Hania. Генрик Сенкевич

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СКАЧАТЬ style="font-size:15px;">      To-day, when I recall evenings like that, I cannot resist my emotion. Many waves on the water, many clouds in the sky, have passed since that time; but still winged memory pushes before my eyes continually similar pictures of the village mansion, the summer night, and that family, harmonious, loving, happy, – a gray veteran telling former adventures of his life; youths with fire in their eyes; farther on a face like a field flower – Ei! Many waves on the water and clouds in the sky have passed since that time.

      Meanwhile the clock struck ten. Selim sprang up, for he had received the command to return that same night. The whole company decided to go with him as far as the cross at the end of the lindens near the second gate, I on horseback farther, as far as the meadows. We started then, all of us except Kazio, who had fallen asleep in the best fashion.

      Hania, Selim, and I pushed on ahead, we two leading our horses by the bridles, Hania between us. The three old people walked behind. It was dark in the alley; the moon, merely breaking through the dense foliage, marked the dark road with silver spots.

      "Let us sing something," said Selim, "some song, old and good; for example, the song about Filon."

      "No one sings that," answered Hania. "I know another: 'Oh, autumn, autumn, the leaf is withering on the tree!'"

      We agreed at last to begin with "Filon," which the priest and my father liked much, for it reminded them of old times, and then sing "Oh, autumn, autumn!" Hania placed her white hand on the mane of Selim's horse and began to sing, —

      "The moon has gone down, the dogs are all sleeping;

      But some one is clapping beyond the pine wood.

      Surely, Filon, my darling, is watching,

      Awaiting me under the favorite maple."

      When we finished, the voices of the old people were heard behind us in the darkness: "Bravo! bravo! sing something more." I accompanied as best I could, but I did not sing well; while Hania and Selim had beautiful voices, especially Selim. Sometimes, when I went too far beyond the notes, they both laughed at me. Then they hummed some other songs, during which I thought, "Why does Hania hold the mane of Selim's horse, and not the mane of mine?" That horse pleased her peculiarly. Sometimes she nestled up to its neck, or, patting it, repeated, "My steed, mine!" and the gentle beast snorted and stretched out its open nostrils toward her hand, as if looking for sugar. All this caused me to grow sad again, and I looked at nothing save that hand, which continued to rest on the horse's mane.

      Meanwhile we reached the cross at the end of the linden-trees. Selim bade good-night to all: he kissed the hands of Pani d'Yves and wished to kiss Hania's; but she would not consent, and looked at me as if afraid. But as a recompense, when he was on horseback she approached him and spoke. In the light of the moon, unobstructed in that place, I saw her eyes raised to Selim's, and the sweet expression of her face.

      "Do not forget Pan Henryk. We shall always amuse ourselves and sing together, and now good-night!" said she, giving him her hand.

      Hania and the older people went toward the house, Selim and I toward the meadows. We rode on some time in silence by an open road without trees. Round about it was so bright that one might count the needle-like leaves on the low juniper bushes growing by the road. From time to time the horses snorted, or a stirrup struck against a stirrup. I looked at Selim; he was thoughtful and turned his eyes to the depths of night. I had an overpowering desire to speak of Hania. I felt the need of confessing to some one the impressions of the day, of telling every word of hers, but not a movement could I make; I knew not how to begin that conversation. Selim began it first, for suddenly, neither from one reason nor another, he bent toward me, and embracing my neck kissed me on the cheek, and cried, —

      "Ah, my Henryk! how beautiful and charming thy Hania is! Let the devil take Yozia!"

      This exclamation chilled me like a sudden breath of wintry wind. I made no answer, but removed Selim's arm from my neck, and, pushing him away, rode on in silence. I saw that he was greatly confused, and had grown silent also; after a while, turning to me, he said, —

      "Art thou angry about something?"

      "Thou art a child!"

      "Perhaps thou art jealous?"

      I reined in my horse.

      "Good-night to thee, Selim."

      It was evident that he had no desire to take further farewell, but he stretched out his hand mechanically for pressure. Then he opened his lips as if to say something; but I turned my horse quickly, and trotted toward home.

      "Good-night!" cried Selim.

      He stood a while yet on the same spot, then rode slowly toward Horeli.

      Lessening my speed, I rode at a walk. The night was beautiful, calm, warm; the meadows, covered with dew, seemed like broad lakes. From those meadows came the voices of land rails; bitterns were calling in the distant reeds. I raised my eyes to the starry immensity; I wanted to pray and to cry.

      Suddenly I heard the tramp of a horse behind me. I looked around; it was Selim. He had caught up, and, coming before me in the road, said with a voice full of emotion, —

      "Henryk! I have come back because something is the matter with thee. At first I thought: 'if he is angry, let him be angry!' But afterward I grew sorry for thee. I could not restrain myself. Tell me what the matter is. Perhaps I have spoken too much with Hania? Perhaps thou art in love with her, Henryk?"

      Tears stopped my throat, and I could answer nothing at once. If I had followed my first inspiration, thrown myself on Selim's honest breast, cried there, and confessed all! Ah! I remember that whenever I met an outpouring of the heart in another, and opened my own heart affectionately in response, a kind of irresistible, rebellious pride, which should have been broken as a stone with a pickaxe, froze my heart and bound the words on my lips. How many times has my happiness been ruined by that pride, and always have I regretted it later! Still at the first moment I could never resist it.

      "I was sorry for thee," continued Selim.

      So he had compassion on me; that was sufficient to shut my mouth. I was silent. He gazed at me with his angelic eyes; he spoke with an accent of entreaty and repentance in his voice, —

      "Henryk! Perhaps thou lovest her? She, as thou seest, has pleased me, but let this be the end. If thou wish, I will not say another word to her. Tell me: perhaps thou art in love with her already? What hast thou against me?"

      "I do not love her, and I have nothing against thee. I am a little weak. I was thrown from the horse; I got shaken. I am not at all in love; I only fell from the horse. Good-night to thee!"

      "Henryk! Henryk!"

      "I repeat to thee, I was thrown from the horse."

      We parted again. Selim kissed me in farewell, and rode away more calmly; for, in truth, it might be supposed that the fall had had that effect on me. I remained alone, with a straitened heart, in a kind of deep sorrow, in tears which stopped my throat, moved by Selim's kindness, angry with myself, and cursing my conduct in having repulsed him. I let the horse go at a gallop, and soon I was before the mansion.

      The windows of the drawing-room were lighted; the sound of the piano came through them. I gave the horse to Franek, and entered. Hania was playing some song which I did not know; she was playing for herself, falsifying the melody with all a dilettante's confidence, for it was not long since she had begun to learn, but it was more than sufficient to enchant my spirit, which was much more in love than it was musical. When I entered, she smiled at me without ceasing СКАЧАТЬ