Italy; with sketches of Spain and Portugal. Beckford William

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СКАЧАТЬ upon beholding this smiling land of groves and verdure stretched out before me. A few hazy vapours, I can hardly call them clouds, rested upon the extremities of the landscape; and, through their medium, the sun cast an oblique and dewy ray. Peasants were returning home, singing as they went, and calling to each other over the hills; whilst the women were milking goats before the wickets of the cottage, and preparing their country fare.

      I left them enjoying it, and soon beheld the ancient ramparts and cypresses of Bassano; whose classic appearance recalled the memory of former times, and answered exactly the ideas I had pictured to myself of Italian edifices. Though encompassed by walls and turrets, neither soldiers nor custom-house officers start out from their concealment, to question and molest a weary traveller, for such is the happiness of the Venetian state, at least of the terra firma provinces, that it does not contain, I believe, above four regiments. Istria, Dalmatia, and the maritime frontiers, are more formidably guarded, as they touch, you know, the whiskers of the Turkish empire.

      Passing under a Doric gateway, we crossed the chief part of the town in the way to our locanda, pleasantly situated, and commanding a level green, where people walk and take ices by moonlight. On the right, the Franciscan church, and convent, half hid in the religious gloom of pine and cypress; to the left, a perspective of walls and towers rising from the turf, and marking it, when I arrived, with long shadows, in front; where the lawn terminates, meadow, wood, and garden run quite to the base of the mountains.

      Twilight coming on, this beautiful spot swarmed with company, sitting in circles upon the grass, refreshing themselves with fruit and sherbets, or lounging upon the bank beneath the towers. They looked so free and happy that I longed to be acquainted with them; and, thanks to a warm-hearted old Venetian, (the Senator Querini,) was introduced to a group of the principal inhabitants. Our conversation ended in a promise to meet the next evening at the villa of La Contessa Roberti, about a league from Bassano, and then to return together and sing to the praise of Pachierotti, their idol, as well as mine.

      You can have no idea what pleasure we mutually found in being of the same faith, and believing in one singer; nor can you imagine what effects that musical divinity produced at Padua, where he performed a few years ago, and threw his audience into such raptures, that it was some time before they recovered. One in particular, a lady of distinction, fainted away the instant she caught the pathetic accents of his voice, and was near dying a martyr to its melody. La Contessa, who sings in the truest taste, gave me a detail of the whole affair. “Egli ha fatto veramente un fanatismo a Padua,” was her expression. I assured her we were not without idolatry in England, upon his account; but that in this, as well as in other articles of belief, there were many abominable heretics.

      LETTER II

      Villa of Mosolente – The route to Venice. – First view of that city. – Striking prospect from the Leon Bianco. – Morning scene on the grand canal. – Church of Santa Maria della Salute. – Interesting group of stately buildings. – Convent of St. Giorgio Maggiore. – The Redentore. – Island of the Carthusians.

August 1st, 1780.

      THE whole morning not a soul stirred who could avoid it. Those who were so active and lively the night before, were now stretched languidly upon their couches. Being to the full as idly disposed, I sat down and wrote some of this dreaming epistle; then feasted upon figs and melons; then got under the shade of the cypress, and slumbered till evening, only waking to dine, and take some ice.

      The sun declining apace, I hastened to my engagement at Mosolente (for so is the villa called) placed on a verdant hill encircled by others as lovely, and consisting of three light pavilions connected by porticos; just such as we admire in the fairy scenes of an opera. A vast flight of steps leads to the summit, where Signora Roberti and her friends received me with a grace and politeness that can never want a place in my memory. We rambled over all the apartments of this agreeable edifice, characterised by airiness and simplicity. The pavement encrusted with a composition as cool and polished as marble; the windows, doors, and balconies adorned with silver iron work, commanding scenes of meads and woodlands that extend to the shores of the Adriatic; slender towers and cypresses rising above the levels; and the hazy mountains beyond Padua, diversifying the expanse, form altogether a landscape which the elegant imagination of Horizonti never exceeded.

      I gazed on this delightful view till it faded in the dusk; then returning to Bassano, repaired to an illuminated hall, and heard Signora Roberti sing the very air which had excited such transport at Padua. As soon as she had ended, a band of various instruments stationed in the open street began a lively symphony, which would have delighted me at any other time; but now, I wished them a thousand leagues away, so pleasingly melancholy an impression did the air I had been listening to leave on my mind.

      At midnight I took leave of my obliging hosts, who were just setting out for Padua. They gave me a thousand kind invitations, and I hope some future day to accept them.

August 2.

      OUR route to Venice lay winding about the variegated plains I had surveyed from Mosolente; and after dining at Treviso we came in two hours and a half to Mestre, between grand villas and gardens peopled with statues. Embarking our baggage at the last-mentioned place, we stepped into a gondola, whose even motion was very agreeable after the jolts of a chaise. We were soon out of the canal of Mestre, terminated by an isle which contains a cell dedicated to the Holy Virgin, peeping out of a thicket, whence spire up two tall cypresses. Its bells tingled as we passed along and dropped some paolis into a net tied at the end of a pole stretched out to us for that purpose.

      As soon as we had doubled the cape of this diminutive island, an expanse of sea opened to our view, the domes and towers of Venice rising from its bosom. Now we began to distinguish Murano, St. Michele, St. Giorgio in Alga, and several other islands, detached from the grand cluster, which I hailed as old acquaintances; innumerable prints and drawings having long since made their shapes familiar. Still gliding forward, we every moment distinguished some new church or palace in the city, suffused with the rays of the setting sun, and reflected with all their glow of colouring from the surface of the waters.

      The air was calm; the sky cloudless; a faint wind just breathing upon the deep, lightly bore its surface against the steps of a chapel in the island of San Secondo, and waved the veil before its portal, as we rowed by and coasted the walls of its garden overhung with fig-trees and surmounted by spreading pines. The convent discovers itself through their branches, built in a style somewhat morisco, and level with the sea, except where the garden intervenes.

      We were now drawing very near the city, and a confused hum began to interrupt the evening stillness; gondolas were continually passing and repassing, and the entrance of the Canal Reggio, with all its stir and bustle, lay before us. Our gondoliers turned with much address through a crowd of boats and barges that blocked up the way, and rowed smoothly by the side of a broad pavement, covered with people in all dresses and of all nations.

      Leaving the Palazzo Pesaro, a noble structure with two rows of arcades and a superb rustic, behind, we were soon landed before the Leon Bianco, which being situated in one of the broadest parts of the grand canal, commands a most striking assemblage of buildings. I have no terms to describe the variety of pillars, of pediments, of mouldings, and cornices, some Grecian, others Saracenic, that adorn these edifices, of which the pencil of Canaletti conveys so perfect an idea as to render all verbal description superfluous. At one end of this grand scene of perspective appears the Rialto; the sweep of the canal conceals the other.

      The rooms of our hotel are spacious and cheerful; a lofty hall, or rather gallery, painted with grotesque in a very good style, perfectly clean, floored with a marbled stucco, divides the house, and admits a refreshing current of air. Several windows near the ceiling look into this vast apartment, which serves in lieu of a court, and is rendered perfectly luminous by a glazed arcade, thrown open to catch the breezes. Through it I passed to a balcony which impends over the canal, and is twined round with СКАЧАТЬ