Old Court Life in France, vol. 1. Elliot Frances Minto Dickinson

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СКАЧАТЬ madame, you are aware that you desire the pardon of a traitor; on what ground do you ask for his life?”

      “Sire, I ask it for the sake of mercy; mercy is the privilege of kings,” and her soft eyes seek those of Francis and rest upon them. “I have come so far, too, from Normandy, to invoke it – my poor father!” and she sobs again. “Your Majesty will not send me back refused, broken-hearted?” Still her eyes are fixed upon the King.

      “Mercy, Madame Diane, is, doubtless, a royal prerogative. I am an anointed king,” and he lets go her hands, and draws himself up proudly, “and I may use it; but the prerogative of a woman is beauty. Beauty, Madame Diane,” adds Francis, with a glance at the lovely woman still kneeling at his feet, “is more potent than a king’s word.”

      There is silence for a few moments. Diane’s eyes are now bent upon the ground, her bosom heaves. Francis contemplates her with delight.

      “Will you, fair lady, deign to exercise your prerogative?”

      “Truly, Sire, I know not what your Majesty would say,” replies Diane, looking down and blushing.

      Something in his eyes gives her hope, for she starts violently, rises, and clasping her hands together exclaims, “How, Sire! do I read your meaning aright? can I, by my humble service to your Majesty – ”

      “Yes, fair lady, you can. Your presence at my Court, where your adorable beauty shall receive due homage, will be my hostage for your father’s loyalty. Madame Diane, I declare that the Comte de Saint-Vallier is PARDONED. Though he had rent the crown from off our head, your father is pardoned. And I add, madame, that it was the charm of his daughter that rendered a refusal impossible.”

      Madame Diane’s face shines like April sunshine through rain-drops; a smile parts her lips, and her glistening eyes dance with joy; she is more lovely than ever.

      “Thanks, thanks, Sire!” And again she would have knelt, but the King again takes her hands, and looks into her face so earnestly that she again blushes.

      Did that look of the King fascinate her? or did the sudden joy of saving her father move her heart with love? Who can tell? It is certain, however, that from this time Diane left Normandy, and became one of the brightest ornaments of that beauty-loving Court. Diane was a woman of masculine understanding, concealed under the gentlest and most fascinating manners; but she was also mercenary, intriguing, and domineering. Of her beauty we may judge for ourselves, as many portraits of her are extant, especially one of great excellence by Leonardo da Vinci, in the long gallery at Chenonceau.

      Diane was soon forsaken, but the ready-witted lady consoled herself by laying siege to the heart of the son of Francis, Prince Henry, afterwards Henry II.

      Henry surrendered at discretion. Nothing can more mark the freedom of the times than this liaison. Yet both these ladies – Diane de Poitiers and her successor in the favour of the King, the Duchesse d’Étampes – were constantly in the society of two most virtuous queens Claude, and Elinor of Spain, the successive wives of Francis.

      CHAPTER V.

      ALL LOST SAVE HONOUR

      THE next scene is in Italy. The French army lies encamped on the broad plains of Lombardy, backed by snowy lines of Alpine fastnesses.

      Bonnivet, in command of the French, presumptuous and inexperienced, has been hitherto defeated in every battle. Bourbon, fighting on the side of Spain, is, as before, victorious.

      Francis, stung by the repeated defeat of his troops, has now joined the army, and commands in person. Milan, where the plague rages, has opened its gates to him; but Pavia, distant about twenty miles, is occupied by the Spaniards in force. Antonio de Leyva is governor. Thither the French advance in order to besiege the city.

      The open country is defended by the Spanish forces under Bourbon. Francis, maddened by the presence of his cousin, rushes onward. Montmorenci and Bonnivet, flatterers both, assure him that victory is certain by means of a coup de main.

      It is night; the days are short, for it is February. The winter moon lights up the rich meadow lands divided by the broad Ticino and broken by the deep ditches and sluggish streams which surround the city. Tower, campanile, dome, and turret, with here and there the grim façade of a mediæval palace, stand out in the darkness.

      Yonder among the meadows are the French, darkening the surrounding plain. Francis knows that the Constable is advancing to support the garrison of Pavia, and he desires to carry the city by assault before his arrival. Ever too rash, and now excited by a passionate sense of injury, Francis, with D’Alençon, De la Trémouille, De Foix, and Bonnivet, leads the attack at the head of his cavalry. Now he is under the very walls. Despite the dim moonlight, no one can mistake him. He wears a suit of steel armour inlaid with gold; a crimson surcoat, embroidered with gilt “F’s”; a helmet encircled by a jewelled crown, out of which rises a yellow plume and golden salamander. For an instant success seems certain; the scaling-ladders thick with soldiers are already planted against the lowest walls, and the garrison retreats under cover of the bastions. A sudden panic seizes the troops beneath, who are to support the assault. In the treacherous moonlight they have fallen into confusion among the deep, slimy ditches; many are drifted away in the current of the great river. A murderous cannonade from the city walls now opens on the assailants and on the cavalry. Francis falls back. The older generals conjure him to retreat and raise the siege before the arrival of Bourbon, but, backed by Bonnivet and Montmorenci, he will not hear of it. The battle rages during the night. The morning light discovers the Spaniards commanded by Bourbon and Pescara, with the whole strength of their army, close under the walls. Again the King leads a fresh assault – a forlorn hope, rather. He fights desperately; the yellow plumes of his helmet wave hither and thither as his horse dashes wildly from side to side amidst the smoke, in the thickest of the battle. See, for an instant he falters, – he is wounded and bleeding. He recovers, however, and again clapping spurs to his horse, scatters his surrounding foes; six have already fallen by his hand. Look! his charger is pierced by a ball and falls with his rider. After a desperate struggle the King extricates himself; now on foot, he still fights furiously. Alas! it is in vain. Every moment his enemies thicken around him, pressing closer and closer. His gallant followers drop one by one under the unerring aim of the Basque marksmen. La Trémouille has fallen. De Foix lies a corpse at his feet. Bonnivet in despair expiates his evil counsel by death.4 Every shot takes from him one of the pillars of his throne. Francis flings himself wildly on the points of the Spanish pikes. The Royal Guards fall like summer grass before the sickle; but where the King stands, still dealing desperate blows, the bodies of the slain form a rampart of protection around him. His very enemies stand back amazed at such furious courage. While he struggles for his life hand to hand with D’Avila and D’Ovietta, plumeless, soiled, and bloody, a loud cry rises from a thousand voices – “It is the King – LET HIM SURRENDER —Capture the King!” There is a dead silence; the Spanish troops fall back. A circle is formed round the now almost fainting Francis, who lies upon the blood-stained earth. De Pompérant advances. He kneels before the master whom he has betrayed, he implores him to yield to Bourbon.

      At that hated name the King starts into fresh fury; he grasps his sword, he struggles to his feet. “Never,” cries he in a hoarse voice; “never will I surrender to that traitor! Rather let me die by the hand of a common marksman. Go back, Monsieur de Pompérant, and call to me the Vice-King of Naples.”

      Lannoy advances, kneels, and kisses his hand. “Your Majesty is my prisoner,” he cries aloud, and a ringing shout is echoed from the Spanish troops.

      Francis gives him his sword. Lannoy receives it kneeling, and replaces it by his own. The King’s СКАЧАТЬ