The Drunkard. Thorne Guy

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      A miasmic mist had crept into the noble spaces of the aisles. The vast supporting pillars grew insubstantial and seemed to tremble as the vapour eddied round them. A black veil was quickly falling before the Figure above the Altar, and the seven dim lamps of the Sanctuary burned with green and flickering light.

      The bells of a Great Mind's Message, which had been cast with so much silver in them, rang an increasing dissonance. The trumpets of the organ echoed with a harsh note in the far clerestory; the flutes were false, the dolce stop no longer sweet. The great pipes of the pedal organ muttered and stammered in their massive voices, as if dark advisers whispered in the ear of the musician who controlled them.

      Lothian had passed from one great Palace of Drink. "Where shall I go?" he asked himself again, and immediately his eye fell upon another, the brilliant illumination upon the façade of a well-known "Theatre of Varieties."

      His hot eye-balls drank in the flaring signs, and telegraphed both an impulse and a memory to his brain.

      "Yes!" he said. "I will revisit the 'Kingdom.' There is still two thirds of an hour before the performance will be over. How well I used to know it! What a nightly haunt it used to be. Surely, even now, there will be some people I know there? .. I'll go in and see!"

      As Lothian turned in at the principal doors of the most celebrated Music Hall in the world, his pulses began to quicken.

      – The huge foyer, the purple carpets, with their wreaths of laurel in a purple which was darker yet, the gleaming marble stairway, with its wide and noble sweep, how familiar all this dignified splendour was, he thought as he entered the second Palace of Drink which flung wide its doors to him this night.

      A palace of drink and lust, vast and beautiful! for those who brought poisoned blood and vicious desires within its portals! Here, banished from the pagan groves and the sunlit temples of their ancient glory – banished also from the German pine-woods where Heine saw them in pallid life under the full moon – Venus, Bacchus and Silenus held their unholy court.

      For all the world – save only for a few wise men to whom they were but symbols – Venus and Bacchus were deities once.

      When the Acropolis cut into the blue sky of Hellas with its white splendour these were the chiefest to whom men prayed, and they ruled the lives of all.

      And, day by day, new temples rise in their honour. Once they were worshipped with blythe body and blinded soul. Now the tired body and the besotted brain alone pay them reverence. But great are their temples still.

      Such were the thoughts of Lothian – Lothian the Christian poet – and he was pleased that they should come to him.

      It showed how detached he was, what real command he had of himself. In the old wild days, before his marriage and celebrity, he had come to this place, and other places like it, to seize greedily upon pleasure, as a monkey seizes upon a nut. He came to survey it all now, to revisit the feverish theatre of his young follies with a bland Olympian attitude.

      The poison was flattering him now, placing him upon a swaying pedestal for a moment. He was sucking in the best honey that worthless withering flowers could exude, and it was hot and sweet upon his tongue.

      – Were any of the old set there after all? He hoped so. Not conscious of himself as a rule, without a trace of "side" and detesting ostentation or any display of his fame, he wanted to show off now. He wanted to console himself for his rebuff at the house in Bryanstone Square. Vulgar and envious adulation, interested praise from those who were still in the pit of obscurity from which his finer brain had helped him to escape, would be perfectly adequate to-night.

      After the episode at the Amberleys', coarse flattery heaped on with a spade would be as ice in the desert.

      And he found what he desired.

      He passed slowly through the promenade, towards the door which led to the stalls, and the great lounge where, if anywhere, he would find people who knew him and whom he knew.

      In a slowly-moving tide, like a weed-clogged wave, the women of the town ebbed and flowed from horn to horn of the moon-shaped crescent where they walk. Against the background of sea-purple and white, their dresses and the nodding plumes in their great hats moved languorously. Sickly perfumes, as from the fan of an odalisque, swept over them.

      Many beautiful painted masks floated through the scented aisle of the theatre, as they had floated up and down the bronze corridors of the Temple of Diana at Ephesus in the far off days of St. Paul. A mourning thrill shivered up from the violins of the orchestra below; the 'cellos made their plaint, the cymbals rattled, the kettledrums spoke with deep vibrating voices.

      .. So had the sistra clanked and droned in the old temple of bronze and silver before the altars of Artemis, – the old music, the eternal faces, ever the same!

      A chill came to Lothian as he passed among these "estranged sad spectres of the night." He thought suddenly of his pure and gracious wife, alone in their little house in the country, he thought of the Canaanitish harlot whose soul was the first that Christ redeemed. For a moment or two his mind was like a darkened room in which a magic lantern is being operated and fantastic, unexpected pictures flit across the screen. And then he was in the big lounge.

      Yes, some of them were there! – a little older, perhaps, to his now much more critical eye, somewhat more bloated and coarsened, but the same still.

      "Good heavens!" said a huge man with a blood red face, startling in its menace, like a bully looking into an empty room, "Why, here's old Lothian! Where in the world have you sprung from, my dear boy?"

      Lothian's face lit up with pleasure and recognition. The big evil-faced man was Paradil, the painter of pastels, a wayward drunken creature who never had money in his pocket, but that he gave it away to every one. He was a man spoken of as a genius by those who knew. His rare pictures fetched large prices, but he hardly ever worked. He was soaked, dissolved and pickled in brandy.

      A little elderly man like a diseased doll, came up and began to twitter. He was the husband of a famous dancer who performed at the theatre, a wit in his way, an adroit manager of his wife's affairs with other men, a man with a mind as hollow and bitter as a dried lemon.

      He was a well-known figure in upper Bohemia. His name was constantly mentioned in the newspapers as an entrepreneur of all sorts of things, a popular, evil little man.

      "Ah, Lothian," he said, as one or two other people came up and some one gave a copious order for drinks, "still alternating between the prayer book and the decanter? I must congratulate you on 'Surgit Amari.' I read it, and it made me green with envy to think how many thousand copies you had sold of it."

      "You've kept the colour, Edgar," he said, looking into the little creature's face, but the words stabbed through him, nevertheless. How true they were – superficially – how they expressed – and must express – the view of his old disreputable companions. They envied him his cunning – as they thought it – they would have given their ears to have possessed the same power of profitable hypocrisy – as they thought it. Meanwhile they spoke virtuously to each other about him. "Gilbert Lothian the author of 'Surgit Amari'! – it would make a cat laugh!"

      One can't throw off one's past like a dirty shirt – Gilbert began to wish he had not come here.

      "I ought never to be seen in these places," he thought, forgetting that it was only the sting of the little man's malice that provoked the truth.

      But Paradil, kindly Paradil with the bully's face and a СКАЧАТЬ