Free Russia. Dixon William Hepworth

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СКАЧАТЬ and many more; the belfries and domes of which lighten the wonderful panorama seen from the Sparrow Hills. Pskoff has her glorious Convent of the Catacombs, all but rivalling that of Kief.

      Within the walls, these cloisters are no less splendid than the promise from without. Their altars and chapels are always fine, the refectories neat and roomy, the sacristies rich in crosses and priestly robes. Many fine pictures – fine of their school – adorn the screens and the royal gates. Nearly all possess portraits of the Mother and Child encased in gold, and some have lamps and croziers worth their weight in sterling coin. The greater part of what is visible of Russian wealth appears to hang around these shrines.

      These old monastic houses sprang out of the social life around them. They were centres of learning, industry, and art. A convent was a school, and in these schools a special excellence was sought and won. This stamp has never been effaced; and many of the convents still aspire to excellence in some special craft. The Convent of St. Sergie, near Strelna, is famed for music; the New Monastery, near Kherson, for melons; the Troitsa, near Moscow, for carving; the Catacombs, near Kief, for service-books.

      In the belfry of the old Cathedral of St. Sophia at Novgorod you are shown a chamber which was formerly used as a treasure-room by the citizens – in fact, as their place of safety and their tower of strength. You enter it through a series of dark and difficult passages, barred by no less than twelve iron doors; each door to be unfastened by bolt and bar, secured in the catches under separate lock and key. In this strong place the burghers kept, in times of peril, their silver plate, their costly icons, and their ropes of pearl. A robber would not – and a boyar dared not – force the sanctuary of God. Each convent was, in this respect, a smaller St. Sophia; and every man who laid up gold and jewels in such a bank could sleep in peace.

      "You must understand," said the antiquary of Novgorod, as we paddled in our boat down the Volkhoff, "that in ancient times a convent was a home – a family house. A man who made money by trade was minded in his old age to retire from the city and end his days in peace. In England such a man would buy him a country-house in the neighborhood of his native town, in which he would live with his wife and children until he died. In a country like Old Russia, with brigands always at his gates, the man who saved money had to put his wealth under the protection of his church. Selecting a pleasant site, he would build his house in the name of his patron saint, adorn it with an altar, furnish it with a kitchen, dormitory, and cellar, and taking with him his wife, his children, and his pope, would set up his tent in that secure and comfortable place for the remainder of his days on earth."

      "Could such a man have his wife and children near him?"

      "Near him! With him; not only in his chapel but in his cell. The convent was his home – his country-house; and at his death descended to his son, who had probably become a monk. In some such fashion, many of the prettiest of these smaller convents on the Volkhoff came to be."

      Half the convents in Great Russia were established as country-houses; the other half as deserts – like Solovetsk; and many a poor fellow toiled like Zosima who has not been blessed with Zosima's fame.

      But such a thing is possible, even now; for Russia has not yet passed beyond the legendary and heroic periods of her growth. The latest case is that of the new desert founded at Gethsemane, on the plateau of the Troitsa, near Moscow; one of the most singular notes of the present time.

      In the year 1803 was born in a log cabin, in a small village called Prechistoe (Very Clean), near the city of Vladimir, a male serf, so obscure that his family name has perished. For many years he lived on his lord's estate, like any other serf, marrying in his own class (twice), and rearing three strapping sons. At thirty-seven he was freed by his owner; when he moved from his village to Troitsa, took the name of Philip, put on cowl and gown, and dug for himself a vault in the earth. In this catacomb he spent five years of his life, until he found a more congenial home among the convent graves, where he lived for twenty years. Too fond of freedom to take monastic vows, he never placed himself under convent rule. Yet seeing, in spite of the proverb, that the hood makes the monk in Russia, if not elsewhere, he robed his limbs in coarse serge, girdled his waist with a heavy chain, and walked to the palace of Philaret, Metropolite of Moscow, begged that dignitary's blessing, and craved permission to adopt his name. Philaret took a fancy to the mendicant; and from that time forth the whilom serf from Very Clean was known in every street as Philaret-oushka – Philaret the Less.

      Those grave-yards of the Troitsa lay in a pretty and silent spot on the edge of a lake, inclosed in dark green woods. Among those mounds the mendicant made his desert. Buying a few images and crosses in Troitsa and Gethsemane at two kopecks apiece, he carried them into the streets and houses of Moscow, where he gave them to people, with his blessing; taking, in exchange, such gifts as his penitents pleased; a ruble, ten rubles, a hundred rubles each. He very soon had money in the bank. His images brought more rubles than his crosses; for his followers found that his images gave them luck, while his crosses sent them trouble. Hence a woman to whom he gave a cross went home with a heavy heart. Unlike the practice in western countries, no peasant woman adorns herself with this memorial of her faith; nor is the cross a familiar ornament even in mansions of the rich. A priest wears a cross; a spire is crowned by a cross; but this symbol of our salvation is rarely seen among the painted and plated icons in a private house. To "bear the cross" is to suffer pain, and no one wishes to suffer pain. One cross a man is bound to bear – that hung about his neck at the baptismal font; but few men care to carry a second weight.

      An oddity in dress and speech, Philaret-oushka wore no shoes and socks, and his greeting in the market was, "I wish you a merry angel's day," instead of "I wish you well." In his desert, and in his rambles, he was attended by as strange an oddity as himself; one Ivanoushka, John the Less. This man was never known to speak; he only sang. He sang in his cell; he sang on the road; he sang by the Holy Gate. The tone in which he sang reflected his master's mood; and the voice of John the Less told many a poor creature whether Philaret the Less would give her that day an image or a cross.

      This mendicant had much success in merchants' shops. The more delicate ladies shrank from him with loathing, not because he begged their money, but because he defiled their rooms. Though born in Very Clean, this serf was dirtier than a monk; but his followers saw in his rusty chains, his grimy skin, his unkempt hair, so many signs of grace. The women of the trading classes courted him. A lady told me, that on calling to see a female friend, the wife of a merchant of the first guild, she found her kneeling on the floor, and washing this beggar's feet. Her act was not a form; for the mendicant wore no shoes, and the streets of Moscow are foul with mire and hard with flints. One old maid, Miss Seribrikof, used to boast, as the glory of her life, that she had once been allowed to wash the good man's sores. Young brides would beg him to attend their nuptial feasts; at which he would "prophesy" as they call it; hinting darkly at their future of weal or woe. Sometimes he made a lucky hit. One day, at the wedding-feast of Gospodin Sorokine, one of the richest men in Moscow, he turned to the bride and said, "When your feastings are over, you will have to smear your husband with honey." No one knew what he meant, until three days later, when Sorokine died; on which event every one remembered that honey is tasted at all Russian funerals; and the words of Philaret the Less were likened to that Vision of Zosima, which has since been painted on the pillar in Novgorod the Great.

      Madame Loguinof, one of his rich disciples, gave this mendicant money enough to build a church and convent, and when these edifices were raised in the grave-yard of Troitsa his "desert" was complete.

      At the age of sixty-five, this idol of the people passed away. When his high patron died, Philaret the Less was not so happy in his desert as of yore; for Innocent, the new Metropolite, was a real missionary of his faith, and not a man to look with favor on monks in masquerade. Deserting his desert, the holy man went his way from Troitsa into the province of Tula, where, in the village of Tcheglovo, he built a second convent, in which he died about a year ago. The two convents built by his rusty chains and dirty feet are now occupied by bodies of regular monks.

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