The History of the Indian Revolt and of the Expeditions to Persia, China and Japan 1856-7-8. Dodd George

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СКАЧАТЬ villas of the Europeans who exercise civil or military control within Delhi. Most of these villas are on the site of the once famous garden of Shalimar. On the northern side of the city, close under a ridge of sandstone rocks called the Mijnoon Pahar, are the cantonments – an alternation of bungalows, huts, and groups of trees.

      So much for the environs. Although not entitled to take rank among the great cities of the earth, Delhi is nevertheless a considerable place, for it is seven miles in circumference. The Jumna bounds it on the east, while a lofty crenellated wall, of horseshoe shape, completes the boundary on the other sides. This wall has been an object of much attention at different times. As built by Shahjehan, it possessed little strength. When the British obtained ascendency over the city in 1803, the wall was found to be in a ruinous state, without other flanking defences than small circular bastions placed at intervals; the ditch was imperfect; there was scarcely any vestige of a glacis or exterior slope; and the crumbling ruins of dilapidated buildings had been allowed to accumulate all round the wall. Captains Hutchinson and Smith, of the Bengal engineers, were thereupon deputed to restore and strengthen the fortifications. It was determined to establish a series of bastions, with faces and flanks to defend the curtain or plain wall, and to mount them with heavy artillery. The walls were repaired; and to shield them from escalade, they were protected, especially on the river-front, with beams of timber, the sharpened ends of which were pointed at an acute angle downward into the ditch. The ditch was cleared out and deepened; the glacis was made to cover, in some degree, the scarp of the wall; the ground outside was cleared to some distance of ruins and houses; and the ravines were filled up to check the approach of marauding horsemen. To prepare for a rising within the city as well as an attack from without, detached martello towers were constructed, entirely separate from the walls, and accessible from them only by drawbridges; each tower had a gun mounted on a pivot, so that in the event of a tumult in the city, the towers might be occupied by artillerymen, the drawbridges drawn up, and the guns swiveled round to pour a fire upon the insurgents. The gateways of the city were strengthened; outworks were provided in front of some of them, while others were provided with guard-houses and places-d’armes. At a much later date – in 1838 – Lord Auckland caused the walls and towers to be strengthened, and one of the new defences, called the Wellesley Bastion, to be reconstructed.

      In what relation these defences stood to a British besieging force in 1857, will remain to be told in a future chapter: we proceed here with the description of the city.

      Delhi has seven gates on the land-side, named, respectively, the Lahore, Ajmeer, Turcoman, Cabool, Mohur or Moree, Cashmere, and Agra Gates; while along the river-front are four others, the Rajghat, Negumbod, Lall, and Kaila Gates. Some little diversity is shewn by travellers in giving these names; and some make the number of gates twelve instead of eleven. The Cashmere Gate is provided with casemated or shot-proof chambers, for the accommodation of a city-guard. A bridge of boats over the Jumna connects Delhi with the road leading northeastward to Meerut, and the chief magazine is, or was, between the centre of the city and this bridge. Eight of the defences on the walls are called the Shah Bastion, Burn Bastion, Gurstin Bastion, College Bastion, Ochterlony Bastion, Lake Bastion, Wellesley Bastion, and Nawab Bastion – names obviously derived, in most instances, from military officers engaged in the Company’s service. Strictly speaking, the wall does not quite surround the city; for on one side it abuts on a small branch of the river, where there is a short bridge across to the old fort of Selimgurh, built in a very heavy style by one of the early emperors. Entirely outside the wall, north of the city, is a custom-house, which affords a curious commentary on the relations existing between the civil and military officers of the Company. It was first built by a medical officer, then sold to the Company for a treasury, and then adapted as a custom-house. The engineers wanted to get rid of this building, as an obstruction to their plan of defences, in the same way as they had swept away numerous outhouses, bazaars, and ruins; but the civilians prevented this; and so the custom-house remained till 1857, when the building and its garden became a ready prey to the rebels.

      The city, considered without relation to its defences, presents many of those features so familiar in oriental towns. As seen by the approaching traveller, few of the dwelling-houses peep above the ramparts; but the Jumma Musjid or principal mosque, the turreted and battlemented palace, the minarets, and other public buildings, combine to form a majestic picture; while the graceful acacias and lofty date-trees bending over the ramparts, and the grouping of tombs with sombre foliage on the glacis, add new features to the scene. Arrived within the city, it is seen that the streets are mostly narrow. The chief exception is that of a handsome street running south from the palace to the Agra Gate: three quarters of a mile long by a hundred and fifty feet wide. This street has, therefore, length and breadth enough to afford space for much splendour; but the Delhians have not fully availed themselves of this opportunity, for they have built blocks of small houses in the midst of this street, analogous in some degree to the ‘Middle Rows’ known to the inhabitants of London. Another large street, similarly shorn of its due dignity, runs from the palace westward to the Lahore Gate. Both streets are, however, enlivened by raised water-courses flowing in channels of red stone – part of a great work begun and finished by the Company, for supplying Delhi with water.

      The glories of Delhi are the great mosque and the still greater palace. The Jumma Musjid, situated in the centre of the city, is one of those buildings to which Mohammedans point with pride: famous not only in Hindostan, but all over Southern and Central Asia. It presents to the eye an open court on an elevated platform, nearly five hundred feet square; in the middle of which is a marble fountain for the ablutions necessary in the ceremonials of Islamism. On three sides of this court are open arcades and octagonal pavilions; while on the fourth side is the mosque, a structure of great splendour approached by a magnificent flight of marble steps. White marble cornices inlaid in black marble with inscriptions from the Koran; walls, ceilings, and pavements of the same delicate materials; beautiful domes and lofty minarets – all combine to render the Jumma Musjid a truly gorgeous structure. The Emperor Shahjehan built it more than two centuries ago; and the British government gave orders in 1851 that it should be kept in repair.

      But, splendid as is the Jumma Musjid, the imperial palace is still more striking – partly for what it is, but principally for what it has been. The palace stands between the two principal streets and the bridge. Some travellers have compared it with Windsor Castle, some with the Kremlin at Moscow, in size and majesty; while others insist that it has no compeer. Bishop Heber was quite enthusiastic in its praise. In the first place, the palatial buildings are surrounded by a wall to which there is certainly no parallel either at Windsor or at Moscow; it is of red granite, three quarters of a mile in circuit, nearly forty feet high, flanked with turrets and domes, and entered by two noble gates with barbicans. This wall is a grand work in itself, irrespective of the structures it encloses. Strictly speaking, the wall is only on three sides, the fourth abutting on a small branch of the Jumna, where occurs the short bridge crossing to the old fort of Selimgurh. The palace itself is entered by a series of beautiful gateways, all of red granite, and all sculptured with flowers and inscriptions from the Koran. The vaulted aisles and the open octagonal courts are spoken of by Heber with great admiration. The Dewani Khas, or private council-chamber, although allowed to become filthy by the visits of crows and kites, is an exquisite structure; it is a pavilion of white marble, supporting four cupolas of the same delicate material, with pillars and arches elaborately inlaid with gilt arabesques, flowers, and inscriptions. The garden around it has numerous white marble fountains of elegant form, and a small octagonal pavilion with bath-rooms, but all dirty and neglected. The Moti Musjid or private mosque for the court, and the Dewani-aum or public hall of audience, are, like the rest of the palace, ornate in marble and in carving, in sculpture and in inscriptions, in gilding and in inlaying; and, also like the rest, disfigured with filth – a combination truly oriental. In the hall of audience is, or was before the Revolt, the dais on which once stood the world-renowned peacock’s throne, formed entirely of gold and jewels; and it was in this same chamber that the victorious Nadir Shah, by exchanging turbans with the defeated Mogul Mohammed Shah, obtained possession of a treasure almost as renowned as the peacock’s throne itself – the koh-i-noor, the ‘mountain of light,’ the glorious diamond which, after various vicissitudes, now occupies a place in the regalia of СКАЧАТЬ