Nobody's Child. Dejeans Elizabeth
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Название: Nobody's Child

Автор: Dejeans Elizabeth

Издательство: Public Domain

Жанр: Зарубежная классика

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СКАЧАТЬ the hay he almost laughed out, in spite of the warmth that rose to his face. But, at the sob in her voice, he felt ashamed, like one caught eavesdropping. Baird was not overburdened with fine feelings, in some respects he was coarse-fibered, but there was too much genuine sorrow and longing in the girl's voice. It made him uncomfortable; he had no right to be there. He drew back into the wagon-shed, uncertain just how to present himself.

      Ann solved the difficulty. She came out carrying the basket of eggs and with the collie at her heels. At sight of Baird, the dog barked furiously, and Ann stopped dead; the look she gave Baird was scarcely more friendly than the dog's bark; she was so evidently startled.

      "I'm afraid I'm trespassing," Baird said promptly. "I thought I might come through this way to Westmore, but the gate is locked. I'm sorry I frightened you." He made his apology with the best air possible to him, cap in hand.

      Ann quieted the collie, and when she looked at Baird again a smile had dawned in her eyes. "You're a stranger – you couldn't be expected to know about the gate," she said in her soft drawl. "I'll let you through."

      "Thank you," Baird said, "but I hate to give you trouble."

      Ann said nothing, yet Baird observed that she was not embarrassed. She put down the basket of eggs and led the way, her head carried quite as spiritedly as Judith Westmore bore hers. Not a vestige of the playful child remained; she was collected, polite. And she was lovely. Judith could never have been as pretty – she had never had this girl's ripe lips and warm throat, or her trick of lowered lashes. Baird saw now why her eyes appeared so dark; her lashes were black and the eyelids blue-tinged, giving her eyes both brilliancy and languor. The eyes themselves were a gray-hazel, and, except when surprised or smiling, their expression was wistful, almost melancholy. A facile face, capable of swift changes, and captivating because of it. Baird knew now why he had thought her something more than merely pretty.

      He made his observations as he walked on beside her. "It must be a nuisance – having people come through in this way," he remarked, in order to be saying something.

      "I don't mind, but grandpa does," Ann answered. "Perhaps when my father comes he will let the gate stay open."

      "Your father doesn't live here then?"

      "He hasn't been here for a long time – he's coming home to-morrow." There was anticipation in her voice.

      "I was thinking this morning that if I owned land about here I'd kick at having my crops ridden over as we were doing."

      "It's always been done, you see. Around here the best reason for doin' things is because they've always been done." Her tone was faintly sarcastic; she glanced at him, a swiftly intelligent look.

      "She's bright," was Baird's mental comment. Aloud he said, "And in my part of the world the best reason for not doing things is because they've been done before – every one's looking for a newer and better way."

      "Your part of the world?" It was the first sign of personal interest she had shown.

      Baird was not supersensitive, but he had felt polite antagonism in her manner. He attempted to capture interest. "I came here from Chicago. Before that I was in Wyoming for a time. I've ranched, and done a lot of other things. I spent two years in South America – got rid of fifty thousand dollars down there and nothing but a year of fever to show for it. I could tell you a few tales that would make your hair rise."

      He had won her wide look. "Were you on the Amazon? Are there flowers there that catch insects and snakes that make hoops of themselves an' chase animals?"

      "Yes, I've been on the Amazon – worse luck. I don't know about the hoop-snakes, but I've seen plenty of insects that are flowers and flowers that are insects – everything in nature preys on something else… How do you come to know about the Amazon?"

      "I read a story about it."

      "Do you like to read?"

      "I like it better than anything else," she said brightly.

      They had come to the gate, and she looked at the bag strapped to his saddle, then laughingly at Baird. "Looks funny, doesn't it?" he remarked. "I'm taking my dress clothes over to Westmore – they're having a dinner-dance to-night."

      Ann's smile vanished. "Oh – " she said, her face grown wistful. Then with a flash into gaiety she sprang lightly to a notch in the gate-post, swung herself up by the foothold, and took a key from the niche in which it was hidden.

      "Here!" Baird exclaimed. "Why didn't you let me do that?.. Let me help you!"

      Ann looked at him, innate coquetry in her eyes. "If you'll stand aside, suh, I can step down."

      Baird answered the look in the fashion natural to him. He took her by the waist, held her up long enough to prove the strength of his arms, then set her down; his lips pressed her cheek and his breath warmed her neck as he did so. "Arms like mine are made for reaching – and for holding," he said.

      The color swept into Ann's face, and her eyes widened into brilliancy. For an instant Baird did not know what to think. Then her lashes dropped and she held the key out to him. "You know where to find it now," she said softly.

      "I'll come again – I'm staying at the Hunt Club," he answered swiftly. He took her hand as well as the key; he had flushed as deeply as she.

      The tacit invitation had struck Baird as involuntary, and so did her answer, a sudden inclination and as quick a shrinking; the color fled from her face. "No!" she said decidedly, and pulling her hand away sped to the house.

      Baird started in pursuit, the first step, before he remembered where he was. Then he stopped. "Whew!" he said, under his breath.

      He went back to the gate and unlocked it, led his horse through, and returned the key to its hiding-place. Before he mounted, he gave the house a long scrutiny. "We'll see!" he said, his eyes grayed to coldness, his cheeks still hot.

      He rode for half a mile before he regained his usual aspect. Then he laughed shortly: "That was funny – she regularly took hold on me."

      VII

      THE WESTMORES OF WESTMORE

      Baird thought, when he sat down to dinner that night, that he had never looked on a better favored company or on a more interesting setting.

      They were twenty-five in all, with the great mahogany table drawn crosswise of the room to allow passage between silver-laden sideboards and china-cupboards whose aged mahogany was brightened by arrays of dull blue and gold-banded Worcester and the pinky red of platters and plates of Indian Tree pattern which Judith told him had been presented, in 1735, by Lord Westmore to his colonial cousin, the first Westmore of Westmore. From where Baird sat he could look across the hall into the drawing-room, a glimpse of dark paneling, wide fireplace, and above it the two portraits, Edward Stratton Westmore, first Westmore of Westmore, and his cousin, Lord Edward Stratton Westmore, of Stratton House, Hampshire, England.

      Westmore was typically a southern colonial mansion, a spacious central building with two wings and with a collection of outbuildings for the housing of servants. The ballroom and the plantation office were in one wing, the kitchens in the other. Westmore's massive brick walls had withstood time, as had the heavy oak paneling of dining-room, hall and drawing-room. There were no modern touches to disturb the Georgian atmosphere; this was 1905, yet Westmore was still the Westmore of 1735.

      And with the picturesque additions of frilled wrist-bands, perukes, looped skirts and powdered coiffures, СКАЧАТЬ