Название: Byron: The Last Phase
Автор: Edgcumbe Richard
Издательство: Public Domain
Жанр: Биографии и Мемуары
isbn:
isbn:
Mr. (or, as he was afterwards called) Major, Parry was a peculiar person in every way. He had at one time served as a shipwright, then as Firemaster in the King’s service, and won favour with Byron through his buffoonery and plain speaking – two very useful qualifications in environments of stress and duplicity. When Byron appointed him Major in the Artillery Brigade, the best officers in the brigade tendered their resignations, stating that, while they would be proud to serve under Lord Byron, neither their honour nor the interests of the service would allow them to serve under a man who had no practical experience of military evolutions. The German officers also, who had previously served in the Prussian army, appealed against Parry’s appointment, and offered proofs of his ignorance of artillery. But Byron would not listen to complaints, which he attributed partly to jealousy and partly to German notions of etiquette, which seemed to him to be wholly out of place in a country where merit rather than former titles should regulate such appointments.
In supporting Parry against these officers, Byron was in a measure influenced by the recommendations of both the Greek Committee who sent him out, and of Colonel Leicester Stanhope, who at that time considered Parry to be an exceedingly capable officer. Perhaps, if Parry had not appeared on parade in an apron, brandishing a hammer, and if he had not asserted himself so extravagantly, he might possibly have passed muster. But tact and modesty were not in Parry’s line; and having boasted to the London Committee that he was acquainted with almost every branch of military mechanics, he bullied its members into a belief that his pretentions were well founded. As a matter of fact, Parry proved to be unsuited for high command, although it must be admitted that he worked indefatigably. He made plans for the erection of a laboratory, and presided over the works. He paved the yard of the Seraglio, repaired the batteries, instructed the troops in musketry and gunnery; he gave lessons with the broadsword, inspected the fortifications, and directed the operations of Cocchini, the chief engineer. He repaired gun-carriages, and put his hand to anything wanted, so that it appeared as if really nothing could be done without him. In one thing only did Parry seem to fall short of general expectation. He had boasted that he knew the composition of ‘Congreve rockets.’ With this mighty instrument of mischief he prophesied that the Greeks would be able to paralyze all the efforts of their enemy, both by land and sea. The Turkish cavalry, the only arm against which the Greeks were impotent, would be rendered useless, and the Turkish vessels, by the same means, would be easily destroyed.
Unfortunately, the manufacture of these rockets was impossible without the assistance of the English mechanics whom he had brought with him, and these men were unable to work without materials, which were not obtainable. Thus the principal part of Parry’s ‘stock-in-trade’ – his rockets, incendiary kites, and improved Grecian fires – were not forthcoming.
For a long time the roads in the neighbourhood of Missolonghi were so broken up by incessant rain that Byron could not ride or take any outdoor exercise. This affected his health. His only means of getting a little fresh air was by paddling through the murky waters in a sort of canoe. During these expeditions, says Gamba, who always accompanied him, he spoke often of his anxiety to begin the campaign. He had not much hope of success, but felt that something must be done during these tedious months, if only to employ the troops and keep them from creating disturbances in the town.
‘I am not come here in search of adventures,’ said Byron, ‘but to assist the regeneration of a nation, whose very debasement makes it more honourable to become their friend. Regular troops are certainly necessary, but not in great numbers: regular troops alone would not succeed in a country like Greece; and irregular troops alone are only just better than nothing. Only let the loan be raised; and in the meantime let us try to form a strong national Government, ready to apply our pecuniary resources, when they arrive, to the organization of troops, the establishment of internal civilization, and the preparations for acting defensively now, and on the offensive next winter. Nothing is so insupportable to me as all these minute details and these repeated delays. But patience is indispensable, and that I find the most difficult of all attainments.’
It was Byron’s custom to spend his evenings in Colonel Stanhope’s room, with his English comrades. Sometimes the Germans would join the party, play on their flutes, and sing their national airs to the accompaniment of a guitar. Byron was fond of music in general, and was especially partial to German music, particularly to their national songs.
Millingen tells us that in the evening all the English who had not, with Colonel Stanhope, turned Odysseans assembled at Byron’s house, and enjoyed the charm of his conversation till late at night. Byron’s character, says Millingen,
‘differed so much from what I had been induced to imagine from the relations of travellers, that either their reports must have been inaccurate, or his character must have totally changed after his departure from Genoa. It would be difficult, indeed impossible, to convey an idea of the pleasure his conversation afforded. Among his works, that which may perhaps be more particularly regarded as exhibiting the mirror of his conversation, and the spirit which animated it, is “Don Juan.” He was indeed too open, and too indiscreet in respect to the reminiscences of his early days. Sometimes, when his vein of humour flowed more copiously than usual, he would play tricks on individuals. Fletcher’s boundless credulity afforded him an ever-ready fund of amusement, and he one evening planned a farce, which was as well executed and as laughable as any ever exhibited on the stage. Having observed how nervous Parry had been, a few days before, during an earthquake, he felt desirous of renewing the ludicrous sight which the fat, horror-struck figure of the Major had exhibited on that occasion. He placed, therefore, fifty of his Suliotes in the room above that where Parry slept, and towards midnight ordered them to shake the house, so as to imitate that phenomenon. He himself at the same time banged the doors, and rushed downstairs, delighted to see the almost distracted Major imploring tremblingly the mercy of heaven.’
Lord Byron was very much taken with Parry, whose drolleries relieved the tedium and constant vexations incidental to the situation at Missolonghi. The Major appears to have been an excellent mimic, and possessed a fund of quaint expressions that made up for the deficiency of real wit. Millingen says that he could tell, in his coarse language, a good story, and could play Falstaff’s, or the part of a clown very naturally. He ranted Richard III.’s or Hamlet’s soliloquies in a mock-tragic manner like a player at Bartholomew Fair, which made everyone laugh, and beguiled the length of many a rainy evening.
On January 21, 1824, Missolonghi was blockaded by the Turkish fleet. There were neither guns nor even sailors fit to man the gunboats; the only chance was to make a night attack upon the Turks in boats manned by the European volunteers then residing at Missolonghi. Byron took the matter in hand, and insisted on joining personally in the expedition. He was so determined on this project that Mavrocordato and others, realizing the folly of exposing so valuable a life on so desperate an enterprise, dissuaded Byron from risking his valuable life in a business for which there were already sufficient volunteers. As things turned out, it did not much matter, for the Turkish fleet suddenly abandoned the blockade and returned to the gulf.
On January 22, while Colonel Stanhope and some friends were assembled, Byron came from his bedroom and said, with a smile: ‘You were complaining the other day that I never write any poetry now: this is my birthday, and I have just finished something, which, I think, is better than what I usually write.’ He then produced those affecting verses on his own birthday which were afterwards found written in his journal, with the following introduction: ‘January 22: on this day I complete my thirty-sixth year.’
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте СКАЧАТЬ