Название: Microcosmography
Автор: Earle John
Издательство: Public Domain
Жанр: Зарубежная классика
isbn:
isbn:
"And if his name be George I'll call him Peter,
For new-made honour doth forget men's names."
It is this character which was the occasion of the most delightful of all stories of absence of mind, and though, doubtless, familiar to many, I cannot resist repeating it. The poet Rogers was looking at a new picture in the National Gallery in company with a friend. Rogers was soon satisfied, but his friend was still absorbed. "I say," said Rogers, "that fellow [Earle's insolent man] was at Holland House again last night, and he came up and asked me if my name was Rogers." "Yes," said the friend, still intent on the picture, "and was it?
[Y] The article in the "Dictionary of National Biography" lays stress on the freedom from conceits in Earle's few poems at a time when conceits were universal. The lines on Sir John Burroughs contain a couplet which is wonderfully close to Wordsworth's "Happy Warrior":
"His rage was tempered well, no fear could daunt
His reason, his cold blood was valiant."
cf. "Who in the heat of conflict keeps the law
In calmness made."
Earle's standard in poetry was high. "Dr. Earle would not allow Lord Falkland to be a good poet though a Great Witt," yet many poets praised his verses. Aubrey, who tells us of Earle's opinion, confirms it. "He (Lord Falkland) writt not a smooth verse, but a great deal of sense."
[Z] "The Trimmer" is no doubt a political manifesto – but no retreat from politics could have chastened Halifax's style into a resemblance to Earle's; when the "Character" became a political weapon, its literary identity was all but at an end. "The Trimmer" is commended by Macaulay in his History, where it will be remembered he pays a tribute to its "vivacity."
[AA] Quintilian uses it of Thucydides.
[AB] The "She precise hypocrite" is a striking example – one of Earle's most humorous pieces.
cf. also "The plain country fellow."
[AC] The pictures, with the moral attached, are best seen in places: in "The Tavern, the best theatre of natures"; in "The Bowl-alley, an emblem of the world where some few justle in to the mistress fortune"; in Paul's Walk, "where all inventions are emptied and not a few pockets!"
[AD] Professor Jebb, preface to "The Characters of Theophrastus."
[AE] Anthony Wood.
[AF] Professor Jebb.
[AG] Professor Jebb justly replies to Hallam that if La Bruyère is far superior to Theophrastus the scope of the two writers makes the comparison unfair. The difference between them may perhaps be expressed by saying that an essay was the last thing that the master and the first thing that the disciple was anxious to produce.
CONTENTS OF THE SUPPLEMENTARY APPENDIX
In the Cathedral Library at Durham is a small bound volume which contains forty-six of Earle's Characters, bearing date 1627[AH], – the date of the first edition being 1628. I was enabled by the kindness of Dr. Greenwell, the Librarian, to take it away and examine it at leisure; and the courtesy of the University Librarian, Dr. Fowler, furnished me with an exact collation of the MS. versions with the printed text[AI] of these forty-six Characters, the original of the contributions made by him to "Notes and Queries," and referred to in the "Dictionary of National Biography."
(2) I have printed, besides, some other versions quoted by Bliss from "Dr. Bright's MS.," and incorporated in his annotated copy of his own book. These are often the same with those of the Durham MS. I should mention that though this annotated copy is in the Bodleian Library, the Sub-Librarian, Mr. Falconer Madan, "knows of no 'Bright MS.,'[AJ] nor where Bliss's MS. with that name is." The copy in question contains so much additional matter that I have added a few things from it, but my space was necessarily limited; there is good evidence in it of Bliss's statement that he had continued collecting materials for the book for forty-four years after its publication. Moreover, in the "Bliss Sale Catalogue" in the Bodleian there are some 530 books of Characters (including duplicates). I am myself in possession, as I believe, of a copy of Bliss's edition which belonged to himself, and which is annotated by himself and Haslewood.[AK] It contains a castrated title-page (originally Bliss suppressed his name) and a notice of the book in the "Monthly Review" of 1812.
(3) I have added a few "testimonies" to Earle from Anthony Wood and others.
(4) I have printed three letters from Clarendon to Earle from the "Clarendon State Papers," with short extracts from two others; as well as two letters of Earle's from the Bodleian Library – interesting rather as personal relics than as containing anything very significant. All that relates to its author will, I believe, be acceptable to lovers of the "Cosmography."
For this additional matter, as well as for other help and counsel, I am indebted to Mr. Charles Firth, of Balliol College, Oxford, whose learning is always at the service of his friends, and who stands in no need of the old injunction – "not to be reserved and caitiff in this part of goodness."
(5) From a notebook of Bliss's (in MS.) in my possession I have added a few titles of Books of Characters.
I have retained in this Appendix the spelling I found. Bliss's text has, with a few exceptions (possibly accidental), the modern spelling.
[AH] Dec. 14th, 1627. [At the end, by way of Colophon: ] at the top of page 1, in a different hand, "Edw. Blunt Author." This MS. was obviously one of "the written copies, passing severally from hand to hand, which grew at length to be a pretty number in a little volume." (See Blount's Preface to the Reader.)
[AI] As it appears in Arber's Reprint.
[AJ] The "Bright MS." was obviously later than that in the Durham Cathedral Library, since it contained several Characters known to have been added to the first edition.
[AK] Joseph Haslewood, Antiquary. One of the founders of the Roxburghe Club.
ADVERTISEMENT
The present edition of Bishop Earle's Characters was undertaken from an idea that they were well worthy of republication, and that the present period, when the productions of our early English writers are sought after with an avidity hitherto unexampled, would be the most favourable for their appearance.
The text has been taken from the edition of 1732, collated with the first impression in 1628. The variations from the latter are thus distinguished: – those words or passages which have been added since the first edition are contained between brackets, [and printed in the common type]; those which have received some alteration, are printed in italic, and the passages, as they stand in the first edition, are always given in a note.
For the Notes, Appendix, and Index, the editor is entirely answerable, and although he is fully aware that many superfluities will be censured, many omissions discovered, and many errors pointed out, he hopes that the merits of the original author will, in a great measure, compensate for the false judgment or neglect of his reviver.