The Complete Works. Robert Burns

Чтение книги онлайн.

СКАЧАТЬ weeping, tells the mournful tale,

      How pamper’d luxury, flattery by her side,

      The parasite empoisoning her ear.

      With all the servile wretches in the rear,

      Looks o’er proud property, extended wide;

      And eyes the simple rustic hind,

      Whose toil upholds the glittering show,

      A creature of another kind,

      Some coarser substance, unrefin’d,

      Placed for her lordly use thus far, thus vile, below.

      Where, where is love’s fond, tender throe,

      With lordly honour’s lofty brow,

      The powers you proudly own?

      Is there, beneath love’s noble name,

      Can harbour, dark, the selfish aim,

      To bless himself alone!

      Mark maiden innocence a prey

      To love-pretending snares,

      This boasted honour turns away,

      Shunning soft pity’s rising sway,

      Regardless of the tears and unavailing prayers!

      Perhaps this hour, in misery’s squalid nest,

      She strains your infant to her joyless breast,

      And with a mother’s fears shrinks at the rocking blast!

      Oh ye! who, sunk in beds of down,

      Feel not a want but what yourselves create,

      Think, for a moment, on his wretched fate,

      Whom friends and fortune quite disown!

      Ill satisfied keen nature’s clamorous call,

      Stretched on his straw he lays himself to sleep,

      While through the ragged roof and chinky wall,

      Chill o’er his slumbers piles the drifty heap!

      Think on the dungeon’s grim confine,

      Where guilt and poor misfortune pine!

      Guilt, erring man, relenting view!

      But shall thy legal rage pursue

      The wretch, already crushed low

      By cruel fortune’s undeserved blow?

      Affliction’s sons are brothers in distress,

      A brother to relieve, how exquisite the bliss!”

      I heard nae mair, for Chanticleer

      Shook off the pouthery snaw,

      And hailed the morning with a cheer—

      A cottage-rousing craw!

      But deep this truth impressed my mind—

      Through all his works abroad,

      The heart benevolent and kind

      The most resembles God.

      XIII. REMORSE. A FRAGMENT

      [“I entirely agree,” says Burns, “with the author of the Theory of Moral Sentiments, that Remorse is the most painful sentiment that can embitter the human bosom; an ordinary pitch of fortitude may bear up admirably well, under those calamities, in the procurement of which we ourselves have had no hand; but when our follies or crimes have made us wretched, to bear all with manly firmness, and at the same time have a proper penitential sense of our misconduct, is a glorious effort of self-command.”]

      Of all the numerous ills that hurt our peace,

      That press the soul, or wring the mind with anguish,

      Beyond comparison the worst are those

      That to our folly or our guilt we owe.

      In every other circumstance, the mind

      Has this to say, ‘It was no deed of mine;’

      But when to all the evil of misfortune

      This sting is added—‘Blame thy foolish self!’

      Or worser far, the pangs of keen remorse;

      The torturing, gnawing consciousness of guilt,—

      Of guilt, perhaps, where we’ve involved others;

      The young, the innocent, who fondly lov’d us,

      Nay, more, that very love their cause of ruin!

      O burning hell! in all thy store of torments,

      There’s not a keener lash!

      Lives there a man so firm, who, while his heart

      Feels all the bitter horrors of his crime,

      Can reason down its agonizing throbs;

      And, after proper purpose of amendment,

      Can firmly force his jarring thoughts to peace?

      O, happy! happy! enviable man!

      O glorious magnanimity of soul!

      XIV. THE JOLLY BEGGARS. A CANTATA

      [This inimitable poem, unknown to Currie and unheardof while the poet lived, was first given to the world, with other characteristic pieces, by Mr. Stewart of Glasgow, in the year 1801. Some have surmised that it is not the work of Burns; but the parentage is certain: the original manuscript at the time of its composition, in 1785, was put into the hands of Mr. Richmond of Mauchline, and afterwards given by Burns himself to Mr. Woodburn, factor of the laird of Craigen-gillan; the song of “For a’ that, and a’ that” was inserted by the poet, with his name, in the Musical Museum of February, 1790. Cromek admired, yet did not, from overruling advice, print it in the Reliques, for which he was sharply censured by Sir Walter Scott, in the Quarterly Review. The scene of the poem is in Mauchline, where Poosie Nancy had her change-house. Only one copy in the handwriting of Burns is supposed to exist; and of it a very accurate fac-simile has been given.]

      Recitativo.

      When lyart leaves bestrow the yird,

      Or wavering like the bauckie-bird,

      Bedim cauld Boreas’ blast;

      When hailstanes drive wi’ bitter skyte

      And infant frosts begin to bite,

      In hoary cranreuch drest;

      Ae night at e’en a merry core

      O’ randie, gangrel bodies,

      In Poosie-Nansie’s held the splore,

      To drink their orra duddies:

      Wi’ quaffing and laughing,

      They ranted an’ they sang;

      Wi’ jumping and thumping,

      The vera girdle rang.

      First, neist the fire, in auld red rags,

      Ane sat, weel brac’d wi’ mealy bags,

      And knapsack a’ in order;

      His doxy lay within his arm,

      Wi’ usquebae an’ blankets warm—

      She blinket on her sodger:

      An’ ay he gies the tozie drab

      The tither skelpin’ kiss,

      While she held up her greedy gab

      Just like an aumous dish.

      Ilk smack still, did crack still,

      Just like a cadger’s whip,

      Then staggering and swaggering

      He roar’d this ditty up—

      Air.

      Tune—“Soldiers’ СКАЧАТЬ