divine dignity of the second Person, and therefore the honour of the Christian religion itself; for its essential, characteristic object is the second Person; and that which is essentially the object of a religion is truly, essentially its God. The real God of any religion is the so-called Mediator, because he alone is the immediate object of religion. He who, instead of applying to God, applies to a saint, does so only on the assumption that the saint has all power with God, that what he prays for, i. e., wishes and wills, God readily performs; that thus God is entirely in the hands of the saint. Supplication is the means, under the guise of humility and submission, of exercising one’s power and superiority over another being. That to which my mind first turns is also, in truth, the first being to me. I turn to the saint, not because the saint is dependent on God, but because God is dependent on the saint, because God is determined and ruled by the prayers, i. e., by the wish or heart of the saint. The distinctions which the Catholic theologians made between latreia, doulia, and hyperdoulia, are absurd, groundless sophisms. The God in the background of the Mediator is only an abstract, inert conception, the conception or idea of the Godhead in general; and it is not to reconcile us with this idea, but to remove it to a distance, to negative it, because it is no object for religion, that the Mediator interposes.53 God above the Mediator is nothing else than the cold understanding above the heart, like Fate above the Olympic gods.

      Man, as an emotional and sensuous being, is governed and made happy only by images, by sensible representations. Mind presenting itself as at once type-creating, emotional, and sensuous, is the imagination. The second Person in God, who is in truth the first person in religion, is the nature of the imagination made objective. The definitions of the second Person are principally images or symbols; and these images do not proceed from man’s incapability of conceiving the object otherwise than symbolically, – which is an altogether false interpretation, – but the thing cannot be conceived otherwise than symbolically because the thing itself is a symbol or image. The Son is, therefore, expressly called the Image of God; his essence is that he is an image – the representation of God, the visible glory of the invisible God. The Son is the satisfaction of the need for mental images, the nature of the imaginative activity in man made objective as an absolute, divine activity. Man makes to himself an image of God, i. e., he converts the abstract being of the reason, the being of the thinking power, into an object of sense or imagination.54 But he places this image in God himself, because his want would not be satisfied if he did not regard this image as an objective reality, if it were nothing more for him than a subjective image, separate from God, – a mere figment devised by man. And it is in fact no devised, no arbitrary image; for it expresses the necessity of the imagination, the necessity of affirming the imagination as a divine power. The Son is the reflected splendour of the imagination, the image dearest to the heart; but for the very reason that he is only an object of the imagination, he is only the nature of the imagination made objective.55

      It is clear from this how blinded by prejudice dogmatic speculation is, when, entirely overlooking the inward genesis of the Son of God as the Image of God, it demonstrates the Son as a metaphysical ens, as an object of thought, whereas the Son is a declension, a falling off from the metaphysical idea of the Godhead; – a falling off, however, which religion naturally places in God himself, in order to justify it, and not to feel it as a falling off. The Son is the chief and ultimate principle of image-worship, for he is the image of God; and the image necessarily takes the place of the thing. The adoration of the saint in his image is the adoration of the image as the saint. Wherever the image is the essential expression, the organ of religion, there also it is the essence of religion.

      The Council of Nice adduced, amongst other grounds for the religious use of images, the authority of Gregory of Nyssa, who said that he could never look at an image which represented the sacrifice of Isaac without being moved to tears, because it so vividly brought before him that event in sacred history. But the effect of the represented object is not the effect of the object as such, but the effect of the representation. The holy object is simply the haze of holiness in which the image veils its mysterious power. The religious object is only a pretext, by means of which art or imagination can exercise its dominion over men unhindered. For the religious consciousness, it is true, the sacredness of the image is associated, and necessarily so, only with the sacredness of the object; but the religious consciousness is not the measure of truth. Indeed, the Church itself, while insisting on the distinction between the image and the object of the image, and denying that the worship is paid to the image, has at the same time made at least an indirect admission of the truth, by itself declaring the sacredness of the image.56

      But the ultimate, highest principle of image-worship is the worship of the Image of God in God. The Son, who is the “brightness of his glory, the express image of his person,” is the entrancing splendour of the imagination, which only manifests itself in visible images. Both to inward and outward contemplation the representation of Christ, the Image of God, was the image of images. The images of the saints are only optical multiplications of one and the same image. The speculative deduction of the Image of God is therefore nothing more than an unconscious deduction and establishing of image-worship: for the sanction of the principle is also the sanction of its necessary consequences; the sanction of the archetype is the sanction of its semblance. If God has an image of himself, why should not I have an image of God? If God loves his Image as himself, why should not I also love the Image of God as I love God himself? If the Image of God is God himself, why should not the image of the saint be the saint himself? If it is no superstition to believe that the image which God makes of himself is no image, no mere conception, but a substance, a person, why should it be a superstition to believe that the image of the saint is the sensitive substance of the saint? The Image of God weeps and bleeds; why then should not the image of a saint also weep and bleed? Does the distinction lie in the fact that the image of the saint is a product of the hands? Why, the hands did not make this image, but the mind which animated the hands, the imagination; and if God makes an image of himself, that also is only a product of the imagination. Or does the distinction proceed from this, that the Image of God is produced by God himself, whereas the image of the saint is made by another? Why, the image of the saint is also a product of the saint himself: for he appears to the artist; the artist only represents him as he СКАЧАТЬ